Why Every Poet Needs a Guide: Poetry and Mentorship

If you’ve never had a writing mentor, you may not realize you need one.  If you’ve had a mentor, you probably know what an impact they’ve had on your writing. 

A mentor’s role can be complex, encompassing the roles of teacher, editor, advisor, parent, friend, coach, cheerleader, critic, judge, proofreader, and sounding board.

As such, they are an invaluable resource at any stage of your career, but especially so at the beginning, whatever your age.

Many poets go it alone at first, but almost no one significantly improves alone. A good mentor shortens the time and distance between where you are and where you want your writing to be. They help you see the habits you repeat without noticing, the strengths you underestimate, and the opportunities you’d never spot on your own.

In a field where progress can feel slow and uneven, the guiding hand of a mentor gives you structure, accountability, and a clearer path forward. If you want your work to grow better with intention—not just luck—mentorship is one of the most effective tools you can invest in.

If you are lucky enough to find a mentor at the right stage in your writing life, then you will be ahead of the game in more ways than one. 

Reasons You Need a Mentor

This article by Shane Manier makes a great case, among many other excellent points, for hiring a mentor as a time and money-saving move.

5 Reasons Why You Need A Poetry Mentor — Shane Manier

Many writers naturally gravitate toward MFA programs hoping to find that kind of mentorship; sometimes the magic happens and an inspirational teacher becomes a long-time mentor:

Dr. Cody Smith found one in her MFA professor Jonathan Johnson.

What Makes Us Human: On Poetry, Mentorship, and Professional Growth | News Detail

“I remember thinking, This is what it means to be a teacher. Jonathan was a teacher who, instead of teaching you the material, taught you how to love the material.”

But realistically, given the elusive and indefinable chemistry that is involved in the mentor/mentee relationship, and the time constraints, there aren’t enough Creative Writing professors to go around and they have so many students throughout the years, that it can’t always work out.

For those of you outside creative writing programs, there are other places you can search for mentors. In my case, I went searching for mine online.  I began looking for the websites of poets whose work I had read and admired.  Some of them offered workshops or classes.  I found that one poet whose poetry I had never forgotten over the years, Andrea Hollander, offered one-on-one tutorials, so I contacted her. 

That fortunate decision led to a years-long series of phone tutorials (no Zoom back then!) with Andrea, who became a friend and mentor as well.  We have kept in touch over the years; we share our writing news and she continues to support my work and alert me to publishing opportunities.  Even after all these years, every time I write, I hear her voice in my head, guiding me, much as you would remember what a parent would say or advise in certain situations. 

You might prefer to meet with your mentor in person, in which case you should attend local poetry events to search for one, as this author did successfully:

“At a poetry open-mic event, I connected and found one of my mentors, having witnessed his performance and interaction with fellow poets and event organisers.”

Poetry Mentoring – Where Do You Start and How Do You Find Your Trusted Advisor

Poetry Mentorship Programs

You may prefer a more formal mentorship relationship, in which case there are various places to find mentorship programs:

Literary Journals:

Some individual journals have mentorship programs:

The Adroit journal:

Summer Mentorship Program — Details & Guidelines – The Adroit Journal

Writing Associations:

The AWP has a mentorship program for members:

Writer to Writer Overview

”The AWP Writer to Writer Mentorship Program is open to all AWP members who identify as emerging writers, but they particularly encourage applications from those writers who have never been associated with an MFA program, and those writing from regions, backgrounds, and cultures that are too often underrepresented in the literary world.”

The Haiku Society of America Mentorship Program

“For more information about joining a mentoring group, please contact the HSA President: Crystal Simone Smith”

Publishing Associations:

Writers Mentorship Program — Latinx in Publishing (all genres including poetry)

”The Latinx in Publishing Writers Mentorship Program offers the opportunity for unpublished and unagented writers who identify as Latinx (mentees) to strengthen their craft, gain knowledge about the traditional publishing industry, and expand their professional connections through work with experienced Latinx authors (mentors).”

