Nadja Maril’s prose and poetry has been published in literary magazines that include Change Seven, Lunch Ticket, Thin Air, and The Compressed Journal of Creative Arts.. Author of two children’s books illustrated with paintings by her father Herman Maril and two reference books on antique American Lighting, she is currently completing a novel and a garden memoir chapbook of poetry, recipes and prose. A former journalist and magazine editor, Nadja has an MFA in Creative Writing from the Stonecoast Program at the University of Southern Maine and is a Contributing Editor to Old Scratch Press. To read more of her work and follow her weekly blog posts, visit Nadjamaril.com https://nadjamaril.com/
Five major publishing companies pretty much cover the market for books. But it’s the indies that take more risks on new authors, like me and my fellow writers at Old Scratch Press (an imprint of Current Word Publishing {CWP}). We write because we have something to say, not necessarily for fame and fortune (although that certainly wouldn’t hurt).
If you find a book you like, ESPECIALLY if it’s from an indie publisher, give it a review on whatever national website for books that comes up. Just that small bit of verbal support that says “I like this book” means a great deal to the writer, and the publisher. And it doesn’t have to be my book (but it’d be great if it were!).
So let me tell you about my book. There are fifty-five poems, 8 black and white full-page sketches, several smaller sketches, and other material in the book. They are all original I hope you’ll buy it, either in Kindle or print form.
Hot Off the Press: The Song of North Mountain an Amazon Top 100 Bestseller 8/17/24
For those of you who don’t know me, there are a few things that are important. I am 77, and I have retired from two jobs. I started publishing only in late 2019, and this truly is my Very First Book that is by myveryownself. At times I feel like it’s awfully late to start a new career, but then again.
I live in a community where many people move to when they downsize into their own retirements. THIS part is important: there’s no reason to stop just because we’re retired, or older, or more physically limited than we were when we were 35. We still have the ability to create, whether with words, paint and brush, whisks and casserole dishes, pottery wheels, or needle and thread. There really is nothing we can’t do, just some things we may not do as well as when we were younger (like blacksmithing, or crawling under vehicles).
Available here for pre-order on Kindle with delivery May 1st, I hope you like The Song of North Mountain. https://www.amazon.com/dp/B0D1P64FHC soon to be available in softbound print as well.
April is almost here, time for National Poetry Month, an entire month to celebrate poetry. Do you have a favorite poem or poet? Let us know and we’ll try to post a story about the poet or the poem on the Old Scratch Press website.
National Poetry Month was launched in 1996 by the Academy of American Poets as a way to promote educational events that encourage students to interact with poets and poetry.
One of these programs sponsored by the Academy of American Poets is called Dear Poet. Designed for students in grades five through twelve, participating students can write letters in response to poems this year ( 2024) read online by Patricia Smith, Ed Roberston, Mara Pastor, John James, Nikky Finney, Nicole Cecillia Delgado, Marilyn Chin, and Chen Chen.The submission period for Dear Poet 2024 is now open until April 22,2024.
If asked, who is my favorite poet it really very much depends on the time of year, time of day, and my mood because I was lucky to have grown up in a household filled with poetry books.
My mom was an English major and she enjoyed reading me her favorites. At a young age I listened to Gerald Manley Hopkins, T.S. Elliot, Robert Frost and Emily DIckinson.
Children love repetition, and when they discover a favorite story they like to have it read to them over and over again. Many Many times I’d ask to be read my two favorite poetry books in pre-school: A.A. Milne’s When We Were Very Young and Robert Louis Stevenson’s, A Child’s Garden of Verses.
I remember reading to myself “The Swing” at age eight.
I found all the poems in When We Were Very Young to be irresistible, but my constant favorite was the one about that difficult girl named Mary Jane.
Rice Pudding
By A.A. Milne ( 1882-1956)
What is the matter with Mary Jane? She’s crying with all her might and main, And she won’t eat her dinner – rice pudding again – What is the matter with Mary Jane?
What is the matter with Mary Jane? I’ve promised her dolls and a daisy-chain, And a book about animals – all in vain – What is the matter with Mary Jane?
What is the matter with Mary Jane? She’s perfectly well, and she hasn’t a pain; But, look at her, now she’s beginning again! – What is the matter with Mary Jane?
What is the matter with Mary Jane? I’ve promised her sweets and a ride in the train, And I’ve begged her to stop for a bit and explain – What is the matter with Mary Jane?
What is the matter with Mary Jane? She’s perfectly well and she hasn’t a pain, And it’s lovely rice pudding for dinner again! What is the matter with Mary Jane?
