Making the Most of One Poem… Part 3

One Poem, Several Posts

You’ve written a poem. You’ve revised it, probably more times than you’d care to admit. You’ve submitted it, waited for a response, and, if all went well, received the wonderful news that someone wants to publish it. You announce the publication on social media. Your friends congratulate you. Your mother shares the link. Someone you haven’t spoken to since high school gives it a thumbs-up. And then? Well, you write another poem, of course. And the first one disappears into the enormous pile of things people posted on the internet yesterday.

It doesn’t have to. In the first installment of this series, I talked about finding ways to extend the life of a published poem. In Part 2, I suggested recording yourself reading it aloud, an activity I personally rank somewhere between public speaking and wrestling an octopus. This time, let’s talk about something considerably less frightening: getting several social media posts out of one poem.

Several posts? About the same poem? Won’t people get sick of me? Possibly. If you post the same announcement six times in a row, you may test the patience of even your most devoted friends. But that’s not what I’m suggesting. A poem is more than a link to a literary magazine. It has a history, a subject, a voice, and, if you’re lucky, a line or two that might make someone stop scrolling for a moment. Each of those offers a different way to introduce readers to your work.

Start with the publication announcement.

This is the obvious one, and it’s worth doing properly. Name the magazine or journal, thank the editors, and give people a link to the poem. If the publication has a social media account, tag it. You don’t need to be excessively modest about this. Getting a poem published is an accomplishment, and you’re allowed to be pleased.

Share a line you particularly love.

A few days or a week later, choose a line or two from the poem and make that the focus of a new post. Maybe it’s the line that started the whole thing. Maybe it’s the one you fought with for three weeks before finally getting it right. Or maybe it’s simply a line you’re especially fond of. You could put the words over a photograph, use a simple background, or just type them into a post. Add a sentence about why you chose them, and link to the complete poem. One caution: Check your publication agreement before reproducing excerpts, particularly if the journal has exclusive rights for a period. Linking to the published poem is generally the safest approach.

Tell us where the poem came from.

I love hearing what inspires other writers, partly because the answers can be so wonderfully peculiar. A poem about grief might have started with a broken teacup. A poem about childhood might have begun with the smell of somebody’s basement. A poem about a bird might have absolutely nothing to do with birds. You don’t have to explain what the poem means. Readers should have room to bring their own experiences to your work. But you can tell us what prompted you to write it. Something like, “I wrote this after finding a grocery list in my grandmother’s handwriting. I hadn’t seen her handwriting in twenty years.” That’s a story. It gives readers another reason to be curious about the poem.

Let readers hear it.

If you followed the advice in Part 2 and recorded yourself reading the poem, you’ve already got another post waiting. You can share the video or audio recording with a short introduction. You might even mention something about how the poem sounds different when spoken aloud. And if you haven’t recorded it yet, there’s still time. The octopus can wait.

Ask a question.

Not every post needs to announce something. Suppose your poem concerns a childhood home. You might ask readers whether there’s a place from their childhood they still dream about. If it’s about an object you’ve kept for years, you could ask what ordinary thing they would never throw away. The question should grow naturally out of the poem, rather than feeling like a desperate attempt to generate engagement. You might get a conversation going. You might get three responses, one of which is from your cousin. Either way, you’ve given readers a way to connect with the subject of your work.

And don’t do all of this in one week.

This is important. I’m not suggesting that you turn every poem into a five-day publicity campaign. Space these posts out. Use the ideas that suit the poem and skip the ones that don’t. One poem might lend itself beautifully to a story about its inspiration. Another might have a striking line that’s perfect for sharing. A third might be best experienced aloud. You don’t have to use every suggestion, and you certainly don’t have to post on every platform. If you enjoy Instagram, use Instagram. If you prefer Facebook, use Facebook. If you have a newsletter, that’s another place to share the work.

The point is to give a poem more than one opportunity to find its readers. And remember that not everyone who follows you will see every post. Social media moves quickly, and even people who genuinely want to read your work may miss the original announcement. Sharing something again, in a new and interesting way, isn’t necessarily repeating yourself. It’s giving someone another chance to discover a poem they might love.

Next time: We’ll look at how a poem that’s already been published can find a second life through reprints, anthologies, contests, and other opportunities. Because publication doesn’t have to be the end of a poem’s journey.

And speaking of opportunities: There’s still time to submit to Instant Noodles! Our final issue of 2026 has an open theme, Author’s/Artist’s Choice, and we’re accepting poetry, flash fiction, flash nonfiction, visual art, and multimedia through November 7, 2026. Submissions are free, and the issue will be published December 1.