Writing Workshops:

Writing workshops can foster mentorship:

POETICS Summer Workshop 2026

POETICS Summer Workshop 2026 – Bainbridge Island Press

“A five-session workshop on the vocabulary of poetics · Taught by Tamarah Rockwood

The heart of the workshop is the mentorship. Starting in Session 2, every participant submits one poem per session for individual written feedback from me, returned by email before the next class. Across the series, that produces forty-eight feedback letters, one for every poem from every poet in the room. This is not a lecture you are buying. It is a writing relationship.”

Writing Conferences:

The Writer’s Digest Annual Conference claims on its website: “you won’t find better mentors and allies for your writing journey.”

Some of you may fear to be too heavily influenced by a more experienced poet’s style in a mentor/mentee relationship and this discussion from New Writing North addresses that issue:

Paul Farley and John Challis on mentoring – New Writing North

“I’ve heard people speak of mentors with concern. The usual fear is usually one of influence – that the mentor’s style and interests will rub off too heavily on their work. Personally, I see it as a dialogue. The chance to speak directly to a writer you admire about poetry in general, and about your poems specifically.”

Pay It Forward

In the end, we all can hope that the advantages outweigh these concerns and the difficulties we have to overcome to find a poetry mentor.  In my case, I know I would not be where I am without my mentor’s timely guidance.  She gave me confidence to find my own voice and style and helped me learn to distinguish between a promising poem and one that needed more work. She pushed me to challenge my abilities and try poetic forms I had not attempted before. She inspired me to submit my work more widely and to dare to aspire to more discerning markets.  But most of all, she taught me how to be a good mentor in my turn.  I have tried, in my small way, to emulate her and to encourage budding poets that I have met and give them confidence to send their work out into the world.

Everyone needs encouragement and poets especially operate in a very obscure and underrated field that is not always well received or understood by the general public.

As poet Chloe Yelena Miller says in a Savvy Verse & Wit interview by Serena Agosto-Cox, “May we all find the mentors we need at the right time”!

Thank you for reading and please follow us here and on Facebook: https://www.facebook.com/OLDSCRATCHPRESS/

Beatriz F. Fernandez is a Miami area poet and University Reference librarian. She is the author of three poetry chapbooks, the most recent of which is Simultaneous States (2025) by Bainbridge Island Press. In 2025, she became a member of the Old Scratch Press short form and poetry writing collective.

SUBMISSIONS STILL OPEN FOR OUR NEXT ISSUE: Instant Noodles Lit Mag— THEME: “Al Dente”

SUBMISSION GUIDELINES

AL DENTE In cooking, pasta or risotto al dente (/ælˈdɛnteɪ/, Italian: [al ˈdɛnte]; lit. ’to the tooth’) is cooked to be firm to the bite, requiring a brief cooking time. The term also extends to firmly-cooked vegetables. In contemporary Italian cooking, it is considered to be the ideal consistency for pasta.

What does al dente mean to you? To your neighborhood vampire it probably means something different. How about to the prospector mining gold?

Send us something that you haven’t overcooked!

Submissions close on July 5, 2026; the issue publishes SEPTEMBER 1, 2026.

READ ONE OF OUR MEMBERS’ LATEST POETRY COLLECTION:

HOWLING INTO THE VOID

BY R. DAVID FULCHER

buy on amazon

Howling into the Void by R. David Fulcher

LAST CHANCE!

Last Chance to get published this year!
SUBMISSIONS FOR 2025 ARE OPEN THROUGH 11.02.25.

The Old Scratch Press team asks that all fiction/non-fiction pieces adhere to a word count of 500 words or less.

Topics/themes for 2025

GRAVY is our 2025 winter holiday theme. Give us your best holiday gravy fails, mishaps, ridiculous gravy encounters (any December holiday, from Hanukkah, to Solstice, to NYE, etc.) or your best funny work about gravy, in general. The point of the end-of-year issue is to be light-hearted to downright silly.