If you have school children, don’t forget to check out all the poetry programs this month and whatever your age make a point of reading a poem a day. The Old Scratch Press is trying to make new poetry more available by publishing several chapbooks each year, so check out what’s in our catalogue and what is about to be released by following us here as well as following our Facebook page.Thank you for reading.
Old Scratch Press is pleased to announce the upcoming release of The Song of North Mountain, by Morgan Golladay. Slated for May release, the book includes original artwork by the author to accompany her poems. The collection is now available for pre-order.
Founded in 2023, Old Scratch Press is a cooperative of poets and short-form authors who have come together to promote the publication and appreciation of poetry and short-form writing. The Song of North Mountain will be the third chapbook, published by the small independent press.
Break in the Field by Ellis Elliot was their first book, nominated for the National Book Award, followed by avante-garde wordsmith and artist Robert Fleming’s poetry collection, White Noir.
The Song of North Mountain, says Morgan, “is about my relationship with this Earth, focusing on one small mountain in one small chain, in one small part of this vast world.
This book is about a connection – my personal experience sitting in stillness on this mountain, as well as many other mountains. North Mountain is, for me, a symbol of my relationship with this Earth. The permanence of the land, regardless of how it changes; the cycles of life, the quiet continuation of change. It has been a long time since I personally was able to sit quietly and listen to the tree branches and leaves speak to each other. I cannot scale the trails as I once did. But the magic of place is still in my memory, whether it’s the rocks in the rivers, the trails on the mountain tops, or the joy of sharing ripe wild berries.
“…my personal experience sitting in stillness on this mountain, as well as many other mountains. North Mountain is, for me, a symbol of my relationship with this Earth.”
Morgan Golladay
The cover design, an original painting, and the 10 black and white interior illustrations were created specifically for the book. Pre-order availability on Amazon and on the Old Scratch catalogue page will be coming soon.
To keep up with the latest news, please follow our blog here for free and also follow us on Facebook. Later this year look for more chapbooks penned by Gabby Gilliam, Alan Bern, and Nadja Maril. Thank you for reading. Special note: the deadline for Instant Noodles LIterary Magazine submissions has been extended to the end of the month.
Looking for recommendations for what to read to your toddler? Poet, writer and former Children’s Librarian Alan Bern has a favorite:
“The Owl and the Pussycat” by Edward Lear, illustrated by James Marshall ; afterword by Maurice Sendak.
By Alan Bern
Edward Lear’s “classic love ballad, “The Owl and the Pussycat,” was voted the most popular British childhood poem in 2014, and has been set to music by everyone from Stravinsky to Laurie Anderson.” (”The Sense Beneath Edward Lear’s Nonsense” by Adam Gopnik, The New Yorker, April 16, 2018) If not as popular in the United States, “The Owl and the Pussycat” has spawned a number of illustrated picture books here. Of the many illustrated picture books of this absolutely brilliant poem for very young listeners and readers by Edward Lear, “The Owl and the Pussycat,” my top choice is the version by James Marshall. Next to Lear’s own illustrations for his poem, James Marshall’s illustrations, although he died before fully finishing them, are my favorites. Marshall creates wonderful characters that match so perfectly the sounds and voices of Lear’s poem. It is a nonsense poem, but it’s always made perfect sense to me and to so many. Young children will love the poem and the book; so will elementary school kids when they need to feel just a bit regressed. Heck, adults will love it, too. As I do.
Nonsense Suggesting Sense
As Gopnik explains later in his essay: “This gift for creating pathos without sacrificing absurdity is what makes “The Owl and the Pussycat” one of the greatest poems in the language… In “The Owl and the Pussycat,” meanings rush in:
They dined on mince, and slices of quince,
Which they ate with a runcible spoon…
Not even Humpty Dumpty could explain what a runcible spoon is. We know it by its verbal vibration, by its presence, by its sheer runcibleness… This gift for making something felt without having first to make it familiar is one that we later admire in Beckett. Nonsense suggesting sense is a familiar pattern. Nonsense suggesting the numinous is not.”
