Introducing Collective Member Janet Holmes Uchendu

Ten dedicated writer poets comprise the Old Scratch Short Form Collective,
with the goal of working with the Devil’sParty Press, a small independent publisher, to bring to fruition the
concept of publishing chapbooks of poetry and short form prose under the
imprint Old Scratch Press.

This week we are introducing founding member Janet Holmes Uchendu.

Janet Holmes Uchendu grew up in Eudora, AR, with a love of reading, writing, abstract drawing, and music. She wrote many poems and stories, created loads of colorful abstract drawings, and sang in her church and school choirs.

When she graduated from high school in 1973 she left behind her love of drawing and writing, and focused on music. She attended the University of Arkansas at Monticello with the aid of a vocal scholarship majoring in vocal performance. In 1978 she attended Henderson State University, and finally earned her BA in Music Education from Philander Smith College in 1985.

Life has taken many twists and turns, but Janet never lost her love of reading and writing. She will tell you that the dream of being a writer never died. It was simply a dream deferred. In April 2018, thirty-three years after earning her BA, she enrolled in an Introduction to Creative Writing class at the University of Central Arkansas. It took another two and a half years before she decided to apply to graduate school.

“It was always my intention to go to grad school after I retired from the workforce,” says Janet. “When Covid-19 moved my retirement date up to about two years earlier than I had planned, my deferred dream of being a writer woke up, spoke up, and said the time is now.”

She is currently studying for her master’s in creative writing through the Arkansas Writer’s MFA Workshop at UCA.

Janet is working on a poetry collection, and a memoir. She is a longtime member of a poetry writing group titled, Pens on Fire, that meets weekly via Zoom. She has been a guest contributor in the Arkansas Democrat-Gazette, her story, “The Color Red,” was posted on the Arkansas Heritage blog in August 2021 and you can read it here.  She has also been published in Writing Our Lives, A Southern Storytellers Anthology, Volume IV, and Volume V.

Don’t forget to visit our Old Scratch Press Facebook Page and follow us on Twitter to find out what our contributors are up to and the latest poetry news. Thank You as always for your support.

Introducing Collective member R. David Fulcher

In 1993, while still a student at the University of Maryland, College Park, R. David Fulcher founded a literary magazine. As he writes in an article, this is how it all began:

“During my studies I came across the Buddhist concept of samsara, the continuous cycle of suffering and rebirth until one achieves enlightenment.  Of course, my twisted college brain immediately thought:  “Why wouldn’t that be wonderful!  A literary journal based on suffering!”

Well, maybe there was a  bit more to it than that.  After all, the official theme of the journal is artwork, poetry and fiction centered around suffering and healing, the latter being arguably far more important to us as human beings.

Through the years, the magazine’s reach has expanded (we’ve published writers from Africa, Canada, Mexico, France, Japan, and the United Kingdom), and my wonderful wife Lisa Flach-Fulcher joined the effort as the Managing Editor, vastly improving many of the day-to-day operations of the journal.  Despite these changes, Samsara has remained true to form, only accepting works that emphasize the central theme of suffering and healing.  Beyond that, the magazine has no genre restrictions, and we’ve been amazed by the variety of ways that artists and writers have incorporated these themes into their submissions over the years.

We expected stories from cancer survivors, those recovering from addiction, and those mourning a lost love.  All these themes are critically important to Samsara.  But the creative spark will not be denied, and we received pleasantly unexpected new spins on suffering and healing as well.  Consider the suffering of an alien race slowly perishing due to a dying sun, or a vampire with dementia.  Consider a man plagued by the voice of a subway train that lures him to his death, or a paranoid individual convinced that fish live in his waterbed, giving him incurable insomnia.”

It’s not surprising that when publisher Dianne Pearce thought of writers she’d worked with, that she invited R. David Fulcher to be one of the founding members of the writers working behind the scenes to help support the concept of a press focused on publishing poetry and short form work.

Ten dedicated writer poets comprise the Old Scratch Short Form Collective, with the goal of working with the Devil’s Party Press, a small independent publisher, to bring to fruition the concept of publishing chapbooks of poetry and short form prose under the imprint Old Scratch Press.