Submissions close NOVEMBER 2, 2025; the issue will publish DECEMBER 1, 2025.

SUBMIT!

You know you want to!

How Spicy are You?

By R. David Fulcher, Old Scratch Press Founding Member

I love all things pumpkin, including pumpkin spice. However, I understand even fans of this seasonal gourd have their limits on just how much pumpkin spice is too much pumpkin spice.

Readers are the same way.

Even fans of scary stories have their own personal limits in terms of exactly how scary, how gory, or how unsettling a story they can bear.

Therefore, I’ve taken three of my pumpkin-related stories and rated them in spiciness, from the most mild to the most extreme.

Mild Spice: “Pumpkin Night at the Pinkstons”

In “Pumpkin Night at the Pinkstons”, from my book The Movies that Make You Scream!, a teenager discovers the secret behind his homecoming date. Full of gooey teenage love, this is the mildest of my pumpkin-themed stories, something like one of the Goosebumps tales by R.L. Stine.

I’ll call this the Pumpkin Spice Latte Level of story.

Here is an excerpt from “Pumpkin Night at the Pinkstons”:

I don’t know exactly how much time passed before realizing that something was very, very wrong. The texture of her kisses changed, becoming clumsy and pulpy in taste. Her smooth gums became loose and stringy, and when I tried to pull away, I realized she was attached to me like a barnacle adhered to the side of a boat’s hull. Long, pointed fingers now clenched my nose shut and I began to get dizzy as that sickening, fruity-vegetable stench began to overwhelm me.

But more horrible were the physical changes taking place to the body I embraced, a grotesque squishyness of the torso and organs like the skin of a rotting tomato.

Medium Spice: “Pumpkin Seed Spit”

In “Pumpkin Seed Spit”, from the Devil’s Party Press anthology Halloween Party 2019, three friends go trick-or-treating and make a horrible deal with an ancient spirit to ensure their survival. Although the protagonists are also teenagers in this story, the stakes are higher, and the final implications for humanity much darker.

I’ll call this the Pumpkin Muffin Level of story.

Here is an excerpt from “Pumpkin Seed Spit”:

Upon reaching the first house near a dead end, they knocked and said in unison, “Trick-or-Treat!” As fifty-year-old Henry Armitage opened the front door, Brian unearthed his bag. The middle-aged man frowned at the kids before starting to mutter something about the lateness of the hour. Armitage gazed into Brian’s bag of seeds and was immediately mesmerized. An orange energy tendril spiraled upward, carrying a single seed into Armitage’s mouth.

Brian, Matt, and Ria wanted to scream, but found it impossible. While their souls were wrenched into knots by the horror they witnessed, outwardly they stood emotionless, even tranquil, as layers of skin and flesh melted away until all that remained of Henry Armitage was a living skeleton.

When the transformation was complete, they advanced to the next house. Ria shared the seeds, and Asenath Waite, a young mother of two, was hideously transformed into a witch with boils, green teeth, and a trail of lesions across her forehead.

Matt was next to present The Pumpkin Tree’s offering to the world. Three seeds were received by a couple and their young baby. Within moments they became a trio of giant pale, eyeless larvae that oozed and squiggled out of their clothes.

Extra Spicy: “The Pumpkin King”

In “The Pumpkin King”, from my book The Pumpkin King and Other Tales of Terror, a man ignores the rules of Halloween to his own detriment. The protagonist is an adult, and this tale has the most shock value of the three.

I’ll call this the Pumpkin Imperial Pale Ale Level of story 

Here is an excerpt from “The Pumpkin King”:

I spun around and made for the door, half convinced I was hallucinating if not dreaming. I unlatched the deadbolt, but it clicked back into place as soon as I started to turn the latch. I turned back to the jack-o’-lantern.

“An easy trick, but effective,” the jack-o’-lantern said, its orange light flashing in time to the latch on the deadbolt as it clicked back and forth at will.

“What do you want?” I begged.

