We’re thrilled to shine the spotlight on Anthony Doyle, a writer with a captivating journey from the historic town of Wicklow, Ireland, to the vibrant streets of São Paulo, Brazil. In this exclusive interview, Anthony shares insights into his creative process, inspirations drawn from dramatic landscapes, and the unique linguistic gems that grace his works.
Curious to delve into the mind of this imaginative wordsmith? Read the full interview here. Embark on a literary journey and explore the diverse influences that shape Anthony’s writing, from Viking tales to the bustling diversity of São Paulo.
Don’t miss the chance to uncover the essence of Anthony Doyle’s creative spirit. Head over to the interview now!
And get your copy of his groundbreaking novel of human hibernation, deep thought, and climate change, HIBERNACULUM.
Are you ready to embark on an unforgettable journey through the depths of human existence? Look no further than WHITE NOIR, by Robert Fleming, a mesmerizing black and white visual poetry book that delves into the enigmatic tapestry of life, from birth to death and beyond. This book is not just a collection of verses; it’s a visual and emotional experience that will leave you spellbound.Who Should Dive into WHITE NOIR?Appreciators of Visual Poetry: If you’re someone who finds beauty in the fusion of words and images,WHITE NOIR is your treasure trove. Fleming’s mastery of visual poetry will leave you in awe.Lovers of Graphic Arts: This book is a canvas of creativity, merging the artistry of words and visuals in a way that will captivate anyone with an appreciation for graphic arts.Devotees of Dark Humor: WHITE NOIR thrives on dark humor, taking you on a rollercoaster ride of emotions that ultimately ends with a glimmer of hope. It’s a unique blend of wit and introspection.What Awaits You in WHITE NOIR?A Profound Human Journey: WHITE NOIR takes you on a journey that spans the entire lifespan of humanity. It explores the diverse facets of existence, from the raw and unfiltered to moments of humor and reflection.Balance of Text and Images: The book strikes a perfect balance between text and visuals, creating a multi-sensory experience that will leave you immersed in its world.Taboo Themes: Fleming fearlessly tackles taboo subjects, including religion, sex, politics, and gun violence, inviting readers to confront and contemplate these complex issues.Experimental Poetry Forms: Get ready for a literary adventure as Fleming explores experimental poetry forms, such as phone texting, Alexa questions, and palindromes, pushing the boundaries of conventional poetry.Why Will You Love WHITE NOIR?A Petite Delectation: You can devour this thought-provoking journey in a single sitting, making it perfect for a cozy afternoon or an intellectual escape.Original and Modern: “White Noir” is a testament to contemporary poetry, offering a fresh perspective on life’s most profound questions.Perfect Gift: Looking for a unique gift for a friend or loved one? “White Noir” is a one-of-a-kind present that will leave a lasting impression.Robert Fleming, the Doodleman, infuses his work with influences from literary giants like Robert Frost, Dr. Seuss, and the Beats, as well as the artistic visions of Salvador Dali and Andy Warhol. With over 400 works published internationally, Fleming’s talent is undeniable, earning him recognition and accolades from various literary circles.Don’t miss the opportunity to explore the captivating world of “White Noir.” Order your copy today and join the ranks of those who have been moved and inspired by Robert Fleming’s unique vision of human existence. It’s not just a book; it’s an experience waiting to be embraced….
As the kitchen slowly fills with acrid smoke, Hannah considers the details of last night’s dream. All her dreams are similar. They begin with the vultures from Disney’s movie The Jungle Book: Buzzie, Flaps, Ziggy, and Dizzy, those adorable guys with their shaggy haircuts and Liverpudlian accents. Hannah suspects she giggles in her sleep as the dream gets underway and the feathered quartet exchange their famous banter: Whatcha wanna do? I dunno. Okay, but whatcha wanna do?
This is when Hitchcock enters belly first, and just like that the mock-Beatles birds have blood red eyes, growl like wolves, sprout dripping talons, and hideous, dagger beaks. Hannah shivers just thinking of them. In the dreams, she searches for and locates herself far below, standing in the middle of a cornfield row. She is shading her eyes, looking skyward toward the row of birds, her body no bigger than a black ant on a picnic table. When the birds screech and launch, spears sailing earthward, Hannah starts sprinting.
Protected black vultures take center stage as the inaugural characters in Old Scratch Press member Virginia Watt’s captivating collection of short stories, ECHOES FROM THE HOCKER HOUSE. Much like the inhabitants of Watt’s literary world, these vultures malfunction, their settings turned unusually high. The reasons elude comprehension, shifting the focus toward adaptation and navigating life amid circumstances deemed fundamentally unendurable.