This week we are introducing founding member R. David Fulcher

David’s work has appeared in numerous small press publications including Lovecraft’s Mystery Magazine, Black Satellite, The Martian Wave, Burning Sky, Shadowlands, Twilight Showcase, Heliocentric Net, Gateways, Weird Times, Freaky Frights and the anthologies Dimensions and Silken Ropes. Fulcher’s work can also be found in the DPP collection Halloween Party 2019, available at Amazon and at the DPP online store.

Author of horror, science fiction, fantasy, and poetry. Major literary influences include H.P. Lovecraft, Dean Koontz, Edgar Allen Poe, Fritz Lieber, and Stephen King. Fulcher’s first novel, a historical drama set in World War II, Trains to Nowhere, and his second novel, a collection of fantasy and science fiction short stories, Blood Spiders and Dark Moon, are both available from authorhouse.com and  Amazon.

In the Fall of 2023, Devil’s Party Press released a new collection of R. David Fulcher’s horror tales called The Pumpkin King: The Collected Horror Stories of R. David Fulcher. While some of these stories have appeared in the past in other collections and anthologies, this will be the first time all of horror stories will be consolidated into two volumes.

The first volume, The Pumpkin King, will focus on his traditional horror stories.  The second volume, Asteroid 6 and Other Tales of Cosmic Horror, will focus on his cosmic horror stories. 

A writer, with diverse interests and talents, if you’d like to check out one of David’s poems, entitled “Perception” published by Poetry Pacific in May 2020, here’s a link, Enjoy. And don’t forget to sign up to follow this blog, where you’ll get the latest news about the Old Scratch Press writers and ways to stay connected to the poetry and short form prose community. Thank you for reading.

Introducing Collective Member Anthony Doyle

Writer and poet Anthony Doyle often uses short form prose in his work to link a concept or idea into a larger story. In talking about his forthcoming novel Hibernaculum, he says, “I hope the novel makes people consider hypotheses they may not have thought of before….it takes a multi-faceted approach. It’s a little like looking at something in a hall of mirrors, and that can be challenging but fun at the same time.” 

Ten dedicated writer poets comprise the Old Scratch Short Form Collective, with the goal of working with the Devil’s Party Press, a small independent publisher, to bring to fruition the concept of publishing chapbooks of poetry and short form prose under the imprint Old Scratch Press.

This week we are introducing founding member Anthony Doyle.

Anthony Doyle was born in Dublin and raised in Wicklow, Ireland. He has been living in São Paulo, Brazil, since 2000, where he works as a translator of fiction, non-fiction and film scripts from Portuguese. He has published numerous translations, including the novel There Were Many Horses, by Luiz Ruffato (Amazon Crossing), and the acclaimed memoir Operation Car Wash (Bloomsbury), by Jorge Pontes and Márcio Anselmo. In addition to short stories and poems, he has published the children’s book O Lago Secou (Companhia das Letrinhas, 2013). His first novel, Hibernaculum, is due for release in July 2023 through Out Of This World Press, the sci-fi imprint of Devil’s Party Press.

If you’d like to read a short piece of prose, by Anthony Doyle, his piece “Brain in a Jar” just won the AUTHOR OF THE MONTH AWARD on Spillwords.

Don’t forget to visit our Old Scratch Press Facebook Page and follow us on Twitter to find out what our contributors are up to and the latest poetry news. Thank You as always for your support.

Daffodils and Mud Inspired Poetry

Welcome to Week Two of National Poetry Month. The four seasons of the year are the subjects of many different types of poetry from traditional sonnets to exuberant free verse sprawled out across the page. So to start this week we are sharing two poems by American poets from the past.

The first poem is by Amy Lowell (1874-1925). A Pulitzer Prize winner for her poetry collection, What’s O’Clock, Lowell is associated with the early 20th Century Imagist Movement, which sought to use precise, colloquial language and concrete imagery in lieu of traditional poetic diction and meter. Compared with the second poem we’re posting by E.E. Cummings, however, to our twenty-first century ears it sounds very traditional, until you compare it to last week’s poem posting by William Shakespeare.