“I want you to think on this. There is but one expectation of you this time of year. One simple obligation: To carve pumpkins. To pay homage to the king.”

“What king?”

“Samhain, the King of the Dead.” Its demeanor began to change. Its voice deepened and the reddish-orange glow rose like an enraged fire.

“This is ridiculous!” Now I was beginning to lose my fear and was feeling pissed. This thing, whatever it was, was in my house. I turned to climb the stairs and grab a baseball bat so that I could smash the talkative piece of vegetation into a hundred juicy bits. I was an educated man, and I knew of the myth of Samhain, the Lord of the Dead who arrived every fall to put nature in balance with the deadly strokes of his sickle. I also knew it was pure bunk.

I had only reached the first step when I heard a sound far worse than the maddening click-clacking of the door latch: the metallic whisper of a kitchen knife being drawn from the butcher block.

I turned back to the pumpkin. “Okay. You’ve got my attention. What do you want?”

“I want to carve you,” it replied simply.

So whatever your personal threshold is for pumpkin spice, pay homage to the spirits of All Hallows Eve, and savor the spice before it’s gone!

Happy Writing!

R.David Fulcher, Founding Member of Old Scratch Press 

Oldscratchpress.com

Rdavidfulcher.com

Final Two Meet and Greets for New Members

Are you a flash fiction, poetry, or short memoir writer with a finished manuscript—or one nearly ready to go? Old Scratch Press, a collaborative collective supported by Current Words Publishing, is now accepting applications for two new members to join us in 2026.

We’re a tight-knit, skill-sharing group that publishes each other’s books, runs the lit mag Instant Noodles, and supports each other with editing, design, marketing, and community.

We are hosting meet and greets on August 6th and August 13. To be invited you have to send a small sample. There are no fees to submit, and there are no fees to join, and there are no fees to publish your collection. There are no fees. Who else you gonna find to collaborate with who dedicates an entire issue of a literary magazine to that most magical of elixirs… gravy?
If you’re eager to grow as a writer and be part of something creative and weird and wonderful, we’d love to meet you.

👉 Apply with a sample here:
https://duotrope.com/duosuma/submit/form.aspx?id=6idG3Mj-O0jFm-15Y7r2p

Spots are limited. Let’s make good things together.

Join Us: Deadline to Apply 8/31/2025

Hi All~

We’re looking to add members to Old Scratch Press!
Here’s the deets:
Old Scratch Press (OSP), a poetry and short-form collective sponsored by Current Words Publishing, is seeking two new members to join us starting at the end of 2025. Your book would be slated for publication in 2026–2027, pending a successful trial period.

OSP is a collaborative, grassroots press focused on uplifting fresh, bold voices in poetry, flash fiction, and creative non-fiction. We publish three books per year, along with Instant Noodles Lit Mag (3 issues/year), which is curated and edited by our members. To learn more about our work, we invite you to explore past editions of Instant Noodles https://instantnoodleslitmag.com/ and OSP-published books https://oldscratchpress.com/catalog/.

As a member of OSP, you will:

  • Receive a free publication of your manuscript (poetry, short prose, hybrid, or a mix of writing and art).
  • Get 10 free copies of your book and keep 100% of your royalties.
  • Participate in monthly OSP meetings (except December and August).
  • Proofread and support fellow members’ books and contribute to blog and promo efforts.
  • Be invited to monthly marketing meetings hosted by Current Words Publishing.
  • Join a supportive community of working writers committed to mutual aid, creativity, and literary growth.

We’re looking for:

Members who are kind, reliable, and team-oriented.

Writers with a completed or nearly completed manuscript ready for publication in 2026–2027.

People who can commit to at least two years of active participation.

Writers who reflect diversity in identity, perspective, or experience—including (but not limited to) people of color, LGBTQ+ writers, disabled writers, and others underrepresented in publishing.

Applicants who are not full-time creative writing faculty. We aim to support writers who do not already have institutional resources or access.