Artist/illustrator James Marshall
Personal Connections
And here’s a personal story to go with the poem. As a children’s librarian for many years, I was honored to serve on the American Library Association’s Caldecott Committee in 1992, and I suggested Marshall’s illustrations for this book as a finalist. It was not chosen, most probably because Marshall never quite finished the illustrations. I continued to love the book anyway, and I always wondered why the poem always spoke to me… when I read it or when I listened to another read it. Shortly after my Mom died, I found out why. One day while going through some letters, from my Mom to my Aunt, letters that my Aunt had kept from the early 1950s. My parents were on sabbatical leave (my Dad was a young professor) in Cambridge, England, and I was almost two. In one letter, my Mom wrote: ‘It’s wonderful to be here, Howard and I are having such a good time, and we love having our little boy with us; however, he does drive us crazy and asks over and over and over that we read “The Owl and the Pussycat” to him.’ That brought such a wide smile to my face: of course, I don’t remember it, but it now explains, in part, my continuing love for the poem. Thanks, Mom and Dad, and thank you very kindly, Mr. Edward Lear! And now I shall reach for my runcible spoon.
If you haven’t done so already, please follow our blog here for free and also follow us on Facebook.And coming soon is our newest chapbook release, The Song of North Mountain, by Morgan Golladay followed by chapbooks penned by Gabby Gilliam, Alan Bern, and Nadja Maril.
On Valentine’s Day, write a sonnet. A sonnet is for love. In the 13th-century, the sonnet was invented by Giacomo da Lentini, a member of the Italian Court of the Holy Roman Emperor Frederick II in Palermo, Sicily.
William Shakespeare popularized the sonnet. William lived 1564–1616 in Stratford-upon-Avon, Warwickshire, England.
The original sonnet is a fourteen-line poem in iambic pentameter with endline rhyme with the sequence: ABAB CDCD EFEF GG. The last two lines, GG, are a change, called a Volta. I still confuse iambic pentameter with the Olympic Pentameter event where a shepherd guides lambs over hurdles.
Perhaps, William’s most famous sonnet is #18: Shall I compare thee to a summer’s day?
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
Where is William’s poetry title? Don’t poems have to have a title? Some poets don’t give titles and when published the publisher makes the first line the title.
As a poet for fifty years, I have written many sonnets and teach a two-hour workshop on how to write a sonnet. I am proud, at the end of my workshop, many participants write a first draft and complain they are exhausted. Beware of the sonnet sweat.
My writing which responds to William’s sonnet #18:
William does this frock make me look fat?
Why should I compare you? Shall my rating do good? Will it make me want
you more than what I had,
nor worse than what I can’t get? Your score will be my score.
Shall there come a day when you won’t ask? Oh no, no, not that frock, take it off!
Robert, your poem does have a title, but only nine lines. It is not a sonnet. As a tribute to Cole Porter, who composed Anything Goes in 1934, the less taxing American sonnet was invented which is a fourteen-line poem that does not demand iambic pentameter nor endline rhymes. If the American sonnet’s fourteen lines is still too sweaty for you, write a monostich-1 line poem: I Love You.
The author, Robert Fleming is a founding/contributing editor of Old Scratch Press (OSP). To read more of Robert’s work:
Kudos to Virginia Watts, a founding member of Old Scratch Press and a talented short story author, for clinching the Feathered Quill Book Award in the Best Anthology category!
A National Book Award nominee, ECHOES FROM THE HOCKER HOUSE will keep you on the edge of your seat until you fall off. Don’t miss this fantastic, one-of-a-kind collection! “Entrancing, edgy, and melodramatic tales with a palpable bite…Watts writes with a profound, confident voice.“ ~KIRKUS REVIEWS
2023 KIRKUS BEST INDIE BOOK SELECTION
Stay connected with Virginia as she continues to make strides in her career, and don’t miss out on the opportunity to grab a copy of this outstanding collection today!
This week We are starting off our blog by sharing links for three new magazines on the scene that provide publishing opportunities for poets. Two of the publications, Only Poems and SWIMM Every Day, are on the publishing platform Substack. The third, New Verse News, is on Blogspot. Take note that Swwimm only publishes work by women. Although these magazines will try to entice you to support them by becoming a paid subscriber, you don’t have to subscribe to submit. But do read them, do decide whether they might be a good home for your work. Here are their links. Check them out.
It’s snowing, freezing in many places around the USA and around the world. I take a walk in my neighborhood and notice sound is different in a snowstorm. I hear the crunch of my footsteps, the thud of a snow clump falling from a tree branch, the scraping of a snow shovel. No car engines. No beeping construction trucks today. The morning is quiet.
Sound, one of the six senses, is a powerful writing tool. This winter week in January, think about the following seven ways to integrate sound into your poetry and prose and then put them to use.
