Does Winter Have a Sound? Writing Prompts and Publishing News

This week We are starting off our blog by sharing links for three new magazines on the scene that provide publishing opportunities for poets. Two of the publications, Only Poems and SWIMM Every Day, are on the publishing platform Substack. The third, New Verse News, is on Blogspot. Take note that Swwimm only publishes work by women. Although these magazines will try to entice you to support them by becoming a paid subscriber, you don’t have to subscribe to submit. But do read them, do decide whether they might be a good home for your work. Here are their links. Check them out.

Only Poems

SWIMM Every Day

New Verse News

Writing Prompt

It’s snowing, freezing in many places around the USA and around the world. I take a walk in my neighborhood and notice sound is different in a snowstorm. I hear the crunch of my footsteps, the thud of a snow clump falling from a tree branch, the scraping of a snow shovel. No car engines. No beeping construction trucks today. The morning is quiet.  

Sound, one of the six senses, is a powerful writing tool. This winter week in January, think about the following seven ways to integrate sound into your poetry and prose and then put them to use.

Rhyme

The matching of identical or similar word endings was once a requirement, in some poems. Now public opinion has swayed in the opposite direction, and some publications specifically will not publish rhyming poetry. It all depends, which way your mind bends. Rhyme can add emphasis and shading to both poetry and prose and can also elicit humor.  

Rhythm

The manipulation of syllabic patterns in a passage, can add intensity and create suspense. A line of poetry or prose, rhythmically pleasing is a joy to read. Writing prose, sentence by sentence, experiment with how different words and word sequences with varying syllable length can change the impact of your writing.

Consonance

The name sounds like consonants and its meaning refers to repetition of consonants — specifically, those at the ends of words: The injured steed stayed on the ground and I stroked his head.

Onomatopoeia

 A long fancy sounding term,onomatopoeia refers to words that are sound effects.  Can you find words that concurrently indicate meaning while also mimicking a sound? Here are two examples: The cock-a-doodle doo of the rooster woke me up at six. The clanging pots annoyed everyone.

Repetition

Repetition is the repeating of a word or phrase. When used adeptly it will create a structure or pattern that adds emphasis to the desired meaning of a passage. Remember “The Raven” by Edgar Allen Poe? The first stanza goes:

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

    While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

            Only this and nothing more.”

Alliteration

Alliteration, two or more words within a phrase or sentence that begin with the same sound, can add shading, emphasis and lyricism. Alliteration can be delivered two ways: consecutively delivered as with deep and daring or spread out within a sentence, promises can be painful and keeping up with party invitations practical.

Assonance

Assonance as with Consonance relies on repetition of a letter in the alphabet. In this case, instead of a consonant it is a vowel. The use of repetitive vowel sounds can be powerful in both a phrase or an entire paragraph. We who must not see the bees hiding in the trees look on bended knee for the lost honey.

We close with a winter poem by William Carlos Williams.

Blizzard

BY WILLIAM CARLOS WILLIAMS

1883-1963

Snow:

years of anger following

hours that float idly down —

the blizzard

drifts its weight

deeper and deeper for three days

or sixty years, eh? Then

the sun! a clutter of

yellow and blue flakes —

Hairy looking trees stand out

in long alleys

over a wild solitude.

The man turns and there —

his solitary track stretched out

upon the world.

Thank you for reading our bog. Follow us on Facebook and visit the Old Scratch Press page at Devils Party Press

Available now: Robert Fleming’s white noir. An eclectic, visual collection you won’t want to miss.

Political Poetry, New Year’s Resolutions & Publishing Opportunities

Writing poetry is a personal, introspective experience, a way to communicate our innermost feelings as art.

Enter politics. Around the United States, around the globe humans are in conflict. It doesn’t matter which side you agree with, we all have our opinions, even if our opinion is to try and ignore the chatter.

Poetry, for centuries, has been a way for artists to convey their opinions. Attend a political rally and you’ll hear speeches, chants, songs. A number of poems have become beloved “classics” and they just might inspire you to write a few of your own.

If We Must Die

By Claude McKay

Claude McKay, 1889-1948 was born in Jamaica who later moved to the U.S. and lived abroad for a number of years., was a key figure in the Harlem Renaissance, a prominent literary movement of the 1920s. His published work included poetry, essays, a short story collection and several novels.

If we must die, let it not be like hogs

Hunted and penned in an inglorious spot,

While round us bark the mad and hungry dogs,

Making their mock at our accursèd lot.

If we must die, O let us nobly die,

So that our precious blood may not be shed

In vain; then even the monsters we defy

Shall be constrained to honor us though dead!

O kinsmen! we must meet the common foe!

Though far outnumbered let us show us brave,

And for their thousand blows deal one death-blow!

