Big shoutout to Morgan Golladay! Her short story “Under the Rhododendrons,” featured in HALLOWEEN PARTY ’23 (Gravelight Press), snagged second place in the National Federation of Press Women’s national short story competition.
Morgan also just wrote, illustrated, and released her first poetry book, THE SONG OF NORTH MOUNTAIN, which is up for a National Book Award!
Old Scratch Press is pleased to announce the upcoming release of The Song of North Mountain, by Morgan Golladay. Slated for May release, the book includes original artwork by the author to accompany her poems. The collection is now available for pre-order.
Founded in 2023, Old Scratch Press is a cooperative of poets and short-form authors who have come together to promote the publication and appreciation of poetry and short-form writing. The Song of North Mountain will be the third chapbook, published by the small independent press.
Break in the Field by Ellis Elliot was their first book, nominated for the National Book Award, followed by avante-garde wordsmith and artist Robert Fleming’s poetry collection, White Noir.
The Song of North Mountain, says Morgan, “is about my relationship with this Earth, focusing on one small mountain in one small chain, in one small part of this vast world.
This book is about a connection – my personal experience sitting in stillness on this mountain, as well as many other mountains. North Mountain is, for me, a symbol of my relationship with this Earth. The permanence of the land, regardless of how it changes; the cycles of life, the quiet continuation of change. It has been a long time since I personally was able to sit quietly and listen to the tree branches and leaves speak to each other. I cannot scale the trails as I once did. But the magic of place is still in my memory, whether it’s the rocks in the rivers, the trails on the mountain tops, or the joy of sharing ripe wild berries.
“…my personal experience sitting in stillness on this mountain, as well as many other mountains. North Mountain is, for me, a symbol of my relationship with this Earth.”
Morgan Golladay
The cover design, an original painting, and the 10 black and white interior illustrations were created specifically for the book. Pre-order availability on Amazon and on the Old Scratch catalogue page will be coming soon.
To keep up with the latest news, please follow our blog here for free and also follow us on Facebook. Later this year look for more chapbooks penned by Gabby Gilliam, Alan Bern, and Nadja Maril. Thank you for reading. Special note: the deadline for Instant Noodles LIterary Magazine submissions has been extended to the end of the month.
Looking for recommendations for what to read to your toddler? Poet, writer and former Children’s Librarian Alan Bern has a favorite:
“The Owl and the Pussycat” by Edward Lear, illustrated by James Marshall ; afterword by Maurice Sendak.
By Alan Bern
Edward Lear’s “classic love ballad, “The Owl and the Pussycat,” was voted the most popular British childhood poem in 2014, and has been set to music by everyone from Stravinsky to Laurie Anderson.” (”The Sense Beneath Edward Lear’s Nonsense” by Adam Gopnik, The New Yorker, April 16, 2018) If not as popular in the United States, “The Owl and the Pussycat” has spawned a number of illustrated picture books here. Of the many illustrated picture books of this absolutely brilliant poem for very young listeners and readers by Edward Lear, “The Owl and the Pussycat,” my top choice is the version by James Marshall. Next to Lear’s own illustrations for his poem, James Marshall’s illustrations, although he died before fully finishing them, are my favorites. Marshall creates wonderful characters that match so perfectly the sounds and voices of Lear’s poem. It is a nonsense poem, but it’s always made perfect sense to me and to so many. Young children will love the poem and the book; so will elementary school kids when they need to feel just a bit regressed. Heck, adults will love it, too. As I do.
Nonsense Suggesting Sense
As Gopnik explains later in his essay: “This gift for creating pathos without sacrificing absurdity is what makes “The Owl and the Pussycat” one of the greatest poems in the language… In “The Owl and the Pussycat,” meanings rush in:
They dined on mince, and slices of quince,
Which they ate with a runcible spoon…
Not even Humpty Dumpty could explain what a runcible spoon is. We know it by its verbal vibration, by its presence, by its sheer runcibleness… This gift for making something felt without having first to make it familiar is one that we later admire in Beckett. Nonsense suggesting sense is a familiar pattern. Nonsense suggesting the numinous is not.”
