Oh Lordy, It’s Mother’s Day (in the USA)

Wouldn’t I just be lucky enough to get Mother’s Day as my regularly scheduled blog post day. *sigh* 
I’m not a fan, in general, of prescribed celebration days like this one. However one of the first things my husband and I bonded over was Mother’s Day. We stood in a Ralphs together, a few weeks before the event, looking at cards:

“Mom, you were always there for me.”
“Not so much.”
“Mom your hugs are the warmest.”
“Um, well….”
And so on, until we smiled ruefully at each other, looking for the most non-sappy card, and laughing at our shared predicament.

Yes, it’s Mother’s Day, but we also have to be honest that not all mothers are the mother we need. Some are not kind or safe. Some are just cold, like hugging an ironing board instead of a loving mother, or absent, or not interested. In those cases, we learn something important. We mother ourselves. We learn to speak gently where others were harsh. We learn to protect what is still tender. We learn to become the steady presence we once needed. And, even those marginal mothers… I feel like we have to allow that not everyone who becomes a mother wanted to be a mother, and so it seems almost natural that some are not going to be good at it. Until all mothers become mothers solely by choice, there’s something demanded of, and taken from, women that also negates their personhood. So, Mother’s Day is a mixed bag at best, in my opinion and experience.

Mother’s Day does force us to think about our mothers, which I guess is the point, but let’s think beyond our biological mothers to all the ways mothers and mothering show up in our lives. Mothering does not belong to one shape, one role, or one person. We mother children. We mother pets who rely on us for warmth, routine, and the quiet comfort of being known. We mother friends when they are exhausted and cannot hold themselves up for a while. We mother partners, siblings, parents, and sometimes even strangers, offering care that asks for nothing back. Sometimes dads do the mothering better, and men can mother as well as women.

We also mother our homes, our gardens, our work. We tend to them. We notice what is growing and what is struggling. We prune what no longer serves, and we stay present long enough for things to take root.

Mothering is not only about giving birth. It is about giving attention. It is about noticing life and choosing to care for it, again and again, in all its forms.

As authors, we mother each other too. We nurture stories before they are ready to stand on their own. We encourage drafts that are still learning how to breathe. We remind each other to keep going when doubt gets loud. I have been especially grateful for Virginia Watts (who I also think of affectionately as “Dead Wood” because she has a remarkable gift for cutting away everything unnecessary from my writing). There is something deeply maternal in that kind of care. She has helped me shape my forthcoming book, and I am forever grateful because her mothering gave me courage to keep writing.

And, on Mother’s Day, I am always especially grateful for my daughter. I didn’t birth her, but I mother the heck out of her, and she often allows it and even tolerates it pleasantly, for which I am forever full of gratitude. I love being a mother, and I love mothering. It is one of my main joys in life, and on this day I send so much love to my pets, and my wonderful daughter, without whom I would not a mother be.

Happy Mother’s Day to all the variety of mothers, and to those grieving mothers or mother’s love, a hug and a wish for peace for you.

Mother’s Day also means forcing your family to do what you want to do. We’re gonna go eat dim sum now. LOL Sticky rice!

In Praise of Some Great Writing in the May Issue of Instant Noodles Literary Magazine

By Nadja Maril

Whenever I’ve written something I feel really conveys what I was striving for, I want to share it. But often, it sits on the computer for a while. Until published, the words are out there but they are not being read. Enter the world of literary magazines, a wonderful opportunity to share not just your own work but to be part of a larger community.

In 2020, publishers Dianne Pearce and David Yurkovich launched Instant Noodles Literary Magazine. Six years later it is still going strong. As their business and projects have expanded, so has the Instant Noodles Literary Magazine team. While Dianne makes the final decisions, she has some help. Members of The Old Scratch Press short form and poetry collective serve on a rotational basis as Contributing Editors.  We have a voice in choosing the themes and selecting work.

As a writer and poet who frequently expresses herself through the medium of (CNF) Creative Non Fiction, these are the submissions I’m most often reading. I read each piece submitted to Instant Noodles several times. I’m interested to discover how the writing responds to our theme. Most of the fiction and poetry I write is inspired by true life events. I am awed by writers who successfully blend reality, imagery and memorable characters into story. Not every submission sits squarely within one genre. Some straddle the line between reality and fantasy, between poetry and prose. We can’t offer payment, but we can bestow praise.

This issue, I’d like to gush about a certain piece I really liked. A piece I’d like the world to read and think about. It was submitted as CNF. In many ways it comes across to me as poetry. As with any short piece of work, every word counts. As a reader, that’s what I’m reading for, power in each word.