What though before us lies the open grave?

Like men we’ll face the murderous, cowardly pack,

Pressed to the wall, dying, but fighting back!

*

Beat! Beat! Drums!

By Walt Whitman

Walt Whitman,1819-1892, is regarded as one of America’s important 19th century poets. During the Civil War, while working as a desk clerk in Washington D.C., he visited wounded soldiers in his spare time.

Beat! beat! drums!—blow! bugles! blow!

Through the windows—through doors—burst like a ruthless force,

Into the solemn church, and scatter the congregation,

Into the school where the scholar is studying,

Leave not the bridegroom quiet—no happiness must he have now with his bride,

Nor the peaceful farmer any peace, ploughing his field or gathering his grain,

So fierce you whirr and pound you drums—so shrill you bugles blow.

*

Beat! beat! drums!—blow! bugles! blow!

Over the traffic of cities—over the rumble of wheels in the streets;

Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,

No bargainers’ bargains by day—no brokers or speculators—would they continue?

Would the talkers be talking? would the singer attempt to sing?

Would the lawyer rise in the court to state his case before the judge?

Then rattle quicker, heavier drums—you bugles wilder blow.

*

Beat! beat! drums!—blow! bugles! blow!

Make no parley—stop for no expostulation,

Mind not the timid—mind not the weeper or prayer,

Mind not the old man beseeching the young man,

Let not the child’s voice be heard, nor the mother’s entreaties,

Make even the trestles to shake the dead where they lie awaiting the hearses,

So strong you thump O terrible drums—so loud you bugles blow.

London

By William Blake

William Blake, 1792-1827, was an English visionary painter, engraver and poet of modest means who lived in London. In June 1780, Blake found himself in the midst of a riot calling for an end to the war on the American colonies. Often in his work, he questioned the status quo of the traditional order of society.

 I wander thro’ each charter’d street,

Near where the charter’d Thames does flow. 

And mark in every face I meet

Marks of weakness, marks of woe.

*

In every cry of every Man,

In every Infants cry of fear,

In every voice: in every ban,

The mind-forg’d manacles I hear 

*

How the Chimney-sweepers cry

Every blackning Church appalls, 

And the hapless Soldiers sigh

Runs in blood down Palace walls 

*

But most thro’ midnight streets I hear

How the youthful Harlots curse

Blasts the new-born Infants tear 

And blights with plagues the Marriage hearse 

If one of your resolutions for 2024 was to write more poetry, there’s never a better time than now.

Maybe wake up a little earlier, take a mid-day break, any time of the day will do, but just write a first draft without censoring your thoughts. For tips on revisions and the submission process, click here.

And to get you a little more hyped, here are a few places that are open for submissions this month, January 2024.

Opportunities for Poets in January

Rock Paper Poem

https://rockpaperpoem.com/submit.html?fbclid=IwAR3hbef037kzvt0BbN3r64V2EDIZXtOrloRXAcvrIM8nkDR66_s0BOw7cSE

Poem Alone

https://poemalone.blogspot.com/?fbclid=IwAR2njw45cL46szMDrDeBWN9qv0UnZgEJT8bNLeicL-5stZdVv3_KqWKyMps

Beakful

https://beakful.blogspot.com/?fbclid=IwAR2dqEQh7rE2bq_StnfndCKnfSN4YmwoXQnCSeVdSLXbvmR-PhMJTqEU3xQ

Raven Poem Competition

Strix.  (no simultaneous submissions)

https://www.strixleeds.com/submit

Black Iris

https://www.blackirispoetry.com/new-page

Lascaux  Review

Acumen

https://acumen-poetry.co.uk/submissions-guide/

Allegro Poetry Magazine

https://www.allegropoetry.org/p/submit.html

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And She Makes Art Too!

cover of solstice featuring a chalk drawing of a farmhouse

WELCOME SOLSTICE! A NEW ANTHOLOGY

SOLSTICE
[Solstice: A  Winter Anthology Series Volume 3]
Curated by Terri Clifton; illustrated by Morgan Golladay

The seasonal anthology from Devil’s Party Press returns with an all-new volume of original works by the most unique voices in writing. Renowned author Terri Clifton (A Random Soldier) has assembled a unique collection of stories and poems that will delight even the toughest of critics. The collection includes twelve beautifully rendered, full-page images (including a full-color wraparound cover) by award-winning illustrator Morgan Golladay. Morgan is an Old Scratch Press founding member, and her poetry collection will be out from Old Scratch press in the coming months. This is a wonderful opportunity to view Morgan’s evocative art! Congratulations Morgan!

The book also features writing by Morgan, as well as writing by OSP founders Anthony Doyle and Ellis Elliot!

