Why Every Poet Needs a Guide: Poetry and Mentorship

If you’ve never had a writing mentor, you may not realize you need one.  If you’ve had a mentor, you probably know what an impact they’ve had on your writing. 

A mentor’s role can be complex, encompassing the roles of teacher, editor, advisor, parent, friend, coach, cheerleader, critic, judge, proofreader, and sounding board.

As such, they are an invaluable resource at any stage of your career, but especially so at the beginning, whatever your age.

Many poets go it alone at first, but almost no one significantly improves alone. A good mentor shortens the time and distance between where you are and where you want your writing to be. They help you see the habits you repeat without noticing, the strengths you underestimate, and the opportunities you’d never spot on your own.

In a field where progress can feel slow and uneven, the guiding hand of a mentor gives you structure, accountability, and a clearer path forward. If you want your work to grow better with intention—not just luck—mentorship is one of the most effective tools you can invest in.

If you are lucky enough to find a mentor at the right stage in your writing life, then you will be ahead of the game in more ways than one. 

Reasons You Need a Mentor

This article by Shane Manier makes a great case, among many other excellent points, for hiring a mentor as a time and money-saving move.

5 Reasons Why You Need A Poetry Mentor — Shane Manier

Many writers naturally gravitate toward MFA programs hoping to find that kind of mentorship; sometimes the magic happens and an inspirational teacher becomes a long-time mentor:

Dr. Cody Smith found one in her MFA professor Jonathan Johnson.

What Makes Us Human: On Poetry, Mentorship, and Professional Growth | News Detail

“I remember thinking, This is what it means to be a teacher. Jonathan was a teacher who, instead of teaching you the material, taught you how to love the material.”

But realistically, given the elusive and indefinable chemistry that is involved in the mentor/mentee relationship, and the time constraints, there aren’t enough Creative Writing professors to go around and they have so many students throughout the years, that it can’t always work out.

For those of you outside creative writing programs, there are other places you can search for mentors. In my case, I went searching for mine online.  I began looking for the websites of poets whose work I had read and admired.  Some of them offered workshops or classes.  I found that one poet whose poetry I had never forgotten over the years, Andrea Hollander, offered one-on-one tutorials, so I contacted her. 

That fortunate decision led to a years-long series of phone tutorials (no Zoom back then!) with Andrea, who became a friend and mentor as well.  We have kept in touch over the years; we share our writing news and she continues to support my work and alert me to publishing opportunities.  Even after all these years, every time I write, I hear her voice in my head, guiding me, much as you would remember what a parent would say or advise in certain situations. 

You might prefer to meet with your mentor in person, in which case you should attend local poetry events to search for one, as this author did successfully:

“At a poetry open-mic event, I connected and found one of my mentors, having witnessed his performance and interaction with fellow poets and event organisers.”

Poetry Mentoring – Where Do You Start and How Do You Find Your Trusted Advisor

Poetry Mentorship Programs

You may prefer a more formal mentorship relationship, in which case there are various places to find mentorship programs:

Literary Journals:

Some individual journals have mentorship programs:

The Adroit journal:

Summer Mentorship Program — Details & Guidelines – The Adroit Journal

Writing Associations:

The AWP has a mentorship program for members:

Writer to Writer Overview

”The AWP Writer to Writer Mentorship Program is open to all AWP members who identify as emerging writers, but they particularly encourage applications from those writers who have never been associated with an MFA program, and those writing from regions, backgrounds, and cultures that are too often underrepresented in the literary world.”

The Haiku Society of America Mentorship Program

“For more information about joining a mentoring group, please contact the HSA President: Crystal Simone Smith”

Publishing Associations:

Writers Mentorship Program — Latinx in Publishing (all genres including poetry)

”The Latinx in Publishing Writers Mentorship Program offers the opportunity for unpublished and unagented writers who identify as Latinx (mentees) to strengthen their craft, gain knowledge about the traditional publishing industry, and expand their professional connections through work with experienced Latinx authors (mentors).”

Writing Workshops:

Writing workshops can foster mentorship:

POETICS Summer Workshop 2026

POETICS Summer Workshop 2026 – Bainbridge Island Press

“A five-session workshop on the vocabulary of poetics · Taught by Tamarah Rockwood

The heart of the workshop is the mentorship. Starting in Session 2, every participant submits one poem per session for individual written feedback from me, returned by email before the next class. Across the series, that produces forty-eight feedback letters, one for every poem from every poet in the room. This is not a lecture you are buying. It is a writing relationship.”