The 2026 issue May theme just released, is titled Planes Boats Cars Trains. When I suggested the theme, I envisioned all the ways transportation impacts our lives and how many exciting stories take place when a character is moving from one place to another. I wasn’t thinking about animals or freedom, but that is the beauty of words. We all perceive our world in different ways. A good artist can share their vision.

Photo by Boris Hamer on Pexels.com

The piece is called, “From Cage to Street” and is written by Tamara-Lee Brereton-Karabetsos. It begins in the first sentence to take the reader to the Serengeti plains of East Africa where a line of trucks are transporting wild animals. You’ll have to use your imagination to decide whether these animals are zebras, tigers, gazelle or something else. What you do know is they have fur and ears that twitch.

“Engines hum. Metal shakes. Paperwork counts weight, not panic.

Inside, bodies shift where they can, small movements, breaths caught between bars.”

She contrasts the business of checking locks and papers with the vibrations of the shaking vehicle. The writer contrasts herself with the animals. She is walking free and unencumbered, Each selected image— a swing, running dog, a kite— echoes the contrast.

“The wind brushes my face, a dog darts past, a child’s kite catches the sun.

Each step is choice. Each breath is mine. Each glance is unbound.”

Her poem/essay shifts back to the unloading of the crates and in her telling she slows down time for me as she expresses the melancholy of the caged versus the free.

“Animals shift from one container to another. The journey continues, but choice is absent.

Instinct carries memory of plains, but the body moves through something imposed, not chosen.”

This piece creates a sense of place and communicates the author’s appreciation of the physical agency of walking and choosing your own destination. I am pleased we were able to publish it and I urge you to take the time to read it along with many of the other fine pieces in this issue.

Photo by G N on Pexels.com

Thank you Tamara and thank you writers for making ours such a strong community. The next theme currently being read is Al Dente. Think pasta cooked just so, not too soft and not too stiff. Do you have a piece of writing that meets that criteria? What does Al Dente mean to you?

Remember that Instant Noodles Literary Magazine believes in helping fellow writers by nominating their work for prizes. Please send us your best work.

Thank you for reading and please follow us here and on Facebook.

Nadja Maril is an award winning writer and poet who has been published in dozens of online and print literary journals and anthologies including: Lunch Ticket, Spry Literary Journal, Invisible City Literary Review, Instant Noodles and The Journal of Compressed Creative Arts. She is the author of Recipes From My Garden, published by Old Scratch Press (September 2024), a Midwest Review California Book Watch Reviewer’s Choice. An Anne Arundel County Arts Council Literary Arts Award winner, her work has been nominated for the Pushcart Prize and The Best of the Net. She has an MFA in creative writing from Stonecoast at USM.

Check out Nadja’s chapbook below and here.

What Is miniMAG, and Why Old Scratch Press Is Stepping Into Its Pages?

If you’ve never encountered miniMAG before, it’s a literary space built around immediacy, intensity, and voice.

Known for publishing short, powerful work, miniMAG has created a home for writing that lands quickly and lingers. It’s a platform that embraces experimentation, emerging voices, and pieces that don’t always fit neatly into traditional categories. The emphasis has often been on brevity, but more importantly, on impact.

Which is exactly why it’s such an exciting space for Old Scratch Press to step into.

For this upcoming issue, we’re not curating the work. We are the work.

Old Scratch Press is taking over the issue as contributing writers and artists, bringing a collection that reflects the range of what we do. That includes longer pieces alongside shorter ones, visual work alongside written, and voices that move between forms rather than staying confined to one.

This isn’t about fitting into a format. It’s about expanding it.

You’ll find work that holds tension, work that experiments, work that stretches. You’ll find pieces that are immediate and pieces that take their time. And yes, you’ll find writing that pushes beyond the expectation of what “mini” might suggest, and art as well. Many of us make with words and with other mediums too.

At Old Scratch Press, we care deeply about voice, about risk, and about creating space for work that feels alive on the page. This issue of miniMAG gives us the opportunity to bring that energy into a platform already known for bold, concentrated storytelling, and to widen the lens just a bit while we’re there.

We’re proud to be part of it.

Stay tuned for the release date.

Embracing Nature’s Beauty: A Morning Reflection

by Nadja Maril, a founding member of Old Scratch Press Collective

What a sight on a damp misty morning, a robin perched on a street sign preening its feathers. The orange red of its breast feathers contrasting sharply with the bright green and white lettered sign.