Writers who have a track record of publication (a few poems, flash pieces, essays, etc.), and a clear desire to communicate something meaningful through their work—someone we can respect as a fellow writer and collaborator.

A note about our trial period:

New members will begin with a six-month trial period before we formally commit to publishing your book. This ensures a good fit and gives everyone time to build rapport, share work, and participate in OSP activities.

To apply:

Please send the following:

  • A brief cover letter introducing yourself, why you’re interested in joining OSP, and how you’d contribute to the group.
  • A short author bio (3–5 sentences).
  • A brief personal essay (500–750 words) about your writing journey. Feel free to include publication history (with links or footnotes) and anything you’d like to share about the manuscript you hope to publish.
  • A sample of your manuscript-in-progress (up to 10 pages).

Applications will be reviewed collectively by current OSP members. Finalists will be invited for a short conversation via Zoom.

If this sounds like your kind of creative home, we’d love to hear from you!

Apply, as usual, through Duotrope~

Have you been folkloring?

By R. David Fulcher, Old Scratch Press Founding Member

Recently I had the honor of joining the Folkloring podcast. This podcast addresses how we can integrate folklore into our everyday lives, including our writing.

Preparing for this podcast prompted me to reflect upon the influence of folklore, myth and legend on my own writing and was surprised to discover the influence has been quite profound.

Below are some of categories of folklore I came up with in case they could be an inspiration for your writing.

1. Global folklore 

By this I mean folklore that originated from a specific geographic location hundreds of years ago, but now is so well known it is generally accepted. 

An example of this would be the legend of the vampire from Romania.  First something that was very localized, vampires are now so common they now appear on cereal boxes and television series.

I integrate the vampire myth into my writing in several stories in my book The Pumpkin King and Other Tales of Terror in such stories as “The Night Flyer” and “The Watchman’s Web”.

2. Urban Legends/Localized Folklore 

In this category would be legends still most popular in specific geographic regions, such as the legend of the New Jersey Devil that haunts the woods of New Jersey, or the infamous Bunny Man of Clifton, Virginia.

I draw upon the legend of The Boogeyman in my book Asteroid 6 and Other Tales of Cosmic Horror in my story “The Boogeyman, Part II”.

3. Native American Myths

The mythology of native Americans is extremely rich and strongly connected to the natural world. 

In my book The Cemetery of Hearts, I reference a native American myth from the American Southwest that claims that the majestic canyons and mesas were spun out of a gigantic spider.

In my story “The Land Spider”, a gigantic spider starts swallowing a small town in New Mexico building by building.

These are just a few ideas to get you started, but the world is full of legends and folklore, and weaving them into your writing will enrich your fiction and poetry.

You can learn more about the Folkloring podcast here

Happy Writing!

R.David Fulcher, Founding Member of Old Scratch Press 

Oldscratchpress.com

Rdavidfulcher.com

Exploring Horror Writing: A Q&A with R. David Fulcher

We learn from asking questions, and what better way to explore the craft of writing than through an engaging Q&A with an author! This month the author I’m interviewing is R. David Fulcher who happens to be a member of the Old Scratch Press Poetry and Short Form Collective.

R. David Fulcher is a talented author with multiple books to his name. His most recent work, a captivating short story collection titled THE PUMPKIN KING AND OTHER TALES OF TERROR, showcases his passion for storytelling. A writer of both poetry and prose, he deeply loves speculative fiction, particularly science fiction and horror. You can explore more of his work on his blog at Rdavidfulcher.com.

This is the perfect month—the season of ghosts and goblins—to delve into the exciting craft of writing horror. Most of my questions in this post will focus on the intriguing insights from THE PUMPKIN KING AND OTHER TALES OF TERROR. Let’s celebrate the art of writing together!

Q: Question

R: Response

R. David Fulcher

Q: As a writer, what is your primary goal when interacting with your readers?

R: As a horror writer, I have two primary goals: 1) Establish an “eerie” atmosphere; and 2) Elicit a physical response in the reader. Yes, I hope to stimulate the readers’ minds as well, but I primarily want to elicit fear – a racing pulse, the small hairs standing up on the back of your neck, a shiver in your spine – only good horror tales have this effect.

