Do you find that your work as a translator influences your approach to writing original works?
A:
I can safely say I learned how to write from translating other people’s work. Translation has been a school to me. In a way, it’s like those painters you see reproducing great works at art galleries. They’re learning through reproduction. Translation is like that too. Translation means taking a text in one language and rewriting it in another. But literary translation is about taking an author’s text in one language and transferring it to another language in that author’s style. So it’s reproduction of content and form, to the extent that that’s possible. You learn a great deal from doing that. And it was through translation that I finally acquired those other competencies I mentioned before—planning, discipline and patience. It’s great training for a writer.
Gabby Gilliam, a fellow member of the collective who like myself lives in the Greater Washington D.C. region which encompasses Northern Virginia and Maryland, recently posted a link on social media about the Second Annual Short Poem Edition just published by the nonprofit Washington Writers Publishing House.
The three-line poems posted, immediately drew my attention and got me to thinking about the power of short poetry. Gabby will be the guest poetry editor for the Winter “Cooold Turkey” themed issue of the literary magazine Instant Noodles. Get more information here.
Short poetry has power. Thank you for reading and if you’d like to share a favorite short poem, please send it in via “comments.” Remember to also follow the Old Scratch Press Facebook page and check out what people are saying about our first book release A Break in the Field by Ellis Elliot.
Thanks to Annette Tarpley for choosing to highlight Ellis on her program! Ellis reads some of her book and has a nice long chat with Annette. Stop by and watch!
Hibernaculum began life in Kindle Vella, but KV does not have the whole story. If you began reading it there, you’ll want to get your hands on the book, to see what happens at the end, when the dystopian becomes…. Orwellian.
Anthony Doyle is an amazing author, and while Hibernaculum is his first published novel, it will not be his last. I highly suggest you follow him to follow his career, especially if you like deep books that challenge our modern world. And, in his current post, he has an extra Hibernaculum story posted that you won’t want to miss!
As his publishers, we feel incredibly lucky that we are the ones to publish this book, and we’re looking forward to getting a chance to sit down with the print book and enjoy it all over again. The journey the book takes the reader on is…. unexpected, and when you think you’ve seen behind the curtain, there is more to know, and more secrets revealed. And, if you enjoy fiction that is also culturally relevant, this is the book for you. Like the best sci fi, it is a prescient book, and when you read it, and realize it was written before any hint of the Russian invasion of Ukraine, you’ll think that Anthony is a seer, and it will shock you to realize exactly where tough climate choices could take our children someday. No, you will not be able to put Hibernaculum down! But don’t take my word for it. Listen to the experts:
“Thought-provoking SF delivered in an intriguingly panoramic form.” KIRKUS REVIEWS
“Doyle has hit on something rare: an original approach to climate fiction.” BOOKLIFE REVIEWS
“Gripping, revealing, and frightening.” MIDWEST BOOK REVIEW“The contrast between notes and experiences of those who navigate this world are exceptionally well done, and will lend to book club discussions and sci-fi reader delight. Libraries and readers seeking a futuristic exploration which examines sleepers of the world and the social and political truths and realities that underlie their motivations will find Hibernaculum replete with a growing horror of realization that awakens, at the end, into a nightmare of manipulation and truth. It will leave readers thinking long after the story’s final startling revelations.” DONOVAN’S BOOKSHELF
In an imploding world, time is money, time is trouble, and time is risk. For those who can neither afford or bear to exist 24/7, 365 days a year, time is also a solution.
In Anthony Doyle’s startling debut novel, you’ll step into a world where global voluntary hibernation facilities provide a way out, a chance to step off the status quo carousel. Hibernaculum takes you into the before, during, and after of this strange new process and posits the question: Do things really look better after a good, long sleep?
A compelling, unsettling glimpse into the world of tomorrow.
And see what the readers thought who read the abbreviated version on Kindle Vella:
Yes, we’ve been recommending Anthony’s book for some time now, but it’s finally here! And you know that in a few weeks you’re going to start shopping for Christmas presents or Holiday gifts, and why not give your friends and loved ones not just another “thing,” a tie, socks, etc., why not give them an entire week of great reading? People love and remember experiences more than things, and no one will be able to forget this book, or put it down.
DO YOU RUN A BOOKSTORE? ARE YOU A LIBRARIAN? DO YOU HAVE A PODCAST?
Anthony is a warm and engaging human, and he is free, willing, and able to Zoom with you and your guests to talk about his book, or climate change, or sci fi that predicts the future, or how to write and publish your debut novel, or any number of other topics.
“A deeply felt collection of candid verse.” KIRKUS
“Ellis Elliott’s compelling Break in the Field creates associations between humanity, nature, and time that deserve not only individual inspection and appreciation, but spirited discussions about contemporary poetry’s ability to attract and react to life’s events with bigger-picture reflections about growth, freedom, and life lessons.” MIDWEST BOOK REVIEW
“This gripping, heart wrenching exploration of her inner most thoughts and feelings while caring for her extreme needs stepson, “[whose] brain vessels shattered at birth into a million stars,” are so raw, so deeply forthright, from a place of such compassion, tenderness, and introspection that I found myself tearful many times.” KARI GUNTER-SEYMOUR Ohio Poet Laureate and author of ALONE IN THE HOUSE OF MY HEART
Devil’s Party proudly presents BREAK IN THE FIELD, a captivating and heartfelt poetry collection by Ellis Elliott. Deeply personal, Ellis’ collection looks at the enlightening experience of parenting a profoundly disabled stepson, while simultaneously embracing the other shifts in mid-life.