Read the submission guidelines and send us your work!


Making the Most of One Poem… Part 2

Read It Out Loud

A lot of poets would rather wrestle an octopus than read one of their poems aloud. I am particularly creeped out by octopi, and I would take the octopus over the live event. When I was a young writer, twenties and thirties, I could not wait to perform my work. I always got good responses, as well, to my live readings, so I was so excited to do them. Now, though, standing in front of a room feels strangely vulnerable. I get so nervous I find myself choked up. As a young writer I had a lot of very kind teachers who were delightfully excited about my writing. When I look back at that “young” writing, I don’t think it was very good, so I wonder at that. But their support was marvelous. These days there’s no teacher to be wowed before I go out and attempt to wow the crowd, so I do feel especially …. clumsy, for lack of a better word.

Here’s the thing, though: audiences don’t expect perfection. They aren’t looking for a Broadway actor or a professional voice-over artist. They just want to hear the person who wrote the poem, read the poem. We have a few people every issue of Instant Noodles who record themselves reading their poems, and those always get more hits than the non-readers. Reading your own work gives people something the printed page can’t. They hear where you pause, which words you linger over, and where you smile without realizing it. Even a quiet, slightly nervous reading can help a listener connect with your poem in a new way.

You don’t have to book a poetry reading to do this. Prop your phone against a coffee mug, press record, and read your poem. Actually, if you want to look your best, prop your phone on something eye-level or higher, pointing down. Practice positioning until you feel confident you look okay. I often record myself on Zoom so I have more control over my look. Just open a Zoom account and hop into the “Personal Room” and hit RECORD. If you stumble over a line, pause and start over, in you’re on Zoom, or, if you’re on your phone, stop that recording and start another. Then read it again. Nobody has to know it took three tries. (I won’t tell if you won’t. Sometimes, when I record things, I need a calculator to count the tries!) If video isn’t your thing, record the audio instead. Share it in your newsletter, post it on social media, or add it to your website. You’d be surprised how many people enjoy hearing a poem in the poet’s own voice. It adds a warmth and familiarity the printed work doesn’t give. And, when I’ve listened to some of my favorite poets, I’ve been surprised by one or two who came across as decidedly… different from what I had expected. That added a new depth to the writing that really intrigued me. I would love to hear more of our Instant Noodles authors reader their work.

Next time, I’ll look at how one poem can become several meaningful posts without feeling like you’re repeating yourself.


Making the Most of One Poem… Part 1

Your Poem Isn’t Dead When It’s Published

Sometimes a writer submits a poem to Instant Noodles Literary Magazine, it gets published, and we never hear from that writer again. It’s almost as though the poem completed its mission in life and quietly retired to a folder on a laptop.

I’ve always found that a little surprising.

We work for weeks, sometimes months, on a poem. We submit it. We wait forever. We get the acceptance email, do a little happy dance in the kitchen (or maybe that’s just me), share the publication with a few friends, and then we’re off chasing the next shiny poem. But publication isn’t the end of a poem’s life. It’s the beginning of its conversation with readers.

Most people who would enjoy your work probably haven’t seen it. They don’t subscribe to the journal that published it. They weren’t refreshing the editor’s website waiting for the new issue to drop. They’re just people who like good poetry and would be delighted if your work happened to cross their path. So don’t be afraid to let a published poem keep doing its job. Read it at an open mic. Share a favorite line on social media. Tell the story behind it in your newsletter. Mention it on your website. Include it in a future reading. You spent a long time writing that poem. It has probably earned the right to stick around a little longer than the three days it spent on your Facebook page before disappearing beneath photos of someone’s lunch and a cousin’s vacation.

Next week, we’ll talk about one of the simplest ways to give a poem a longer life: reading it aloud. Don’t worry. Nobody says you have to sound like Lauren Bacall. Though if you do, I’m a little jealous.

Why I Still Love Literary Magazines

One of the joys of literary magazines is that they introduce us to work we might never have sought out on our own.

If someone had asked me whether I was looking for a poem about a pine-bark boat carrying a birthday-candle across a marsh under an equinox moon, I probably would have said no.

And yet here I am thinking about exactly that poem.

Morgan Golladay’s “Equinox Moon,” published in Instant Noodles Literary Magazine, is the kind of poem that reminds me why I keep returning to literary journals. It creates an entire world in just a few lines. We feel the cold leaching through boots and mittens. We see the still marsh. We watch a tiny handmade boat drift into the darkness carrying a small flame.

What I admire most is the poem’s quiet confidence. Nothing dramatic happens. There is no great revelation, no sudden twist. Instead, the poem trusts observation. It trusts atmosphere. It trusts the reader.