To an Early Daffodil

By Amy Lowell

          Thou yellow trumpeter of laggard Spring!

           Thou herald of rich Summer’s myriad flowers!           

           The climbing sun with new recovered powers

          Does warm thee into being, through the ring

          Of rich, brown earth he woos thee, makes thee fling

           Thy green shoots up, inheriting the dowers

           Of bending sky and sudden, sweeping showers,

          Till ripe and blossoming thou art a thing

           To make all nature glad, thou art so gay;

          To fill the lonely with a joy untold;

           Nodding at every gust of wind to-day,

          To-morrow jewelled with raindrops.  Always bold

           To stand erect, full in the dazzling play

          Of April’s sun, for thou hast caught his gold.

The second poet, E.E. Cummings ( 1984-1962) was one of the most popular poets of the twentieth century. Challenging the established approach to words on a page, Cummings experimented with form and language to create a distinct personal style. The exhilaration of the change in seasons is transmitted by his merging certain words together and distancing others in a poem that shouts out to be read aloud.

[in Just-]

By E.E. Cummings

in Just-

spring          when the world is mud-

luscious the little

lame balloonman

whistles          far          and wee

and eddieandbill come

running from marbles and

piracies and it’s

spring

when the world is puddle-wonderful

the queer

old balloonman whistles

far          and             wee

and bettyandisbel come dancing

from hop-scotch and jump-rope and

it’s

spring

and

         the

                  goat-footed

balloonMan          whistles

far

and

wee

Do you have a favorite poem to greet the season? Share it with us and share it by posting it on your own social media account as well. Poetry is not only meant to be read aloud, it is meant to be shared.

Thank you for reading and don’t forget to follow us on WordPress, Facebook , Instagram, and Twitter.

.

National Poetry Month A Time For Reading-Out- Loud

April is the month for poetry, and in the part of the United States where I live, I’m fortunate to have a hiking trail where years ago small signs were posted with quotes from poetry. What a delight, to only hear the sounds of my shoes crunching into the dirt and the twitter of birds and insects, blue sky overhead, surrounded by green. I pause and read the poem painted on a wooden sign. If I am with a friend, I read it to them aloud. If I am alone, I still read it out loud to myself, because poetry is meant to be heard.

National Poetry Month was established in 1996 by the Academy of American Poets. According to the Academy, it is the largest literary celebration in the world. Listening to a poet read their own work is a treat. Click on the previous link to see and hear Joy Harjo read one of her exquisite poems.

One of the earliest poets I was introduced to in school was William Shakespeare. Today, due to the evolution of the English language, his works are not as frequently read. Some of the words and phrasing may seem “odd” to your modern ear, but listen to the phrasing and the selection of vowel sounds and consonants. Read him aloud and his work may start to grow on you.

Discovering new poets and rediscovering forgotten favorites, is part of the fun of National Poetry Month.

Writer and Artist Morgan Golladay, a founding member of the Old Scratch Poetry and Short Form Collective, created this beautiful piece of artwork featuring a flower found in many spring gardens, Impatiens.

Sonnet 98: From You Have I Been Absent in the Spring

BY WILLIAM SHAKESPEARE

From you have I been absent in the spring,

When proud-pied April, dressed in all his trim,

Hath put a spirit of youth in everything,

That heavy Saturn laughed and leaped with him.

Yet nor the lays of birds, nor the sweet smell

Of different flowers in odour and in hue,

Could make me any summer’s story tell,

Or from their proud lap pluck them where they grew:

Nor did I wonder at the lily’s white,

Nor praise the deep vermilion in the rose;

They were but sweet, but figures of delight

Drawn after you, – you pattern of all those.

    Yet seem’d it winter still, and, you away,

    As with your shadow I with these did play.

IF you have a favorite poet or poem you’d like to share, let us know. Follow us on WordPress, Facebook, and Twitter.

Thank you for reading.

INTRODUCING COLLECTIVE MEMBER ROBERT FLEMING

Ten dedicated writer poets comprise the Old Scratch Short Form Collective, with the goal of working with the Devil’s Party Press, a small independent publisher, to bring to fruition the concept of publishing chapbooks of poetry and short form prose under the imprint Old Scratch Press.