Resonating with the challenging yet beautiful landscape reminiscent of the middle of Penn’s woods (Pennsylvania), Watt’s tales unfold amidst mountains, trees, rocks, and coal. Attaining a ripe old age or seeking easier horizons are both exceptional occurrences. The hill country folk within these stories cherish their wooded towns, embrace the eccentricities of their neighbors, hold onto their faith, love their country, and confront their struggles head-on.
KIRKUS loves Watt’s book!
ECHOES FROM THE HOCKER HOUSE, a National Book Award nominee, is now available on Kindle, with the paperback set for release on 11/20/2023. Secure your copy at the pre-order price from Devil’s Party Press today!
Sharing your work by submitting it for publication can be a daunting task in many ways, not only because it causes a vulnerability hangover, but also because it can be overwhelming and hard to figure out where to start. I’m hardly an expert, but I have submitted dozens of poems to literary journals and contests, and found a good bit of success, and this is what I’ve learned.
First, begin by stalking online and print literary journals. Find some you like and respect. Consider the type of writing you want to submit. You would not submit your Southern Gothic short story to a literary journal for Christian Sci-Fi (yes, that’s a thing). Find the right kind of “fit”, as far as genre and theme, for your work. See if the journal resonates with you. And while it is never wrong to “shoot for the stars” and submit to the New Yorker or another of that ilk, it also makes sense to spread your net wide, over a variety of journals, big and small.
How do you even find these journals in the first place? Maybe your school has one, or you can broadly search online for ones in your genre, and then read some. Read to get a sense of specific journals, and what all is out there.
Also, there are numerous free and paid websites that have lists of journals, and some can even narrow it down for you based on your preferences. A few I use are: Submittable, Duotrope, Poets and Writers magazine, Writer’s Digest, and Authors Publish. (See links below) These provide lists of publications, along with dates and details. Always check if there are fees involved, and choose wisely. I’m the first to admit, it is a lot of work to wade through the sea of lit journals in order to filter down to the ones you want, but once you find them, your list has begun, and from there you can only add to it. Plus, once those algorithms get in your computer, you’ll be getting all sorts of lit-related stuff, like it or not.
Once you’ve narrowed it down to the journals you want to send your work to, be sure to read the guidelines carefully. You don’t want your work tossed because you sent five poems when they asked for one, or sent a 500-word bio when they asked for 50.
Be prepared with a good cover letter, short biography, and a photo. Your cover letter should be addressed to the editor of your genre in that publication. It should be brief and can include references to the journal you’re submitting to, like how you enjoyed their recent issue on butterfly migration, but don’t overdo. They are there to read your writing, not your cover letter. Be sure to thank them for their time and effort, because it does require a lot of both.
The bio should also be matter-of-fact, including salient facts, like where you live, what job you have, or family and pets. Include any writing-related experience you’ve had, whether it’s school, workshops, or clubs. If you’ve been previously published, be sure to include those titles.
You can always throw in a little personality and add things like, “in my spare time I like to taxidermy butterflies and run on the beach.”
Finally, the photo. I recently paid for a headshot, but that was only after years of using shots I made my husband take of me immediately after I got home from the hair salon. Just be sure you have something ready to go.
Once you’ve sent your best work in the best way you can, you wait. Most lit journals get a boat-load of submissions and turn-over time can take months. When you get an inevitable rejection, know that the process is entirely subjective. If it is your best, then it is art, and no two people necessarily will see your art in the same way. If you get accepted, let that feeling cover you like syrup, do a happy dance, then get to work withdrawing from all the journals you sent that piece to. Most journals allow “simultaneous submissions” with the caveat that you alert them if it is accepted elsewhere. It’s a good problem, but necessary to maintain good
I write all of the above only after having made every conceivable mistake and had innumerable rejections. But, I have learned a lot along the way. Like anything, submitting is work, and a job unto itself. It is also well worth it when you have the satisfaction of seeing your work in print.
Ellis is one of our founding collective members. Her poetry collection, Break in the Field, is available for purchase here.
Below are some links to get you started on sending out your work.
When people hear that I try to write some poetry, I can tell they are thinking, formulating the common question. I stiffen and get ready for it. “Who is your favorite poet?” I used to respond with the complete truth, that I have many favorites. Sometimes I’d tick off a list of names they didn’t ask for and wouldn’t remember.
Now, I tell them first that a favorite poet is someone a reader returns to when they need them most. Your favorite poet is a companion, a friend’s voice in the dark. Poetry gives us laughter when we need it. Poetry comforts us when we are afraid, sad, lost. I tell people this because I hope they will search for a favorite poet of their own. I know once they find one, they’ll understand.
My favorite poet is Ted Kooser, a former United States Poet Laureate and winner of the Pulitzer Prize in 2005. He has published numerous books of poetry as well as children’s books and works of nonfiction. Kooser’s poems are drawn from midwestern landscape and everyday rural life. I read poetry often, as much as I can, but Kooser’s poems are the ones I return to like home’s fire to sit with again.