One image in particular stayed with me:

The line works beautifully within the scene, but it also feels larger than the poem itself. We have all experienced moments when something small, a kindness, a memory, a friend, a poem, becomes enough to carry us through a dark stretch of life.

That ability to suggest more than it says is one of poetry’s great strengths.

Reading a little about Golladay afterward made the poem make even more sense. She has said that poetry works best when it is heard and that it should be concise, simple, and tight. “Equinox Moon” embodies that philosophy. Every image earns its place. Nothing feels wasted.

It also reminds me that literary magazines are not simply collections of writing. They are collections of discoveries. Every issue offers readers the opportunity to encounter voices, perspectives, and images they might otherwise miss.

That’s certainly what happened to me here.

If you haven’t visited Instant Noodles Literary Magazine recently, I encourage you to spend some time with the current issue. You’ll find poetry, fiction, nonfiction, humor, and artwork from writers and artists working in a wide variety of styles and genres.

You may come for one piece and leave thinking about another entirely.

That’s part of the magic.

Have you discovered a poem recently that stayed with you long after you finished reading it? What poem was it?

A Ghost Ship, a Revenge Tale, and a Perfect Ending

Every once in a while, a piece lands in Instant Noodles Literary Magazine that reminds me exactly why I enjoy reading short fiction.

John Tures’s “Lex Talionis” has everything I could want in a flash piece: a ghost ship, naval warfare, a dash of history, supernatural revenge, and an ending that lands exactly where it should.

Set during the War of 1812, the story follows a British frigate pursuing what appears to be an American privateer. The captain dismisses warnings that the vessel ahead may be something far more dangerous than an enemy ship. Unfortunately for him, ghost stories have a way of becoming real at exactly the wrong moment.

One of the pleasures of flash fiction is watching a writer establish a world, create tension, and deliver a satisfying payoff in only a few hundred words. Tures accomplishes all three. The story moves quickly, but it never feels rushed. Instead, it unfolds like a campfire tale told by someone who knows exactly when to reveal the next detail.

I was also drawn to the historical setting. The War of 1812 doesn’t receive nearly as much attention in fiction as the American Revolution or the Civil War, which makes it fertile ground for storytelling. Add a phantom privateer seeking revenge on the British Navy, and you have a premise that immediately grabbed my attention.

The title is a clever touch as well. Lex talionis is a Latin phrase often translated as “the law of retaliation” or “an eye for an eye.” By the time the story reaches its conclusion, readers will understand exactly why that title was chosen.

One of the things I enjoy most about literary magazines is discovering work I might never have found otherwise. Every issue introduces me to new voices, new ideas, and occasionally a story that simply makes me smile because it delivers exactly what it promises.

“Lex Talionis” was one of those stories.

If you enjoy historical fiction, ghost stories, maritime adventures, or simply a well-executed piece of flash fiction, I encourage you to give it a read. Just remember: if an experienced sailor tells you not to chase the ghost ship, you should probably listen!

Have you gotten to peruse Boats Planes Cars and Trains yet? What was your favorite piece?


See John read “Lex Talionis”

The Person We Think We See

One of poetry’s great strengths is its ability to capture a moment of recognition.

Or, in some cases, a moment of misrecognition.

Toni Artuso’s “To the Woman Waiting on the Train Station Platform” begins with observation. The speaker notices a woman dressed in striking over-the-knee boots, a miniskirt, and a dark jacket. The details are vivid. The woman commands attention. She appears confident, glamorous, and perhaps a little intimidating.

Like the speaker, readers begin constructing a story.

Who is she?

Where is she going?

What kind of person dresses like this on a cold day?

The poem invites us to ask these questions while quietly reminding us that we don’t actually know the answers.

What follows is a wonderful example of how poetry can examine the assumptions we make about strangers. We see someone for a few moments and immediately begin filling in the blanks. Clothing becomes personality. Posture becomes character. Appearance becomes identity.

Then comes the turn.

The woman looks back.

Suddenly, the speaker notices traces of adolescent acne beneath carefully applied makeup. It is a small detail, but it changes everything. The glamorous stranger becomes a human being with a history. The mystery remains, but the distance narrows.

What I admire about the poem is its restraint. It never tells us what to think about the woman. It simply shows us how quickly we create stories about people we do not know and how easily those stories can be disrupted by a single unexpected detail.

In only a few lines, Artuso moves from attraction and curiosity to something deeper: empathy.

The poem also feels particularly well suited to its author. Toni Artuso is an emerging, and as she humorously describes herself, “aging” trans writer from Salem, Massachusetts. Her work has appeared in numerous publications, including The Christian Science Monitor, The Ekphrastic Review, Salamander, and Honeyguide Literary Magazine, which nominated one of her villanelles for both a Pushcart Prize and Best of the Net.