My cell phone was in my back pocket, but I didn’t snap a photo. I watched the bird fly away and listened to the other birds around me. The neighborhood was just beginning to awake. Down the road I spied a few dog-walkers taking advantage of the early hour temperatures.

A plump brown bunny nibbled on clover. I decided to take his photograph, but he didn’t pose for long and took refuge in a flower bed. My gaze shifted to the colors of all those flowers: purple, pink, yellow, blue and red.

 The current “tropical rain forest” weather hovering over our region has been a boon to gardeners. Blossoms are lush. It’s been a boon to weeds too, but it’s too early in the morning for me to think about that.

It’s the first day of April and the start of National Poetry Month. I get inspired by nature: birds, new buds, bunny sightings. Other writers are inspired by the hum of machines or the echo of human voices. Whatever gets your mind engaged in the world around you, write it down.

Focusing on the Moment

I’m focusing on the present moment, a difficult task. My mind tends to jump forwards and backwards. I worry about what I need to do and replay what I might have done wrong. I recall happy memories and then remind myself the past is over and if I stay there too long, I’ll miss what is happening in the present.

Photo by George Filatov on Pexels.com

This balance between present, past, and future is an interesting dilemma. Particularly because all is open to interpretation. What we remember as the past, is most likely different from our neighbor’s recollection. What we prioritize for the future is usually different too.

Politically, socially, environmentally our planet is at a crossroads. Some of us are just struggling to survive. Others of us want to change things for the better, but it can be a challenge to figure out how.

I read and listen to media reports, and hear different versions of the same event. I’ve heard the term “fake news” repeatedly bandied about. I hear leaders speaking outright lies. I hear people being described in ways designed to incite violence and hatred.

Photo by lalesh aldarwish on Pexels.com

Overwhelmed by all the negativity I tune out.

Change happens slowly, in small incremental ways, I remind myself. Small acts of courage. Small acts of kindness. The arts, the federal funding of which is currently under attack, is a way to share beauty and foster connection. Arts in education provides paths for children to develop alternative learning styles that can deepen comprehension. Whether you volunteer your time, donate money, or support the arts by buying a ticket to a museum or a play; you’re doing something positive.

Writers are witnesses. Documenting the good and the beauty you observe is an important job alongside the documentation of injustice and cruelty. Writing a short fable can be one way to start. Remember Aesop’s Fables?   

Aesop is thought to have been a storyteller, and possibly a slave, who lived in Greece between 620 and 564 B.C.  Translated from Greek and Latin, and available in versions for adults and children online and in print, I share below one of my favorites.


The Bundle of Sticks

A certain Father had a family of Sons, who were forever quarreling among themselves. No words he could say did the least good, so he cast about in his mind for some very striking example that should make them see that discord would lead them to misfortune.

One day when the quarreling had been much more violent than usual and each of the Sons was moping in a surly manner, he asked one of them to bring him a bundle of sticks. Then handing the bundle to each of his Sons in turn he told them to try to break it. But although each one tried his best, none was able to do so.

The Father then untied the bundle and gave the sticks to his Sons to break one by one. This they did very easily.

“My Sons,” said the Father, “do you not see how certain it is that if you agree with each other and help each other, it will be impossible for your enemies to injure you? But if you are divided among yourselves, you will be no stronger than a single stick in that bundle.”

In unity is strength.

WRITING PROMPT: Can you write your own modern-day fable? Whether you use animals, plants, or people, think of something simple you observed that taught you a lesson. Brief and to the point, maybe your fable is a piece of flash fiction. Set it aside and read it again out loud two days from now. If you think it is good, share it. Maybe sharing means posting it online yourself, printing it out and sending it to friends by “snail mail,” or perhaps sending it to a literary magazine. Check out Instant Noodles Literary Review. Our current theme for submissions is Al Dente. For more information click here.

Thank you for reading. 

Writers and Readers, don’t forget to forget to follow us on Facebook to get the latest news and learn about submission opportunities.

Nadja Maril is an award winning writer and poet who has been published in dozens of online and print literary journals and anthologies including: Lunch Ticket, Spry Literary Journal, Invisible City Literary Review, Instant Noodles and The Journal of Compressed Creative Arts. She is the author of Recipes From My Garden, published by Old Scratch Press (September 2024), a Midwest Review California Book Watch Reviewer’s Choice. An Anne Arundel County Arts Council Literary Arts Award winner, her work has been nominated for the Pushcart Prize and The Best of the Net. She has an MFA in creative writing from Stonecoast at USM.