HAVE YOU BEEN TO THE BEWILDERNESS?

Bewilderness Writing is the brainchild of Old Scratch member Ellis Elliot. Ellis offers so many things for writers on her website. I look forward to the newsletter too, for all its tips and tricks. Check out her site. You’re going to love it!

Discover Anthony Doyle: A Writer Unveiled

We’re thrilled to shine the spotlight on Anthony Doyle, a writer with a captivating journey from the historic town of Wicklow, Ireland, to the vibrant streets of São Paulo, Brazil. In this exclusive interview, Anthony shares insights into his creative process, inspirations drawn from dramatic landscapes, and the unique linguistic gems that grace his works.

Curious to delve into the mind of this imaginative wordsmith? Read the full interview here. Embark on a literary journey and explore the diverse influences that shape Anthony’s writing, from Viking tales to the bustling diversity of São Paulo.

Don’t miss the chance to uncover the essence of Anthony Doyle’s creative spirit. Head over to the interview now!

And get your copy of his groundbreaking novel of human hibernation, deep thought, and climate change, HIBERNACULUM.

In the USA? Start reading it for free in the Kindle Vella!

Introducing White Noir by Robert Fleming: A Darkly Captivating Visual Poetry Journal

Are you ready to embark on an unforgettable journey through the depths of human existence? Look no further than WHITE NOIR, by Robert Fleming, a mesmerizing black and white visual poetry book that delves into the enigmatic tapestry of life, from birth to death and beyond. This book is not just a collection of verses; it’s a visual and emotional experience that will leave you spellbound.Who Should Dive into WHITE NOIR?Appreciators of Visual Poetry: If you’re someone who finds beauty in the fusion of words and images,WHITE NOIR is your treasure trove. Fleming’s mastery of visual poetry will leave you in awe.Lovers of Graphic Arts: This book is a canvas of creativity, merging the artistry of words and visuals in a way that will captivate anyone with an appreciation for graphic arts.Devotees of Dark Humor: WHITE NOIR thrives on dark humor, taking you on a rollercoaster ride of emotions that ultimately ends with a glimmer of hope. It’s a unique blend of wit and introspection.What Awaits You in WHITE NOIR?A Profound Human Journey: WHITE NOIR takes you on a journey that spans the entire lifespan of humanity. It explores the diverse facets of existence, from the raw and unfiltered to moments of humor and reflection.Balance of Text and Images: The book strikes a perfect balance between text and visuals, creating a multi-sensory experience that will leave you immersed in its world.Taboo Themes: Fleming fearlessly tackles taboo subjects, including religion, sex, politics, and gun violence, inviting readers to confront and contemplate these complex issues.Experimental Poetry Forms: Get ready for a literary adventure as Fleming explores experimental poetry forms, such as phone texting, Alexa questions, and palindromes, pushing the boundaries of conventional poetry.Why Will You Love WHITE NOIR?A Petite Delectation: You can devour this thought-provoking journey in a single sitting, making it perfect for a cozy afternoon or an intellectual escape.Original and Modern: “White Noir” is a testament to contemporary poetry, offering a fresh perspective on life’s most profound questions.Perfect Gift: Looking for a unique gift for a friend or loved one? “White Noir” is a one-of-a-kind present that will leave a lasting impression.Robert Fleming, the Doodleman, infuses his work with influences from literary giants like Robert Frost, Dr. Seuss, and the Beats, as well as the artistic visions of Salvador Dali and Andy Warhol. With over 400 works published internationally, Fleming’s talent is undeniable, earning him recognition and accolades from various literary circles.Don’t miss the opportunity to explore the captivating world of “White Noir.” Order your copy today and join the ranks of those who have been moved and inspired by Robert Fleming’s unique vision of human existence. It’s not just a book; it’s an experience waiting to be embraced…. 

You can get a copy of white noir on Amazon !

Congratulations to Virgina Watts!

As the kitchen slowly fills with acrid smoke, Hannah considers the details of last night’s dream. All her dreams are similar. They begin with the vultures from Disney’s movie The Jungle Book: Buzzie, Flaps, Ziggy, and Dizzy, those adorable guys with their shaggy haircuts and Liverpudlian accents. Hannah suspects she giggles in her sleep as the dream gets underway and the feathered quartet exchange their famous banter: Whatcha wanna do? I dunno. Okay, but whatcha wanna do?

This is when Hitchcock enters belly first, and just like that the mock-Beatles birds have blood red eyes, growl like wolves, sprout dripping talons, and hideous, dagger beaks. Hannah shivers just thinking of them. In the dreams, she searches for and locates herself far below, standing in the middle of a cornfield row. She is shading her eyes, looking skyward toward the row of birds, her body no bigger than a black ant on a picnic table. When the birds screech and launch, spears sailing earthward, Hannah starts sprinting.

