Writer’s Toolkit: 5 Techniques for Handling Emotional Intensity in Writing

By Ellis Elliot

As writers, we often draw from our own lives for inspiration, tapping into our memories and emotions. However, delving into difficult experiences or memories can be challenging. It’s important to use techniques, or “lifelines”, to navigate this process. For example, author Gillian Flynn separates herself from the intense emotions of her writing by enjoying her favorite Broadway show tunes for a few minutes after she finishes writing. Poet Ada Limón ensures she has a way out of the emotional intensity by reminding herself that writing is the outlet for her feelings.

“Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic.”

                                 -Tennessee Williams

What does the “ladder out” look like? For me, the five techniques below are the rungs I use and find most helpful when the “going gets hard”:

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  1. Method to Shift from Interior to Exterior- when I feel myself spiraling, I will tell myself to notice: 5 things I can see, 4 things you can hear, 3 things you can touch, 2 things you can smell, and 1 thing you can taste, OR NOTICE 3 things in the shape of a square, 3 things in the shape of a circle, and 3 things in the shape of a rectangle.(I thank my therapist for that one!)
  • Breath Work-Breath connects directly to the nervous system, hence, when our breath quickens with excitement/fear we can consciously slow it down to bring calm. There are a lot of different kinds of breath-work, but the method I use (because I can remember it) when on the high-dive is called “box breathing”. You simply inhale 4 counts, hold 4, exhale 4, hold 4. More info here: https://www.calm.com/blog/breathing-exercises-for-anxiety
  • Form Constraints-Choose a form, any form. Maybe it’s a sonnet, or as simple as making a list. Maybe it’s a haiku, or in the form of dialogue. Having a form helps switch the brain away from emotionally charged subject matter, and over to the more linear, logical side. Like swim-lane ropes, it helps give our work specific direction when it feels like we’re dog-paddling to nowhere.
  • Movement and/or Music-Take a walk. Sit in your chair, reach your arms out and upward as you breathe in, bring them down as you exhale. Roll your shoulders. Try some chair yoga. Turn on the music. Take a dance break. The mind/body connection is a strong and proven one. Get out of your head and into your body. Discharge that pent-up emotional energy with movement. Your writing, and your body, will thank you.
  • Decline the Invitation-“Going there” in your writing is up to you. Trust the wisdom of your body. If something comes up you don’t want to address, you can absolutely say, “no, thank you”, and shut the door behind it.

Maybe think of the above as the hard-hat and knee-pads for certain aspects of the hard work of writing. Find comfort in knowing that many are sharing the journey with you. If you’re lucky enough to have writer friends, talk about it. Many of us circle and circle around our truths, but never get there. Suit up and see where it can take your writing.

Thank you for reading. For more about the author Ellis Elliot visit. And check out her book.

Break in the Field