IT DOESN’T TAKE MUCH
BY TED KOOSER
Maybe an hour before sunrise, driving alone on the way to reach somewhere, seeing, set back from the highway, the dark shape of a farmhouse up against deeper darkness, a light in one window. Or farther along
into a gray, watery dawn, passing a McDonald’s, lighted bright as a city, and seeing one man, in ball cap, alone in a booth, not looking down at his table but ahead, over the empty booths. Or
maybe an hour farther, in full daylight, at a place where a bus stops, seeing a woman somewhere in her forties, dressed for cold, wearing white ear muffs, a red and white team jacket, blue jeans
and Muk Luks, one knit mitten holding a slack empty mitten, her bare hand extended, pinching a lit cigarette, dry leaves—the whole deck of a new day— fanned out face-down in the gutter, but
she’s not stooping to turn over a card, but instead watching a long ash grow even longer at the ends of her fingers. Just that much might be enough for one morning to make you feel part of it all.
Old Scratch Press founding member, poet and novelist, Anthony Doyle has a few suggestions:
“Science fiction envisions the future. The best way to imagine future change is to look at how and when change occurred in the past.
The drivers seldom change: climate, war, and famine. None of those indicators are looking particularly good for humanity right now. Dudley Young’s masterful, poetic, and irreverent scholarly work about the origins of the sacred in human history is the most enjoyable and rewarding book I have read on human evolution and development. So many things began to make sense to me after reading it.”
Today I was attending an online workshop led by CNF writer and poet Nicole Breit and she was talking about different writing forms. One of those forms was the list format, which Nicole has used in her essay entitled, Atmospheric Pressure, published in Room Magazine. Her lyric list form essay jumps backwards and forwards in time to convey the cycle of grief
The mention of lists, immediately brought to mind flash prose. Plenty of flash fiction and CNF flash stories use the list form. Just think of what kind of story you can tell with a curated shopping list, a packing list, or list of desired skills in the Help Wanted section of the classifieds.
Before Nicole began focusing on writing memoir, she was writing poetry, Many of her creative ideas for creative nonfiction come from poetry, which got me to thinking about List Poetry.
Simply stated, a list poem consists of a list of images or adjectives. The compilation of the items as a group creates the poem. By their nature, List Poems use repetition. They also often use what is called anaphora, the reoccurrence of the same sound to create a driving rhythm.
An old favorite poem of mine is by Alice Duer Miller (1874-1942) who was very active in the American suffragette movement.
1. Because pockets are not a natural right. 2. Because the great majority of women do not want pockets. If they did they would have them. 3. Because whenever women have had pockets they have not used them. 4. Because women are required to carry enough things as it is, without the additional burden of pockets. 5. Because it would make dissension between husband and wife as to whose pockets were to be filled. 6. Because it would destroy man’s chivalry toward woman, if he did not have to carry all her things in his pockets. 7. Because men are men, and women are women. We must not fly in the face of nature. 8. Because pockets have been used by men to carry tobacco, pipes, whiskey flasks, chewing gum and compromising letters. We see no reason to suppose that women would use them more wisely.
Another famous poem that also takes the form of a list, is Walt Witman’s (1819-1892) I Hear America Singing.
I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day—at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.
Thank you for reading the Old Scratch Press blog. Please sign up to follow us if you haven’t already done so, and check out our next chapbook, Robert Fleming’s White Noir.
Halloween. The weather turns cool. Leaves on the trees change colors, fall to the ground, and orange pumpkins are set out on porches. As a child it was a big deal to decide, what sort of costume I’d find and wear, for Trick or Treating and parties. But first, it was important to get into the mood and one poem, in my favorite book of poems would always do the trick. In the original spelling, the author wrote orphant not orphan. So I knew the poem as Little Orphan Annie. The illustration showed a young woman in front of a kitchen hearth with small children gathered around her. I loved reading this poem, Little Orphan Annie, which was both fun and scary.
Here’s the original version written by James Whitcomb Riley (1849-1916) an American poet who hailed from Indiana, who was also a journalist. Folksinger Anne Hill has done a lovely job in the country bluegrass style, setting this poem to music and you can listen to her sing it here.
Little Orphant Annie
by James Whitcomb Riley
Little Orphant Annie’s come to our house to stay, An’ wash the cups an’ saucers up, an’ brush the crumbs away, An’ shoo the chickens off the porch, an’ dust the hearth, an’ sweep, An’ make the fire, an’ bake the bread, an’ earn her board-an’-keep; An’ all us other childern, when the supper things is done, We set around the kitchen fire an’ has the mostest fun A-list’nin’ to the witch-tales ‘at Annie tells about, An’ the Gobble-uns ‘at gits you Ef you Don’t Watch Out!