A 2023 National Book Award nominee title, this outstanding collection arrives July 2023 under the DPP imprint, Old Scratch Press.
Old Scratch Press (OSP) was formed as a way to help poets get their poetry out there. It is our hope that someday we will offer many opportunities for poets. Our first mission, though, was to see if we could publish the books of the group members, as a way to see if we could support each other, function well as a cohesive group, etc., before we took on other people and their poetry or short-form dreams.
And so the first OSP book has been released: Break in the Field by Ellis Elliott. Why is Ellis’ book first? She won the coin-toss, or, in our virtual case, the random-#-generator-toss.
However, that luck of the draw does not lesson the beauty of the book. It’s a beautiful book, and the poetry is accessible and so relatable. I have a daughter with a disability, and I found this, really, meditation on mothering and parenting, so moving and important. I also worked for years in group homes and etc. for people with disabilities, and the book really speaks to me because it humanizes people with disabilities, and, too often, their disabilities make them so unable to make good contact with those of us of average capabilities, that we never stop to imagine their needs or feelings or think that they even have desires. Ellis’ book tackles that notion of supplying the concept of being human from the outside in, to a person who can seem like an object more than a person. I struggled, in my years as a staff trainer, to help the staff I trained to come around to that more full view of the people we took care of, but it was a tough sell, sadly, to some of the staff. Ellis’ makes it something we don’t learn, but we feel and know in our bones. I love this book for that.
The cover is a photo of one of the dollhouses Ellis rehabs as one of her artistic outlets. On her blog she has a very lovely post explaining how she came to want to have that as her cover, and I think you’d enjoy that too. Ellis is also in process on a cozy mystery series, and I highly suggest you follow her on her very interesting blog, especially if you are an author, or an aspiring author, as she offers lots of writing tips.
I earned my MFA as a poet, something I never expected to get into when I decided to further study writing, and I’ve always really loved poetry (my own included…. lol) and I am so very happy that we can publish poetry. The book was put together by the Devil’s Party Press crew of two, but also proofread and dusted and cleaned by volunteers from the collective. There is no way at all, though, that I, or Dave and I, could have done it without all of the OSP members: Nadja, Ellis, Anthony, David, Ginny, Gabby, Janet, Alan, Morgan, and stalwart meeting leader, Robert, may the poetry gods bless him for always remembering to hit record, among other things. These folks are volunteering their time to show up to Saturday morning meetings, to take minutes (the ultimate sacrifice) at these meetings, to edit each others’ books, and working to promote each others’ books, and that is what every author needs, a team of supporters. Poets are not TikTok influencers, racking up 10,000 likes, but poetry is more important. I think that poetry makes the unexplainable able to be shared; that’s how I would sum it up. I’m not sure which of the members volunteered to do an edit and proofread for Ellis, but all of the members are helping OSP in general, to grow.
Back in 1989 when I was putting a poem and two dollar bills in an envelope with an SASE and sending it off in the mail, I almost never even found out if the poem had reached its destination, but when it did make it, I always received a request back, in my SASE, to please subscribe to the Zine. I never did, because I made about 60/week, and most of that went on bus fare, and, frankly, I didn’t care about other people’s poetry. I cared about mine. But, that was wrong. I mean, I couldn’t help the financial situation back then, and, though that hasn’t much changed now (lol), when I have a friend put out a poetry collection, or a poet I don’t know but admire puts out a new collection, I buy it. I usually buy two, actually, and give one as a gift. Without people doing that, poetry will fade from view, and we’ll lose something that is all magic. Magic is rare. Poetry is one way to hold magic.
The collective is going to curate the holiday/end-of-year issue of Instant Noodles, and choose the theme for next year’s issues, and we are in talks to see what other opportunities we can provide for poetry readers and writers, so follow us, and see what we bring to the world of poetry and short-form writing, and, if we make it. We could end up as a fabulous poetry cooperative, or as the modern, poetic version of the Donner Party, or anything in between. This is still an experiment. So far, I think we can feel quite proud, all of us in the group, of our first book.
And I am really excited for the next book too: White Noir, by Robert Fleming. It’s very different from Break in the Field, and I like the diversity of movement from one book to the next, and that our group has such variety of style. It is very exciting. White Noir should be up for pre-order in the coming months…. hopefully sooner than later, but there hasn’t been an author, from a single story or poem, to a whole book, who hasn’t had to be patient waiting for DPP to get caught up. 🙂 We appreciate the patience, and we hope you’ll follow along on the great experiment of OSP.
Thank you for supporting these wonderful authors, and independent publishing, and authors over 40, and late bloomers, and poetry, art, words as art…. It means so much to me.
Congratulations, Old Scratch Press, on a book successfully and collaboratively done.
Congratulation Ellis, on your wonderful book of poetry.
We are proud to announce that Old Scratch Press will be publishing Gabby’s first chapbook of poems. The working title is No Ocean Spit Me Out. Approximately 30 pages in length, the poems in No Ocean Spit Me Out explore the dynamics and evolution of family relationships. It is scheduled for release in 2024, so keep following our website as well as Gabby for more details.
OLD SCRATCH PRESS 