Q: Was there a specific moment you remember, perhaps an experience that spurred you on to want to write this particular book?

R: The Pumpkin King and Other Tales of Terror (and the follow-up volume “Asteroid 6 and Other Tales of Cosmic Horror”) is sort of a “greatest hits” collection of my short stories, so unlike a traditional novel the stories were developed over many years and inspired by many moments and experiences throughout my life.

To give a sense of the age of some of the stories, the title story “The Pumpkin King” first appeared in a small press magazine entitled Mausoleum back in 2001!  Of course, all the stories have been heavily revised in the new book.

To provide an experience that spurred me to write a particular story, “Castle Marienburg” was inspired by a tour of that very castle during a visit to Germany in college.

Q: As both a horror writer and a poet, how has Edgar Allen Poe influenced your work?

R: In a way, Edgar Allen Poe led me to my genre. My high school English teacher taught a semester on Poe, and I was hooked.  I started writing dark, gothic short stories that day after school and submitting them to small press magazines shortly thereafter.

Q: Writing poetry and writing prose, how has the two different types of genres influenced each other in your writing?

R: My love for both poetry and prose has caused me to experiment with inserting sequences of poetry into my fiction.  Some examples of my stories that include embedded poems are “A Night Out with Mr. Bones”, “The Faerie Lights”, and “All Across the Mountain”.

Q: Did you work alone or did you rely on some feedback from others?

R: I initially write on my own, but I really enjoy it when people close to me review my work and give feedback on it.  For example, my brother Dale helped proofread the manuscript for The Pumpkin King and Other Tales of Terror, and after reading my short story “Asteroid 6” my wife Lisa was really impressed with the tale, so I was inspired to title my second volume coming out this Fall as “Asteroid 6 and Other Tales of Cosmic Horror”.

Of course, my publishers David and Dianne are also tremendous editors and their feedback has been essential to my work.

Q:Do you imagine you are writing for a specific person or a certain audience?

R: No specific audience. I will say that my writing is almost always in the realm of the fantastic, so fans of my work must be able to “suspend their disbelief” and just go along for the ride, trusting me to take them to a magical, almost unbelievable ending, even if all the facts don’t line up with reality. I think fans of hard science-fiction (Isaac Asimov, etc.) will have a hard time enjoying my work.

Q: How do you approach revision?

R:This goes back to things I’d tell my former self.  I used to put down the pen (yes, I write my stories out long-hand!) after a long, intense burst of writing (sometimes an entire story in a single sitting), push the manuscript back on the desk with a smile, and say “Perfect!”

I would then immediately submit the tale for publication, only to receive rejection after rejection, never understanding why.

I’ve finally learned that being a professional writer means spending almost twice the amount of time revising your work as you spent writing it in the first place.  So I approach it like work. I allocate time for editing/proofreading, I set deadlines, and I hold myself to them. The difference between my original manuscript written after a burst of artistic inspiration and the manuscript after several rounds of revision is often night and day.

Q: If you could give advice to your younger self, what would you want to tell them?

R: I’d remind my younger self that the success of a book is up to me. I used to self-publish with AuthorHouse (formerly 1st Books) and believed that getting my book on Amazon and buying the publisher’s “marketing kit” would instantly propel me to fame and the bestseller’s list.  I have learned the hard way over the years this is not the case. Publishing the book is just Step 1.  The real work is in the marking and promotion.

Q: How did you find your publisher or did they find you?

R: David and Dianne of Devil’s Party Press (now Current Words Publishing) met at the Indie Lit Fest at Frostburg State University in Frostburg, MD.  At the time they were accepting submissions for one of their Halloween Party anthologies and provided me with the information.  I submitted and was accepted. The rest as they say is history! 

Q: Do you have a specific horror story favorite you’ve read?