Onc’t they was a little boy wouldn’t say his prayers,— So when he went to bed at night, away up stairs, His Mammy heerd him holler, an’ his Daddy heerd him bawl, An’ when they turn’t the kivvers down, he wasn’t there at all! An’ they seeked him in the rafter-room, an’ cubby-hole, an’ press, An’ seeked him up the chimbly-flue, an’ ever’wheres, I guess; But all they ever found was thist his pants an’ roundabout– An’ the Gobble-uns’ll git you Ef you Don’t Watch Out!
An’ one time a little girl ‘ud allus laugh an’ grin, An’ make fun of ever’one, an’ all her blood an’ kin; An’ onc’t, when they was “company,” an’ ole folks was there, She mocked ‘em an’ shocked ‘em, an’ said she didn’t care! An’ thist as she kicked her heels, an’ turn’t to run an’ hide, They was two great big Black Things a-standin’ by her side, An’ they snatched her through the ceilin’ ‘fore she knowed what she’s about! An’ the Gobble-uns’ll git you Ef you Don’t Watch Out!
An’ little Orphant Annie says when the blaze is blue, An’ the lamp-wick sputters, an’ the wind goes woo-oo! An’ you hear the crickets quit, an’ the moon is gray, An’ the lightnin’-bugs in dew is all squenched away,– You better mind yer parents, an’ yer teachers fond an’ dear, An’ churish them ‘at loves you, an’ dry the orphant’s tear, An’ he’p the pore an’ needy ones ‘at clusters all about, Er the Gobble-uns’ll git you Ef you Don’t Watch Out!
American poet Carl Sandburg (1878-1967) takes a different approach with this beautiful poem that captures the magic of nature while igniting the element of the unknown.
Theme in Yellow
by Carl Sandburg
I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o’-lantern
With terrible teeth
And the children know
I am fooling.
Fun and intimate, is how I’d characterize this third poem by American poet Sarah Teasdale (1884-1933). Which leads to the question of what kind of poem you’d write, if tasked with writing a “Halloween Poem.”
Dusk in Autumn
By Sarah Teasdale
The moon is like a scimitar,
A little silver scimitar,
A-drifting down the sky.
And near beside it is a star,
A timid twinkling golden star,
That watches likes an eye.
And thro’ the nursery window-pane
The witches have a fire again,
Just like the ones we make,—
And now I know they’re having tea,
I wish they’d give a cup to me,
With witches’ currant cake.
Decorate the outside of your house with scary poems. Instead of fortune cookies give out treats with poetry inside. Halloween is a time for bonfires and storytelling. What a great time to recite poetry. Don’t forget to follow us on Facebook and follow this blog. Today is October 9th which means there’s less than one week left to submit your Cooold Turkey themed Holiday/End of the Year start of a New Year Winter Poems (2), or very short fiction or fact to Instant Noodles Literary Magazine. Members of the Old Scratch Press Collective are guest editors for this upcoming issue.Submission Link here
Hello fellow literary enthusiasts, We are thrilled to bring you the fall edition of the Instant Noodles Lit Mag! Get ready to dive into a world of literary delights: https://instantnoodleslitmag.com And for this issue celebrate the circle of life, the circle of the seasons as authors and artists interpret the theme: It Should Always Be Fall in the Cemetery.
✨ Original Short Stories: Discover captivating tales from emerging and established authors that will transport you to different worlds and leave you craving more.🖋️ Poetry: Immerse yourself in the evocative and thought-provoking verses of poets who paint with words.🗞️ Engaging creative non-fiction that resonates deeply.
🌟 Art and Illustrations: Telling wordless stories as a way to hit the theme… perfect!
And many of the authors read their pieces for you! For example: LIPSTICKS THE WITCHES WORE TO THE HALLOWEEN BALL ~ PAMELA BERKMAN 📣 Join Our Community 📣 We invite you to become a part of our literary community:✉️ Subscribe: Don’t miss a single issue of Instant Noodles Lit Mag! Sign up for our newsletter to receive updates, special content, and more directly in your inbox.📝 Submit Your Work: Are you a writer or artist looking for a platform to showcase your talent? We welcome submissions of fiction, poetry, essays, and artwork. Visit our website for submission guidelines. Next deadline in October 15th.🎉 Help Us Spread the Word 🎉 If you’re as excited as we are about Instant Noodles Lit Mag, please help us spread the word. Share our website and newsletter with your fellow bookworms, writers, and artists, and together, let’s create a vibrant literary community.🌐 Follow Us: Thank you for joining us on this literary adventure. We can’t wait to share our love for words and creativity with you. https://instantnoodleslitmag.com/