Check out Nadja’s chapbook below and here.

A Poet’s Mind, A Novelist’s World

At Old Scratch Press, we know Anthony Doyle first and foremost as a poet.

A writer of precision. Of restraint. Of lines that do more than they seem to at first glance.

That sensibility does not disappear when he moves into prose. It deepens.

In Hibernaculum, Doyle brings that same attention to language and silence into a speculative world shaped by human hibernation. The result is a novel that feels, at times, like an extended meditation. A work that unfolds deliberately, asking the reader not just to follow a story, but to sit inside it.

This is not a departure from his poetry. It is an expansion of it.

The same questions are here. Identity. Time. What it means to leave and return. What it means to remain.

For those who have read Anthony’s poetry with us, Hibernaculum offers a chance to experience that voice working at a different scale. For those who have not yet encountered his work, this is a striking place to begin.

For a limited time, the Kindle and Nook editions of Hibernaculum are available for 99¢.

You can learn more here.

Poems Come in Many Forms. Let’s Look at Odes


            There are many types of formal poetry and for anyone who likes to write poetry, it’s worth your time getting to know these forms and trying a few as well. This teaches us all about meter and rhyme, how a poem should look on the page, and trying some of these is just plain fun. Here is a short run down of twenty different types of poetry. See how you do with some of these! You might surprise yourself, find a from you really like, and write a collection of them. 

Acrostic: first letter of each line spells something

Ballad: narrative like a folk story

Blank Verse: Unrhymed but has iambic pentameter

Cinquain: five-line poem with 2-4-6-8-2 syllables per line

Concrete: has a shape on the page like a tree

Elegy: a mourning to someone gone

Epic: long, narrative work like Hiawatha

Found: taking and reframing words from other sources like newspapers

Ghazal: couplets that share rhyme and refrain

Haiku: Japanese form of 5-7-5 syllable pattern 

Limerick: a humorous poem of 5 lines

Lyric: short poems of emotion

Narrative: a form of story telling

Ode: message to a subject, event or object

Pastural: Idealized environment, often rural life

Sestina: complex 39-line poem

Slam: Oral, competitive poetry

Sonnet: 14-line poem with specific rhyme scheme about love think Shakespeare

Villanelle: 19-line. 5 tercets followed by a quatrain with 2 repeating rhymes and 2 refrains

The Ode is a great form to try. Odes were developed in Ancient Greece. An ode then was a song or chant performed to celebrate athletic victories. Odes are praise using rich and clever description. Here’s a famous example of an ode poem. 

Ode to the Hotel Near the Children’s Hospital

BY KEVIN YOUNG

Praise the restless beds

Praise the beds that do not adjust

     that won’t lift the head to feed

     or lower for shots

     or blood

     or raise to watch the tinny TV

Praise the hotel TV that won’t quit

      its murmur & holler

Praise the room service

      that doesn’t exist

      just the slow delivery to the front desk

      of cooling pizzas

      & brown bags leaky

      greasy & clear

Praise the vending machines

Praise the change

Praise the hot water

& the heat

       or the loud cool

       that helps the helpless sleep.

Praise the front desk

       who knows to wake

       Rm 120 when the hospital rings

Praise the silent phone

Praise the dark drawn

       by thick daytime curtains

       after long nights of waiting,

       awake.

Praise the waiting & then praise the nothing

       that’s better than bad news

Praise the wakeup call

       at 6 am

Praise the sleeping in

Praise the card hung on the door

       like a whisper

       lips pressed silent

Praise the stranger’s hands

       that change the sweat of sheets

Praise the checking out

Praise the going home

       to beds unmade

       for days

Beds that won’t resurrect

       or rise

that lie there like a child should

        sleeping, tubeless

Praise this mess

         that can be left


Virginia Watts is the author of poetry and stories found in The MacGuffin, Epiphany, CRAFT, The Florida Review, Reed Magazine, Pithead Chapel, Eclectica Magazine among others. She has been nominated four times for a Pushcart Prize. Her debut short story collection Echoes from the Hocker House was short listed for 2024 Eric Hoffer Grand Prize, selected as one of the Best Indie Books of 2023 by Kirkus Book Reviews, and won third place in the 2024 Feathered Quill Book Awards. Please visit her.

Virginia’s new book is now available from Old Scratch Press:

Her prior poetry chapbooks Shot Full of Holes and The Werewolves of Elk Creek 

 are available from Moonstone Press. And her debut short story collection Echoes from the Hocker House is not to be missed!

