Daffodils and Mud Inspired Poetry

Welcome to Week Two of National Poetry Month. The four seasons of the year are the subjects of many different types of poetry from traditional sonnets to exuberant free verse sprawled out across the page. So to start this week we are sharing two poems by American poets from the past.

The first poem is by Amy Lowell (1874-1925). A Pulitzer Prize winner for her poetry collection, What’s O’Clock, Lowell is associated with the early 20th Century Imagist Movement, which sought to use precise, colloquial language and concrete imagery in lieu of traditional poetic diction and meter. Compared with the second poem we’re posting by E.E. Cummings, however, to our twenty-first century ears it sounds very traditional, until you compare it to last week’s poem posting by William Shakespeare.

To an Early Daffodil

By Amy Lowell

          Thou yellow trumpeter of laggard Spring!

           Thou herald of rich Summer’s myriad flowers!           

           The climbing sun with new recovered powers

          Does warm thee into being, through the ring

          Of rich, brown earth he woos thee, makes thee fling

           Thy green shoots up, inheriting the dowers

           Of bending sky and sudden, sweeping showers,

          Till ripe and blossoming thou art a thing

           To make all nature glad, thou art so gay;

          To fill the lonely with a joy untold;

           Nodding at every gust of wind to-day,

          To-morrow jewelled with raindrops.  Always bold

           To stand erect, full in the dazzling play

          Of April’s sun, for thou hast caught his gold.

The second poet, E.E. Cummings ( 1984-1962) was one of the most popular poets of the twentieth century. Challenging the established approach to words on a page, Cummings experimented with form and language to create a distinct personal style. The exhilaration of the change in seasons is transmitted by his merging certain words together and distancing others in a poem that shouts out to be read aloud.

[in Just-]

By E.E. Cummings

in Just-

spring          when the world is mud-

luscious the little

lame balloonman

whistles          far          and wee

and eddieandbill come

running from marbles and

piracies and it’s

spring

when the world is puddle-wonderful

the queer

old balloonman whistles

far          and             wee

and bettyandisbel come dancing

from hop-scotch and jump-rope and

it’s

spring

and

         the

                  goat-footed

balloonMan          whistles

far

and

wee

Do you have a favorite poem to greet the season? Share it with us and share it by posting it on your own social media account as well. Poetry is not only meant to be read aloud, it is meant to be shared.

Thank you for reading and don’t forget to follow us on WordPress, Facebook , Instagram, and Twitter.

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INTRODUCING COLLECTIVE MEMBER ROBERT FLEMING

Ten dedicated writer poets comprise the Old Scratch Short Form Collective, with the goal of working with the Devil’s Party Press, a small independent publisher, to bring to fruition the concept of publishing chapbooks of poetry and short form prose under the imprint Old Scratch Press.

This week we are introducing Robert Fleming. His chapbook White Noir will be published in the fall of 2023.  Don’t forget to subscribe to our blog, as we’ll be introducing the contributing editors, member of the collective, one by one each week. You’ll also learn about poetry events, publishing opportunities, and new ways of approaching the genre of short form.

MEET ROBERT FLEMING

Robert Fleming is a word-artist born in Montreal, Quebec, Canada who emigrated to Lewes, Delaware, United States. Robert follows his mother as a visual artist and his grandfather as a poet. In his work, Fleming explores masculinity, sexual orientation, sin and virtue, and dystopia in words and graphics on earth and beyond.

Since 2017, more than 400 of his works were published internationally in more than 95 print and online publications, art galleries and online mic features. His style is influenced by the writers Robert Frost, Dr. Seuss, and the Beats and his graphics by surrealistic artists like Salvador Dali.  A Member of the Rehoboth Beach and Horror Writers Association, nominated twice for the Pushcart Award and twice for Best of the Net,  Robert Fleming’s is the winner of the  2022 San Gabriel Valley California Poetry Broadside Award and is in the 2021 Best of Mad Swirl.

Robert’s chapbook, White Noir, a Black and white visual poetry exploration of human birth to death and beyond on earth, is scheduled for publication in the November of 2023. He says about the book, the vibe is dark, goethe, and dystopian, but I lighten it up by including humor. And,” he adds, “ it offers a hopeful ending.”

Follow Robert on  https://www.facebook.com/robert.fleming.5030 .

Learn about the other writer/poets in our collective in the upcoming weeks, or click on their links here:

Alan Bern
Anthony Doyle

Ellis Elliot
Gabby Gilliam
Janet Holmes Uchendu
Morgan Golladay
Nadja Maril
R. David Fulcher
Robert Fleming
Virginia Watts

In just four more days April will be here, and you know what that means?… National Poetry Month!  If you have a favorite poem, we’d love to hear about it and possibly post it ( if it is in the public domain). Please use the comment space to get in touch, We’ll be sharing favorite poems and pieces we admire along with writing prompts, thoughts and musing about poetry, short form prose and other hybrid forms.

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Do you have an idea for something you’d like to read about in this space? Let us know. Follow us on Facebook, Twitter, and Instagram.