R: Several novels by modern horror writers have had a tremendous influence on my writing.  They include “Something Wicked This Way Comes” by Ray Bradbury, “The Tommyknockers” by Stephen King, and “HIdeaway” by Dean Koontz.

In your own portfolio, a story you are particularly proud of?

R: I have a few favorites among my stories that don’t always correlate to fan favorites.  The first is “Castle Marienburg”, which was originally titled “Eyes in the Night”. A horror editor in the small press called it one of the best horror stories he had ever read, which was very satisfying. Others include “Spectra’s Masterpiece”, a science fiction story about AI published back in the early 2000’s well before AI became a commonplace topic, and “The Land Spider” in the way that it incorporates native American mythology.

Q: Do you have a “day job” to help pay for your writing habit, and it so, has it impacted in any way your writing?

R: During my day job I work as an IT Contractor.  My work with computers has spilled into my fiction with my stories “ELECTRIC”, where a boy becomes one with his home computer, and “The Witch Toaster,” where a group of programmers within an IT Department must battle supernatural forces.

Thank you for reading and visit the Old Scratch Press Website to learn more about our authors and upcoming publications.

The Secret Histories of Some of Our Poets

Writers and poets are complex individuals. They are not afraid to take risks. They reveal their innermost thoughts in their poetry and prose and they also like to have fun.

How well do you think you know the members of the Old Scratch Press Poetry and Short Form Collective and how well can you judge someone by their outward appearance?

Maybe you saw our FUN FACTS GAME on our Facebook page at https://www.facebook.com/OLDSCRATCHPRESS

If not, here are the questions:

Can you match these poets: Robert Fleming, R. David Fulcher, Dianne Pearce, or Virginia Watts with the correct fun fact?

Dianne Pearce
Robert Flemming
R. David Fulcher
Virginia Watts

A. They met their spouse through a personal ad placed by their dog.  

B. They performed as Frankenstein at the opening of the movie “Gods and Monsters.”   

C. They once pursued a career as a folksinger and they have an original song available on the internet.

D. Their favorite Xmas Eve story is about a character named Giant Grummer who lived in a house of limburger cheese consuming pickles and vinegar.

THE ANSWERS

“I guess you could say that I met my spouse after my dog posted an ad in the Personals column of the city paper, looking for a daddy to join us on walks, ” says Dianne Pearce.

In 1998, Robert Fleming performed as Frankenstein at the opening of the movie Gods and Monsters and here is a photo to prove it!

Want to check out the movie itself. Here is a link to the trailer.

Perhaps the plaid shirt and the beard is a giveaway, but R. David Fulcher describes himself as a “wannabe folksinger.” Take a listen.

And last but not least, check out What Virginia Watts has to say about her favorite Christmas story. featuring Giant Grummer.

Play the game next week, when we’ll have more fun questions and photos to share. Don’t miss a post, sign up to follow us on WordPress and Facebook. Thank you for reading.

Publishing Opportunity for Poets and Prose Writers. Old Scratch to curate Instant Noodles.

DID YOU KNOW….

Instant Noodles is on online literary magazine. Part of the Devil’s Party Press family, Instant Noodles is the opportunity that brought the majority of the authors to Old Scratch Press. It is ALWAYS free to read, and free to submit to.

DID YOU KNOW….

Instant Noodles has its own website now? https://instantnoodleslitmag.com Bookmark it!

DID YOU KNOW…

Old Scratch Press is curating the December 2023 issue? The theme for the December edition is “Cooold Turkey.”

Please take note, we’re shortening our word count. Can you take the challenge and keep it brief by making every word count? For our Winter issue we’re asking our writers to limit their poetry submissions to 2 poems (up to a combined total of 500 words). Prose writers, we’ll be only publishing work that is 500 words or less. (If you need to finish a sentence, we’ll cut you a little slack). Remember, we only publish writers over the age of forty and it’s important to submit work that is somehow related to the theme.  Guest Editors for the Winter issue include: GABBY GILLIAM: Poetry, R.DAVID FULCHER: Fiction, ALAN BERN and DIANNE PEARCE: Art, and NADJA MARIL: Memoir/Creative Nonfiction.