Thank God I’ll Never Be Famous Enough for a Biography.

This week in the New York Times there is an article about Mark Oppenheimer writing Judy Blume’s biography. When he began the project, so he says, she liked him and gave him access to her life and her circle, etc. When he sent her the draft, she no longer liked him or the book he was writing about her. Apparently she sent him quite a big pile of notes, and contact ceased soon after that. He published the book anyway. He, and book’s narrator, Molly Ringwald, feel like Judy has to put up with his book, and that Mark did a fine job. According to the NYT article, Molly said, “There might be moments that Judy doesn’t like or agree with, but overall I think it’s a respectful treatment of her and her literary significance.” And, “If Mark didn’t show Judy’s flaws or humanity, it would be hard to feel invested.”

At what point does your life stop being your own? I might argue it’s when you become a parent. But, eventually they grow up, and you get to pivot back to yourself somewhat. Mark could have written the book with, or without, Judy’s help, and that’s the danger of being that level of author, but the fact that she gave him permission at first, and then was unhappy with what he made of her life, gives me pause. How much do we own our own life story?

The NYT made the main photo of the piece one of Mark sitting in a bunk bed. I don’t like this. He’s not at the age, or in life circumstances where he would actually be the person who sleeps in that bed. To me it is a ploy to make him look more innocent. I don’t think he is. I’m disappointed in Molly. For full disclosure, I read a bit of Judy Blume as a kid, from Margaret to some of the adult books, most of them for the sexy bits, honestly. Hey, I was in middle school. But, with apologies to Judy, I have seldom thought of her since. I tried reading Margaret to my daughter when she was in middle school, and we both found it didn’t age well. Plus, my daughter was not raised with the same religiosity I was. So there’s that for the longevity of the book in my life. And anybody can write a biography of anybody. The trick, like it is with our own books, is to get people to read it.

Still, do Mark, Molly, and his publishing company have the right to own Judy’s story, to make the truth of Judy’s life Mark’s version of the truth?

I say no. I say this is another woman losing agency over her own body, life, and body of work, to a man and a corporation. And it seems her only recourse might be for Judy to write her autobiography, to set the record straight. I cannot imagine anything as boring as writing out my own life story. And believe you me, I’ve had a fascinating life. Ha! Whether I have or I haven’t, I’m not ready to relive it all like I’ve had a near death experience. No, no no.

So, whose life is it anyway?

I would love to hear your thoughts.


Dianne Pearce is the chief editor and bottle washer at Current Words Publishing, and the half-cocked imaginer behind Old Scratch Press and Instant Noodles. Pearce loves helping writers realize the dream of having their work published. I mean she is really crazy about doing that for some reason. To that end, to join in the fray, to look at the thing from the other side, to stand in another’s shoes, and all of those things, she is fully expecting and promising to publish her first collection of poetry, In the Cancer Cafeteria, spring of 2026. Please don’t hold your breath. For very long. Happy 2026!

Congrats to Gabby and Morgan!

Gabby and Morgan are part of the featured selections from the Community of Literary Magazines and Presses for Women’s History Month!

Check it out here:

And pick up a copy of these great books!

NO OCEAN SPIT ME OUT is a captivating debut collection of poetry by Gabby Gilliam that delves deep into the intricate tapestry of family dynamics and personal evolution. Within its 30 poems, the collection embarks on a profound journey through the stages of coming of age, navigating the complexities of familial bonds, grappling with organized religion, and ultimately, embracing the essence of self-acceptance.

Each poem in NO OCEAN SPIT ME OUT serves as a poignant reflection of the human experience, capturing moments of vulnerability, resilience, and growth with eloquence. Through lyrical prose and emotive imagery, Gilliam paints a vivid portrait of the joys and struggles inherent in the process of self-discovery.

Whether you’re seeking solace in the shared experiences of family relationships or searching for introspective insights into the nuances of identity and faith, Gilliam’s collection offers a profound and thought-provoking exploration of the human condition.

From the mighty pen of artist and author Morgan Golladay comes The Song of North Mountain, a transformative collection of poetry and art celebrating the famous and mystical North Mountain of Appalachia.

North Mountain, a wildland in the George Washington and Jefferson National Forests of western Virginia, has been recognized by the Wilderness Society as a special place worthy of protection from logging and road construction. The Wilderness Society has designated the area as a “Mountain Treasure.”

Morgan Golladay brings her readers to dwell in the reverence of this wonderful wilderness.