Artist/illustrator James Marshall
Personal Connections
And here’s a personal story to go with the poem. As a children’s librarian for many years, I was honored to serve on the American Library Association’s Caldecott Committee in 1992, and I suggested Marshall’s illustrations for this book as a finalist. It was not chosen, most probably because Marshall never quite finished the illustrations. I continued to love the book anyway, and I always wondered why the poem always spoke to me… when I read it or when I listened to another read it. Shortly after my Mom died, I found out why. One day while going through some letters, from my Mom to my Aunt, letters that my Aunt had kept from the early 1950s. My parents were on sabbatical leave (my Dad was a young professor) in Cambridge, England, and I was almost two. In one letter, my Mom wrote: ‘It’s wonderful to be here, Howard and I are having such a good time, and we love having our little boy with us; however, he does drive us crazy and asks over and over and over that we read “The Owl and the Pussycat” to him.’ That brought such a wide smile to my face: of course, I don’t remember it, but it now explains, in part, my continuing love for the poem. Thanks, Mom and Dad, and thank you very kindly, Mr. Edward Lear! And now I shall reach for my runcible spoon.
If you haven’t done so already, please follow our blog here for free and also follow us on Facebook.And coming soon is our newest chapbook release, The Song of North Mountain, by Morgan Golladay followed by chapbooks penned by Gabby Gilliam, Alan Bern, and Nadja Maril.
How does one convey the feeling of a place?Twice-recognized by the Delaware Press Association for her poetry, Morgan Golladay gathers images and thoughts into a story of living in an area where rivers and mountains converge into dreams and memories.
Destination by Morgan Golladay
Ten dedicated writer poets comprise the Old Scratch Short Form Collective, with the goal of working with the Devil’s Party Press, a small independent publisher, to bring to fruition the concept of publishing chapbooks of poetry and short form prose under the imprint Old Scratch Press.
This week we are introducing founding member Morgan Golladay
Morgan Golladay has been intrigued with words all her life. Her poetry reflects this, and she uses illusion and allusion in her writing. Much of her work focuses on her native Shenandoah Valley, as well as coastal Delaware.
Morgan says that poetry originated as an oral form, and she thinks it works best when it is heard. To that end it must be concise, simple, and tight. The poet bears the responsibility to speak old truths in new ways, to encourage the reader/listener to consider ideas from a different point of view. To do this the poet must be vulnerable, must allow their inner thoughts and fears and secrets to surface. This is particularly difficult in a society that doesn’t share its hurts, its fears, its pain. And that poetry, of love, loss, sadness, fear, and joy binds us together in our humanity and give us opportunities to grow.
Daylight in the Swamp by Morgan Golladay
Now a resident of central Delaware, Morgan ‘s latest work The Song of North Mountain is a love song to the northern Shenandoah Valley of Virginia. Growing up in a valley nestled between the Blue Ridge and North Mountain, Morgan Golladay was greeted daily by the aura of a quiet landscape blessed by sky and rolling hills. The images in this chapbook are, for the greater part, memories of a time where all that was important was sky, mist, land, and trees. Publication is tentatively scheduled for 2024.
Above the Gap by Morgan Golladay
Morgan past work and life experiences have provided her with a diverse perspective which she brings to her writing and her visual artwork. She has worked with non-profits as a volunteer and staff member, been a librarian, a blood donor recruiter, and a customer service and purchasing agent for a residential water-well wholesaler. Her watercolor and acrylic-collage paintings have won awards, and she is a member of the Mispillion Art League in Milford, DE, where she currently lives.
Her poetry and prose has been published in the Broadkill Review, Halloween Party ’21, and Instant Noodles. She is currently editing her first novel.
OLD SCRATCH PRESS 