Writing Conferences:

The Writer’s Digest Annual Conference claims on its website: “you won’t find better mentors and allies for your writing journey.”

Some of you may fear to be too heavily influenced by a more experienced poet’s style in a mentor/mentee relationship and this discussion from New Writing North addresses that issue:

Paul Farley and John Challis on mentoring – New Writing North

“I’ve heard people speak of mentors with concern. The usual fear is usually one of influence – that the mentor’s style and interests will rub off too heavily on their work. Personally, I see it as a dialogue. The chance to speak directly to a writer you admire about poetry in general, and about your poems specifically.”

Pay It Forward

In the end, we all can hope that the advantages outweigh these concerns and the difficulties we have to overcome to find a poetry mentor.  In my case, I know I would not be where I am without my mentor’s timely guidance.  She gave me confidence to find my own voice and style and helped me learn to distinguish between a promising poem and one that needed more work. She pushed me to challenge my abilities and try poetic forms I had not attempted before. She inspired me to submit my work more widely and to dare to aspire to more discerning markets.  But most of all, she taught me how to be a good mentor in my turn.  I have tried, in my small way, to emulate her and to encourage budding poets that I have met and give them confidence to send their work out into the world.

Everyone needs encouragement and poets especially operate in a very obscure and underrated field that is not always well received or understood by the general public.

As poet Chloe Yelena Miller says in a Savvy Verse & Wit interview by Serena Agosto-Cox, “May we all find the mentors we need at the right time”!

Thank you for reading and please follow us here and on Facebook: https://www.facebook.com/OLDSCRATCHPRESS/

Beatriz F. Fernandez is a Miami area poet and University Reference librarian. She is the author of three poetry chapbooks, the most recent of which is Simultaneous States (2025) by Bainbridge Island Press. In 2025, she became a member of the Old Scratch Press short form and poetry writing collective.

SUBMISSIONS STILL OPEN FOR OUR NEXT ISSUE: Instant Noodles Lit Mag— THEME: “Al Dente”

SUBMISSION GUIDELINES

AL DENTE In cooking, pasta or risotto al dente (/ælˈdɛnteɪ/, Italian: [al ˈdɛnte]; lit. ’to the tooth’) is cooked to be firm to the bite, requiring a brief cooking time. The term also extends to firmly-cooked vegetables. In contemporary Italian cooking, it is considered to be the ideal consistency for pasta.

What does al dente mean to you? To your neighborhood vampire it probably means something different. How about to the prospector mining gold?

Send us something that you haven’t overcooked!

Submissions close on July 5, 2026; the issue publishes SEPTEMBER 1, 2026.

READ ONE OF OUR MEMBERS’ LATEST POETRY COLLECTION:

HOWLING INTO THE VOID

BY R. DAVID FULCHER

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Howling into the Void by R. David Fulcher

In Praise of Some Great Writing in the May Issue of Instant Noodles Literary Magazine

By Nadja Maril

Whenever I’ve written something I feel really conveys what I was striving for, I want to share it. But often, it sits on the computer for a while. Until published, the words are out there but they are not being read. Enter the world of literary magazines, a wonderful opportunity to share not just your own work but to be part of a larger community.

In 2020, publishers Dianne Pearce and David Yurkovich launched Instant Noodles Literary Magazine. Six years later it is still going strong. As their business and projects have expanded, so has the Instant Noodles Literary Magazine team. While Dianne makes the final decisions, she has some help. Members of The Old Scratch Press short form and poetry collective serve on a rotational basis as Contributing Editors.  We have a voice in choosing the themes and selecting work.

As a writer and poet who frequently expresses herself through the medium of (CNF) Creative Non Fiction, these are the submissions I’m most often reading. I read each piece submitted to Instant Noodles several times. I’m interested to discover how the writing responds to our theme. Most of the fiction and poetry I write is inspired by true life events. I am awed by writers who successfully blend reality, imagery and memorable characters into story. Not every submission sits squarely within one genre. Some straddle the line between reality and fantasy, between poetry and prose. We can’t offer payment, but we can bestow praise.