Golladay is an award-winning author who was raised on North Mountain and lives in coastal Delaware as part of a thriving artist and author community. All words and art in this book are by Golladay.

The Song of North Mountain is National Book Award nominee!

Exploring E.E. Cummings: Poems That Can Dance

Many decades ago, I choreographed a dance to accompany a poem. I selected a poem by E.E. Cummings, “In Just—” Which in my mind I titled, “In Just Spring.”

I picked that particular poem for its exuberance.  I could imagine myself interpreting the verse with movements that were both fast and slow, languorous and springy. The challenge was to select movements that I could execute while reciting the words.

Photo by Jimmy Elizarraras on Pexels.com

[in Just-]

By E. E. Cummings  (1894-1962)

in Just-
spring when the world is mud-
luscious the little
lame balloonman

whistles far and wee

and eddieandbill come
running from marbles and
piracies and it's
spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing

from hop-scotch and jump-rope and

it's
spring
and

the

goat-footed

balloonMan whistles
far
and
wee

This poem was written in 1923, over one hundred years ago.

Cummings was an experimenter who developed his own personal style. Although classically trained, with multiple degrees from Harvard University, he used punctuation as it suited him. Spaces on the page were seen as opportunities to spread out the pacing or to combine several words into one breath. Conjunctions were sometimes nouns and selected words might take on additional assigned meanings.

Hailed as one of the most influential and important poets of the 20th century, Cummings embraced the concept of Visual Poetry. Words were placed on the page to create shapes and images that serve to reinforce the mood of the verse.  

You can read more about E.E. Cummings in this article published on the Poetry Foundation website. https://www.poetryfoundation.org/poets/e-e-cummings

It was easy for me to dance the role of the goat-footed balloon man, after seeing the words establishing his presence “skip” across the page.

The line “whistles far and wee” is spread out, which enabled me to say the individual words with enough time to run from one side of the stage to the other side.

In writing poetry, thought is often devoted to line breaks and capitalization. Traditional or avant garde, the last word in a line typically takes on greater importance. By choosing not to capitalize the first word of a line, emphasis is softened.

Try changing the line breaks on a poem you are working on. How do your changes impact the poem? Try adding extra spaces between words or merging them together. Once again, how do these changes reshape a poem’s texture and meaning?

In contrast, when you write a prose poem using sentences, it is the order and sound of the words that must create the poetry. No one approach is better than another. It all depends on what you are trying to achieve.

Photo by Kampus Production on Pexels.com

In a few more weeks it will officially be Spring, here in the Northeast USA where I live. I look for birds returning from the winter vacation in the south and I hear “in-Just” recited inside my head. Crocuses begin pushing up through the muddy soil. Bicycles are pulled out of storage and pastel chalk pictures are drawn on the sidewalk. No balloon man, but it is the start of outdoor birthday parties.

The idea of adding movement to your recitation of a poem, may inspire you to choose different words when writing verse.

WRITING PROMPT: Try writing a poem about a season, place, or time. Maybe your piece is about a mood such as anger or maybe it is about a feeling such as being satiated. Often a poem focuses on the visual, but instead think about movement. Use active verbs. In Cummings short poem the wind and the balloon man whistle. The children run and dance.

What did you create? Maybe you’re on to something you like. Keep playing with the concepts and see where they lead you. Part of the enjoyment of writing, is discovering what works and what doesn’t work. 

Read the work of other poets, and as March is Women’s History month, I am going to suggest three women poets:

Rae Armantrou ( B. 1947).

https://www.poetryfoundation.org/poets/rae-armantrout

Mina Loy (1882-1966)

https://www.poetryfoundation.org/poems/148476/love-songs-5bec636568b82

Gertrude Stein (1874-1946)

https://www.poetryfoundation.org/poets/gertrude-stein

Writers and Readers, don’t forget to forget to follow us on Facebook to get the latest news and learn about submission opportunities.

Nadja Maril is an award winning writer and poet who has been published in dozens of online and print literary journals and anthologies including: Lunch Ticket, Spry Literary Journal, Invisible City Literary Review, Instant Noodles and The Journal of Compressed Creative Arts. She is the author of Recipes From My Garden, published by Old Scratch Press (September 2024), a Midwest Review California Book Watch Reviewer’s Choice. An Anne Arundel County Arts Council Literary Arts Award winner, her work has been nominated for the Pushcart Prize and The Best of the Net. She has an MFA in creative writing from Stonecoast at USM.

Check out Nadja’s chapbook below and here.