Protected black vultures take center stage as the inaugural characters in Old Scratch Press member Virginia Watt’s captivating collection of short stories, ECHOES FROM THE HOCKER HOUSE. Much like the inhabitants of Watt’s literary world, these vultures malfunction, their settings turned unusually high. The reasons elude comprehension, shifting the focus toward adaptation and navigating life amid circumstances deemed fundamentally unendurable.

Resonating with the challenging yet beautiful landscape reminiscent of the middle of Penn’s woods (Pennsylvania), Watt’s tales unfold amidst mountains, trees, rocks, and coal. Attaining a ripe old age or seeking easier horizons are both exceptional occurrences. The hill country folk within these stories cherish their wooded towns, embrace the eccentricities of their neighbors, hold onto their faith, love their country, and confront their struggles head-on.

KIRKUS loves Watt’s book!

ECHOES FROM THE HOCKER HOUSE, a National Book Award nominee, is now available on Kindle, with the paperback set for release on 11/20/2023. Secure your copy at the pre-order price from Devil’s Party Press today!

Want to Get Published? Where & How to Submit Your Work

By Ellis Elliot

Sharing your work by submitting it for publication can be a daunting task in many ways, not only because it causes a vulnerability hangover, but also because it can be overwhelming and hard to figure out where to start. I’m hardly an expert, but I have submitted dozens of poems to literary journals and contests, and found a good bit of success, and this is what I’ve learned.

            First, begin by stalking online and print literary journals. Find some you like and respect. Consider the type of writing you want to submit. You would not submit your Southern Gothic short story to a literary journal for Christian Sci-Fi (yes, that’s a thing). Find the right kind of “fit”, as far as genre and theme, for your work. See if the journal resonates with you. And while it is never wrong to “shoot for the stars” and submit to the New Yorker or another of that ilk, it also makes sense to spread your net wide, over a variety of journals, big and small.

How do you even find these journals in the first place? Maybe your school has one, or you can broadly search online for ones in your genre, and then read some. Read to get a sense of specific journals, and what all is out there.

Also, there are numerous free and paid websites that have lists of journals, and some can even narrow it down for you based on your preferences.  A few I use are: Submittable, Duotrope, Poets and Writers magazine, Writer’s Digest, and Authors Publish. (See links below) These provide lists of publications, along with dates and details. Always check if there are fees involved, and choose wisely. I’m the first to admit, it is a lot of work to wade through the sea of lit journals in order to filter down to the ones you want, but once you find them, your list has begun, and from there you can only add to it. Plus, once those algorithms get in your computer, you’ll be getting all sorts of lit-related stuff, like it or not.

Once you’ve narrowed it down to the journals you want to send your work to, be sure to read the guidelines carefully. You don’t want your work tossed because you sent five poems when they asked for one, or sent a 500-word bio when they asked for 50.

Photo by Pixabay on Pexels.com

Be prepared with a good cover letter, short biography, and a photo. Your cover letter should be addressed to the editor of your genre in that publication. It should be brief and can include references to the journal you’re submitting to, like how you enjoyed their recent issue on butterfly migration, but don’t overdo. They are there to read your writing, not your cover letter. Be sure to thank them for their time and effort, because it does require a lot of both.

The bio should also be matter-of-fact, including salient facts, like where you live, what job you have, or family and pets. Include any writing-related experience you’ve had, whether it’s school, workshops, or clubs. If you’ve been previously published, be sure to include those titles. 

You can always throw in a little personality and add things like, “in my spare time I like to taxidermy butterflies and run on the beach.”

            Finally, the photo. I recently paid for a headshot, but that was only after years of using shots I made my husband take of me immediately after I got home from the hair salon. Just be sure you have something ready to go.

            Once you’ve sent your best work in the best way you can, you wait. Most lit journals get a boat-load of submissions and turn-over time can take months. When you get an inevitable rejection, know that the process is entirely subjective. If it is your best, then it is art, and no two people necessarily will see your art in the same way. If you get accepted, let that feeling cover you like syrup, do a happy dance, then get to work withdrawing from all the journals you sent that piece to. Most journals allow “simultaneous submissions” with the caveat that you alert them if it is accepted elsewhere. It’s a good problem, but necessary to maintain good

            I write all of the above only after having made every conceivable mistake and had innumerable rejections. But, I have learned a lot along the way.  Like anything, submitting is work, and a job unto itself. It is also well worth it when you have the satisfaction of seeing your work in print.

Ellis is one of our founding collective members. Her poetry collection, Break in the Field, is available for purchase here.

Below are some links to get you started on sending out your work.

https://www.submittable.com/

https://duotrope.com/

https://www.pw.org/