This issue, I’d like to gush about a certain piece I really liked. A piece I’d like the world to read and think about. It was submitted as CNF. In many ways it comes across to me as poetry. As with any short piece of work, every word counts. As a reader, that’s what I’m reading for, power in each word.

The 2026 issue May theme just released, is titled Planes Boats Cars Trains. When I suggested the theme, I envisioned all the ways transportation impacts our lives and how many exciting stories take place when a character is moving from one place to another. I wasn’t thinking about animals or freedom, but that is the beauty of words. We all perceive our world in different ways. A good artist can share their vision.

Photo by Boris Hamer on Pexels.com

The piece is called, “From Cage to Street” and is written by Tamara-Lee Brereton-Karabetsos. It begins in the first sentence to take the reader to the Serengeti plains of East Africa where a line of trucks are transporting wild animals. You’ll have to use your imagination to decide whether these animals are zebras, tigers, gazelle or something else. What you do know is they have fur and ears that twitch.

“Engines hum. Metal shakes. Paperwork counts weight, not panic.

Inside, bodies shift where they can, small movements, breaths caught between bars.”

She contrasts the business of checking locks and papers with the vibrations of the shaking vehicle. The writer contrasts herself with the animals. She is walking free and unencumbered, Each selected image— a swing, running dog, a kite— echoes the contrast.

“The wind brushes my face, a dog darts past, a child’s kite catches the sun.

Each step is choice. Each breath is mine. Each glance is unbound.”

Her poem/essay shifts back to the unloading of the crates and in her telling she slows down time for me as she expresses the melancholy of the caged versus the free.

“Animals shift from one container to another. The journey continues, but choice is absent.

Instinct carries memory of plains, but the body moves through something imposed, not chosen.”

This piece creates a sense of place and communicates the author’s appreciation of the physical agency of walking and choosing your own destination. I am pleased we were able to publish it and I urge you to take the time to read it along with many of the other fine pieces in this issue.

Photo by G N on Pexels.com

Thank you Tamara and thank you writers for making ours such a strong community. The next theme currently being read is Al Dente. Think pasta cooked just so, not too soft and not too stiff. Do you have a piece of writing that meets that criteria? What does Al Dente mean to you?

Remember that Instant Noodles Literary Magazine believes in helping fellow writers by nominating their work for prizes. Please send us your best work.

Thank you for reading and please follow us here and on Facebook.

Nadja Maril is an award winning writer and poet who has been published in dozens of online and print literary journals and anthologies including: Lunch Ticket, Spry Literary Journal, Invisible City Literary Review, Instant Noodles and The Journal of Compressed Creative Arts. She is the author of Recipes From My Garden, published by Old Scratch Press (September 2024), a Midwest Review California Book Watch Reviewer’s Choice. An Anne Arundel County Arts Council Literary Arts Award winner, her work has been nominated for the Pushcart Prize and The Best of the Net. She has an MFA in creative writing from Stonecoast at USM.

Check out Nadja’s chapbook below and here.

Launch Your Imagination: Speculative Poetry in the Artemis Age

(Image Credit: NASA/Keegan Barber)

This year’s National poetry month began with the successful liftoff of NASA’s Orion spacecraft as part of the Artemis mission, a forward step in manned spaceflight to the Moon—so it’s a perfect month to open a discussion about the future of Speculative poetry!

Speculative poetry is having a moment…

Speculative poetry, or SpecPo as it is also known, is coming into its own, especially in the last few years.  Long overshadowed by science fiction literature, speculative poetry has finally been accepted by the Science Fiction and Fantasy Writers Association (SFWA) as valid publications to become a member and even has its own Nebula Award category as of 2025, with perhaps a permanent Hugo award category in the works as well.

These are the 2025 Nebula Award finalists for best poem. (You can read most of them online by clicking on the title.)

Of course, the SFPA-the Science Fiction & Fantasy Poetry Association—established in 1978–has long awarded speculative poetry in all its many incarnations: the Dwarf Stars award, the Rhysling, the Elgin, and Grand Master and Lifetime Service awards. It also bears noting that the Canadian Science Fiction and Fantasy Association has been awarding an Aurora Award for “best poem/song” since 2011.

But with the addition of the Nebula and possibly Hugo awards, the momentum for speculative poetry is increasing.