This week we are introducing Robert Fleming. His chapbook White Noir will be published in the fall of 2023.  Don’t forget to subscribe to our blog, as we’ll be introducing the contributing editors, member of the collective, one by one each week. You’ll also learn about poetry events, publishing opportunities, and new ways of approaching the genre of short form.

MEET ROBERT FLEMING

Robert Fleming is a word-artist born in Montreal, Quebec, Canada who emigrated to Lewes, Delaware, United States. Robert follows his mother as a visual artist and his grandfather as a poet. In his work, Fleming explores masculinity, sexual orientation, sin and virtue, and dystopia in words and graphics on earth and beyond.

Since 2017, more than 400 of his works were published internationally in more than 95 print and online publications, art galleries and online mic features. His style is influenced by the writers Robert Frost, Dr. Seuss, and the Beats and his graphics by surrealistic artists like Salvador Dali.  A Member of the Rehoboth Beach and Horror Writers Association, nominated twice for the Pushcart Award and twice for Best of the Net,  Robert Fleming’s is the winner of the  2022 San Gabriel Valley California Poetry Broadside Award and is in the 2021 Best of Mad Swirl.

Robert’s chapbook, White Noir, a Black and white visual poetry exploration of human birth to death and beyond on earth, is scheduled for publication in the November of 2023. He says about the book, the vibe is dark, goethe, and dystopian, but I lighten it up by including humor. And,” he adds, “ it offers a hopeful ending.”

Follow Robert on  https://www.facebook.com/robert.fleming.5030 .

Learn about the other writer/poets in our collective in the upcoming weeks, or click on their links here:

Alan Bern
Anthony Doyle

Ellis Elliot
Gabby Gilliam
Janet Holmes Uchendu
Morgan Golladay
Nadja Maril
R. David Fulcher
Robert Fleming
Virginia Watts

In just four more days April will be here, and you know what that means?… National Poetry Month!  If you have a favorite poem, we’d love to hear about it and possibly post it ( if it is in the public domain). Please use the comment space to get in touch, We’ll be sharing favorite poems and pieces we admire along with writing prompts, thoughts and musing about poetry, short form prose and other hybrid forms.

Old Scratch Press Logo

Do you have an idea for something you’d like to read about in this space? Let us know. Follow us on Facebook, Twitter, and Instagram.


WELCOME TO OLD SCRATCH PRESS

Hi~
Dianne from Devil’s Party Press (DPP) here.
Did you know I studied the writing of poetry when I was in college?
I love poetry, and there is a growing interest in it, but still not enough places to share it.
I reached out to some of the poets we’ve published at DPP, and asked them if they would like to do some volunteering to get a poetry imprint going, and, luckily, many of them said, “Yes!”
Poets are, by nature, generous people.
Together, I hope that we can publish good poetry. I hope that, over time, the poets will run the kitchen, cooking up new books, anthologies, opportunities, awards, who knows what all for poets!
My goal for this year is to put out a single author collection of poetry for three of the poets who are volunteering to create and run the press.
Our “poets” decided, to begin with, that poetry is as unique as the poets who create it. So they decided to make poetry include what we might consider to be a traditional poem, as well as more short-form works, mini memoirs, bits of story, and to include art, as it please the members to do so.
I think it’s going to be creative and exciting, and I cannot wait to see what they dream up.
Look for posts from the members here as we get underway on this project. I’m starting us off, but I hope they’ll soon eclipse me as they create something wonderful to which DPP becomes the helping hand.
The members of the group are:
Alan Bern
Anthony Doyle
Ellis Elliot
Gabby Gilliam
Janet Holmes Uchendu
Morgan Golladay
Nadja Maril
R. David Fulcher
Robert Fleming
Virginia Watts

And the first book from the group, A Break in the Field, by Ellis Elliot, is forthcoming from Old Scratch Press (OSP) this summer!

I wish all these wonderful authors a lot of luck with the OSP project!

And thanks to you for loving poetry, following this group, and maybe even buying a book!