Rhyme
The matching of identical or similar word endings was once a requirement, in some poems. Now public opinion has swayed in the opposite direction, and some publications specifically will not publish rhyming poetry. It all depends, which way your mind bends. Rhyme can add emphasis and shading to both poetry and prose and can also elicit humor.
Rhythm
The manipulation of syllabic patterns in a passage, can add intensity and create suspense. A line of poetry or prose, rhythmically pleasing is a joy to read. Writing prose, sentence by sentence, experiment with how different words and word sequences with varying syllable length can change the impact of your writing.
Consonance
The name sounds like consonants and its meaning refers to repetition of consonants — specifically, those at the ends of words: The injured steed stayed on the ground and I stroked his head.
Onomatopoeia
A long fancy sounding term,onomatopoeia refers to words that are sound effects. Can you find words that concurrently indicate meaning while also mimicking a sound? Here are two examples: The cock-a-doodle doo of the rooster woke me up at six. The clanging pots annoyed everyone.
Repetition
Repetition is the repeating of a word or phrase. When used adeptly it will create a structure or pattern that adds emphasis to the desired meaning of a passage. Remember “The Raven” by Edgar Allen Poe? The first stanza goes:
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Alliteration
Alliteration, two or more words within a phrase or sentence that begin with the same sound, can add shading, emphasis and lyricism. Alliteration can be delivered two ways: consecutively delivered as with deep and daring or spread out within a sentence, promises can be painful and keeping up with party invitations practical.
Assonance
Assonance as with Consonance relies on repetition of a letter in the alphabet. In this case, instead of a consonant it is a vowel. The use of repetitive vowel sounds can be powerful in both a phrase or an entire paragraph. We who must not see the bees hiding in the trees look on bended knee for the lost honey.
We close with a winter poem by William Carlos Williams.
Writing poetry is a personal, introspective experience, a way to communicate our innermost feelings as art.
Enter politics. Around the United States, around the globe humans are in conflict. It doesn’t matter which side you agree with, we all have our opinions, even if our opinion is to try and ignore the chatter.
Poetry, for centuries, has been a way for artists to convey their opinions. Attend a political rally and you’ll hear speeches, chants, songs. A number of poems have become beloved “classics” and they just might inspire you to write a few of your own.
Claude McKay
If We Must Die
By Claude McKay
Claude McKay, 1889-1948 was born in Jamaica who later moved to the U.S. and lived abroad for a number of years., was a key figure in the Harlem Renaissance, a prominent literary movement of the 1920s. His published work included poetry, essays, a short story collection and several novels.
If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursèd lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we’ll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
*
Beat! Beat! Drums!
By Walt Whitman
Walt Whitman,1819-1892, is regarded as one of America’s important 19th century poets. During the Civil War, while working as a desk clerk in Washington D.C., he visited wounded soldiers in his spare time.
Beat! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying,
Leave not the bridegroom quiet—no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums—so shrill you bugles blow.
*
Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,
No bargainers’ bargains by day—no brokers or speculators—would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.
*
Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.
London
By William Blake
William Blake, 1792-1827, was an English visionary painter, engraver and poet of modest means who lived in London. In June 1780, Blake found himself in the midst of a riot calling for an end to the war on the American colonies. Often in his work, he questioned the status quo of the traditional order of society.
I wander thro’ each charter’d street,
Near where the charter’d Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.
*
In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg’d manacles I hear
*
How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls
*
But most thro’ midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse
If one of your resolutions for 2024 was to write more poetry, there’s never a better time than now.
Maybe wake up a little earlier, take a mid-day break, any time of the day will do, but just write a first draft without censoring your thoughts. For tips on revisions and the submission process, click here.
And to get you a little more hyped, here are a few places that are open for submissions this month, January 2024.
SOLSTICE [Solstice: A Winter Anthology Series Volume 3] Curated by Terri Clifton; illustrated by Morgan Golladay
The seasonal anthology from Devil’s Party Press returns with an all-new volume of original works by the most unique voices in writing. Renowned author Terri Clifton (A Random Soldier) has assembled a unique collection of stories and poems that will delight even the toughest of critics. The collection includes twelve beautifully rendered, full-page images (including a full-color wraparound cover) by award-winning illustrator Morgan Golladay. Morgan is an Old Scratch Press founding member, and her poetry collection will be out from Old Scratch press in the coming months. This is a wonderful opportunity to view Morgan’s evocative art! Congratulations Morgan!
The book also features writing by Morgan, as well as writing by OSP founders Anthony Doyle and Ellis Elliot!
OLD SCRATCH PRESS 