What is Speculative poetry?

Speculative poetry generally refers to a poem with hard science-fiction or high fantasy elements, the latter which can include horror, mythology, fairy tales, folklore, so you can argue that it has been around forever.  But it has evolved over time to be more futuristic and diverse in nature, a situation which I think will continue to gather speed as we race for the Moon and Mars via future space missions.

The SFPA’s founder addresses some of the difficulties in defining Speculative poetry in this essay:

About Science Fiction Poetry, by Suzette Haden Elgin

Like many writers interested in science fiction, I started out writing poetry and then attempted to write science fiction short stories, never pausing to consider speculative poetry as a natural next step instead.  When my sallies into short science fiction failed to match my vision, I began to explore poetry more deeply, especially narrative poetry, but again, never considered speculative poetry specifically.  The truth is, I was not encountering much speculative poetry in my reading.  In the science fiction magazines I read, poems seemed to appear as filler while the stories and novellas were the main attractions.  The pieces tended to be very short and from a limited number of authors. This was my perception at the time, though I’m sure it was not unique. There were and have been many magazines publishing speculative poetry all along, but they did not come across my radar as a fledgling writer.

After many years of writing and publishing poetry, I began to explore short fiction again.  I wrote an opening scene for what I first envisioned as a story, but it just didn’t materialize further.  I was excited about the scene, though, and the vision would not leave me.  Finally, the light bulb came on and I realized that this scene would work just as well, maybe better, as a poem!  That reworked scene became a poem that was later accepted by Star*Line.

Speculative Poetry from Past to Present

To read some poems from speculative poetry’s past, peruse Poems of the Fantastic and Macabre a list curated by Theodora Goss, a professional fantasy writer, poet, and Victorian literature scholar who teaches Fantasy literature.

There’s a lot of excitement surrounding Speculative Poetry and in my research I ran across several articles that express that:

Locus Magazine has a feature on Speculative poetry this month: The Great Shapeshifter: Speculative Poetry

Reactor Magazine‘s article Weird as Hell: Falling in Love with Speculative Poetry by Diane Callahan. She explains how speculative poetry can serve as a gateway into poetry for people who don’t normally read it or embrace the label.

What you can do to support Speculative poetry right now

Join the Speculative poetry initiative to make the Hugo Award for Poetry a permanent category. It is a process that takes two years and must be ratified by the World Science Fiction Society (WSFS) (TheHugoAwards.org) who administer the award.

Submit your work and read magazines that publish speculative poetry:

The SFPA publishes a market list of paying and non-paying speculative poetry magazines.

Attend or participate in one of Speculative Poetry’s Speculative Sunday reading series

Read a book from Speculative Poetry’s Speculative Poetry Book Collections.

The Future and Speculative Poetry

The future of Speculative poetry looks bright–it is a form exceptionally adaptable to our changing world and open to the increasingly diverse visions of reality and the future of humankind. It’s accessible and welcoming to the exploration of social, political and multicultural issues.

And as the SFWA states in their Introduction to Speculative Poetry,

“Speculative poetry is not only for science fiction and fantasy fans. It is for any human with a heart and a desire to declare that their dreams should be heard.”

Thank you for reading!

Beatriz F. Fernandez is a Miami area poet and University Reference librarian. She is the author of three poetry chapbooks, the most recent of which is Simultaneous States  (2025) by Bainbridge Island Press.  In 2025, she became a member of the Old Scratch Press writing collective.

Please follow us here and on Facebook. https://www.facebook.com/OLDSCRATCHPRESS/

Our current theme for submissions is Al Dente. For more information click here.

AL DENTE In cooking, pasta or risotto al dente (/ælˈdɛnteɪ/, Italian: [al ˈdɛnte]; lit. ’to the tooth’) is cooked to be firm to the bite, requiring a brief cooking time. The term also extends to firmly-cooked vegetables. In contemporary Italian cooking, it is considered to be the ideal consistency for pasta.

What does al dente mean to you? To your neighborhood vampire it probably means something different. How about to the prospector mining gold?

Send us something that you haven’t overcooked!

Submissions close on July 5, 2026; the issue publishes SEPTEMBER 1, 2026.

OSP members are featured in an issue of MiniMAG!–curated and compiled by OSP founding member Anthony Doyle.