The issue opens for submissions August 15, 2023. Submissions close on October 15th.

You can submit here!

Introducing Collective member R. David Fulcher

In 1993, while still a student at the University of Maryland, College Park, R. David Fulcher founded a literary magazine. As he writes in an article, this is how it all began:

“During my studies I came across the Buddhist concept of samsara, the continuous cycle of suffering and rebirth until one achieves enlightenment.  Of course, my twisted college brain immediately thought:  “Why wouldn’t that be wonderful!  A literary journal based on suffering!”

Well, maybe there was a  bit more to it than that.  After all, the official theme of the journal is artwork, poetry and fiction centered around suffering and healing, the latter being arguably far more important to us as human beings.

Through the years, the magazine’s reach has expanded (we’ve published writers from Africa, Canada, Mexico, France, Japan, and the United Kingdom), and my wonderful wife Lisa Flach-Fulcher joined the effort as the Managing Editor, vastly improving many of the day-to-day operations of the journal.  Despite these changes, Samsara has remained true to form, only accepting works that emphasize the central theme of suffering and healing.  Beyond that, the magazine has no genre restrictions, and we’ve been amazed by the variety of ways that artists and writers have incorporated these themes into their submissions over the years.

We expected stories from cancer survivors, those recovering from addiction, and those mourning a lost love.  All these themes are critically important to Samsara.  But the creative spark will not be denied, and we received pleasantly unexpected new spins on suffering and healing as well.  Consider the suffering of an alien race slowly perishing due to a dying sun, or a vampire with dementia.  Consider a man plagued by the voice of a subway train that lures him to his death, or a paranoid individual convinced that fish live in his waterbed, giving him incurable insomnia.”

It’s not surprising that when publisher Dianne Pearce thought of writers she’d worked with, that she invited R. David Fulcher to be one of the founding members of the writers working behind the scenes to help support the concept of a press focused on publishing poetry and short form work.

Ten dedicated writer poets comprise the Old Scratch Short Form Collective, with the goal of working with the Devil’s Party Press, a small independent publisher, to bring to fruition the concept of publishing chapbooks of poetry and short form prose under the imprint Old Scratch Press.

This week we are introducing founding member R. David Fulcher

David’s work has appeared in numerous small press publications including Lovecraft’s Mystery Magazine, Black Satellite, The Martian Wave, Burning Sky, Shadowlands, Twilight Showcase, Heliocentric Net, Gateways, Weird Times, Freaky Frights and the anthologies Dimensions and Silken Ropes. Fulcher’s work can also be found in the DPP collection Halloween Party 2019, available at Amazon and at the DPP online store.

Author of horror, science fiction, fantasy, and poetry. Major literary influences include H.P. Lovecraft, Dean Koontz, Edgar Allen Poe, Fritz Lieber, and Stephen King. Fulcher’s first novel, a historical drama set in World War II, Trains to Nowhere, and his second novel, a collection of fantasy and science fiction short stories, Blood Spiders and Dark Moon, are both available from authorhouse.com and  Amazon.

In the Fall of 2023, Devil’s Party Press released a new collection of R. David Fulcher’s horror tales called The Pumpkin King: The Collected Horror Stories of R. David Fulcher. While some of these stories have appeared in the past in other collections and anthologies, this will be the first time all of horror stories will be consolidated into two volumes.

The first volume, The Pumpkin King, will focus on his traditional horror stories.  The second volume, Asteroid 6 and Other Tales of Cosmic Horror, will focus on his cosmic horror stories. 

A writer, with diverse interests and talents, if you’d like to check out one of David’s poems, entitled “Perception” published by Poetry Pacific in May 2020, here’s a link, Enjoy. And don’t forget to sign up to follow this blog, where you’ll get the latest news about the Old Scratch Press writers and ways to stay connected to the poetry and short form prose community. Thank you for reading.