Reading this poem, I found myself thinking about how often we mistake appearance for understanding. We notice what is visible and assume we know the rest. Yet every person carries experiences, struggles, triumphs, and insecurities that remain hidden from view.

The woman on the platform remains largely unknown to us. That is precisely why the poem succeeds. Artuso allows her to remain a stranger while reminding us that strangers are always more complicated than the stories we tell ourselves about them.

Long after I finished reading the poem, I found myself returning to that final image. Not because it answers the mystery of who the woman is, but because it reminds us how much of every human being remains unseen.

Have you ever imagined the life of a stranger?

There are so many more wonderful works to read, listen to, and see. Visit Instant Noodles!

When Art Follows You Home

One of the unexpected joys of editing a literary magazine is discovering artists whose work stays with you long after you’ve finished the issue.

That happened to me recently with a painting by Pam McMillan that appeared in Instant Noodles Literary Magazine. I admired the piece so much that I reached out to Pam and purchased it.

Pam began drawing as a student and later studied watercolor with artists Hank Meier, James Toogood, and Sarah Yeoman. Her artistic interests also include acrylic painting, pastels, and photography. Drawing inspiration from both her travels and her imagination, she creates work that is colorful, inviting, and full of personality. Along the way, she has earned numerous awards at the Delaware State Fair, belongs to several local art leagues, and teaches watercolor painting.

What struck me most about this particular painting was its sense of movement and joy. Some artwork simply makes you stop scrolling and look a little longer. This was one of those pieces.

One of the things I love about literary magazines is that they introduce us not only to new writers, but also to talented artists we might never have discovered otherwise. Every issue is filled with opportunities for unexpected connections.

This time, one of those connections followed me home.

Do you collect art? What moves you to buy a piece?

Friendly Reminder: This Is Today.

I can help you submit! Submit!

You know that story you’ve been meaning to write? The poem sitting in your notebook? The idea you’ve been carrying around for three weeks while telling yourself you’ll get to it “soon”?

Well, this is your official notice. “Soon” is today.

The Instant Noodles Lit Mag Al Dente Writing Workshop with Robert Fleming takes place today at 5 PM Eastern (2 PM Pacific), and we’d love to see you there.

Whether you’re a writer, poet, artist, or creative dabbler who occasionally stares out a window pretending to work, this free online workshop is designed to help spark ideas, answer questions about submissions, and get you thinking about our upcoming Al Dente issue.

No fancy credentials required. No publication history required. No secret literary handshake required.

Just bring yourself, your curiosity, and whatever creative project has been lurking in the back of your mind.

Seats are limited, and once the workshop starts, you’ll have to live with the knowledge that everyone else is talking about writing while you’re reorganizing a drawer or scrolling social media.

Register now.

We’ll save you a seat:

Join the Free Workshop!

Thinking about submitting to the upcoming Instant Noodles Lit Mag issue, Al Dente?

Before you hit “send,” join Editor Robert Fleming for a free online workshop on Saturday, June 13, at 5 PM Eastern (2 PM Pacific).

This informal session is designed for writers, poets, and artists who want to learn more about the theme, explore ideas, and discover what kinds of work might be a good fit for the issue.

Literary magazines can sometimes feel intimidating from the outside. This workshop is an opportunity to ask questions, generate new material, and connect with fellow creatives in a welcoming environment.

Whether you already have a submission in progress or are still waiting for inspiration to strike, you’ll leave with fresh ideas and a better understanding of where your work might fit.

Attendance is free, but seating is limited.

Reserve your spot today and help us make the next issue of Instant Noodles Lit Mag something special.

Got Writer’s Block? Bring It to Robert.

Every issue of Instant Noodles Lit Mag starts somewhere.

A line scribbled in a notebook. A strange image that won’t leave you alone. A poem that refuses to behave. A story that exists everywhere except on the page.

If you’ve been looking for a reason to finally sit down and create something, consider this your invitation.

On Saturday, June 13, at 5 PM Eastern (2 PM Pacific), Instant Noodles Lit Mag Editor Robert Fleming will host a free online Al Dente Writing Workshop designed to help writers, poets, and artists generate ideas, get inspired, and learn more about submitting to our upcoming issue, Al Dente.

Whether you’re a seasoned contributor or someone who’s never submitted a piece before, you’re welcome to join us.

The workshop is free, but space is limited.

Bring your imagination. We’ll provide the noodles.

Register today and join us for an evening of creativity and community.