We learn from asking questions, and what better way to explore the craft of writing than through an engaging Q&A with an author! This month the author I’m interviewing is R. David Fulcher who happens to be a member of the Old Scratch Press Poetry and Short Form Collective.

R. David Fulcher is a talented author with multiple books to his name. His most recent work, a captivating short story collection titled THE PUMPKIN KING AND OTHER TALES OF TERROR, showcases his passion for storytelling. A writer of both poetry and prose, he deeply loves speculative fiction, particularly science fiction and horror. You can explore more of his work on his blog at Rdavidfulcher.com.

This is the perfect month—the season of ghosts and goblins—to delve into the exciting craft of writing horror. Most of my questions in this post will focus on the intriguing insights from THE PUMPKIN KING AND OTHER TALES OF TERROR. Let’s celebrate the art of writing together!

Q: Question

R: Response

Q: As a writer, what is your primary goal when interacting with your readers?

R: As a horror writer, I have two primary goals: 1) Establish an “eerie” atmosphere; and 2) Elicit a physical response in the reader. Yes, I hope to stimulate the readers’ minds as well, but I primarily want to elicit fear – a racing pulse, the small hairs standing up on the back of your neck, a shiver in your spine – only good horror tales have this effect.

Q: Was there a specific moment you remember, perhaps an experience that spurred you on to want to write this particular book?

R: The Pumpkin King and Other Tales of Terror (and the follow-up volume “Asteroid 6 and Other Tales of Cosmic Horror”) is sort of a “greatest hits” collection of my short stories, so unlike a traditional novel the stories were developed over many years and inspired by many moments and experiences throughout my life.

To give a sense of the age of some of the stories, the title story “The Pumpkin King” first appeared in a small press magazine entitled Mausoleum back in 2001!  Of course, all the stories have been heavily revised in the new book.

To provide an experience that spurred me to write a particular story, “Castle Marienburg” was inspired by a tour of that very castle during a visit to Germany in college.

Q: As both a horror writer and a poet, how has Edgar Allen Poe influenced your work?

R: In a way, Edgar Allen Poe led me to my genre. My high school English teacher taught a semester on Poe, and I was hooked.  I started writing dark, gothic short stories that day after school and submitting them to small press magazines shortly thereafter.

Q: Writing poetry and writing prose, how has the two different types of genres influenced each other in your writing?

R: My love for both poetry and prose has caused me to experiment with inserting sequences of poetry into my fiction.  Some examples of my stories that include embedded poems are “A Night Out with Mr. Bones”, “The Faerie Lights”, and “All Across the Mountain”.

Q: Did you work alone or did you rely on some feedback from others?

R: I initially write on my own, but I really enjoy it when people close to me review my work and give feedback on it.  For example, my brother Dale helped proofread the manuscript for The Pumpkin King and Other Tales of Terror, and after reading my short story “Asteroid 6” my wife Lisa was really impressed with the tale, so I was inspired to title my second volume coming out this Fall as “Asteroid 6 and Other Tales of Cosmic Horror”.

Of course, my publishers David and Dianne are also tremendous editors and their feedback has been essential to my work.

Q:Do you imagine you are writing for a specific person or a certain audience?

R: No specific audience. I will say that my writing is almost always in the realm of the fantastic, so fans of my work must be able to “suspend their disbelief” and just go along for the ride, trusting me to take them to a magical, almost unbelievable ending, even if all the facts don’t line up with reality. I think fans of hard science-fiction (Isaac Asimov, etc.) will have a hard time enjoying my work.

Q: How do you approach revision?

R:This goes back to things I’d tell my former self.  I used to put down the pen (yes, I write my stories out long-hand!) after a long, intense burst of writing (sometimes an entire story in a single sitting), push the manuscript back on the desk with a smile, and say “Perfect!”

I would then immediately submit the tale for publication, only to receive rejection after rejection, never understanding why.

I’ve finally learned that being a professional writer means spending almost twice the amount of time revising your work as you spent writing it in the first place.  So I approach it like work. I allocate time for editing/proofreading, I set deadlines, and I hold myself to them. The difference between my original manuscript written after a burst of artistic inspiration and the manuscript after several rounds of revision is often night and day.

Q: If you could give advice to your younger self, what would you want to tell them?

R: I’d remind my younger self that the success of a book is up to me. I used to self-publish with AuthorHouse (formerly 1st Books) and believed that getting my book on Amazon and buying the publisher’s “marketing kit” would instantly propel me to fame and the bestseller’s list.  I have learned the hard way over the years this is not the case. Publishing the book is just Step 1.  The real work is in the marking and promotion.

Q: How did you find your publisher or did they find you?

R: David and Dianne of Devil’s Party Press (now Current Words Publishing) met at the Indie Lit Fest at Frostburg State University in Frostburg, MD.  At the time they were accepting submissions for one of their Halloween Party anthologies and provided me with the information.  I submitted and was accepted. The rest as they say is history! 

Q: Do you have a specific horror story favorite you’ve read?

R: Several novels by modern horror writers have had a tremendous influence on my writing.  They include “Something Wicked This Way Comes” by Ray Bradbury, “The Tommyknockers” by Stephen King, and “HIdeaway” by Dean Koontz.

In your own portfolio, a story you are particularly proud of?

R: I have a few favorites among my stories that don’t always correlate to fan favorites.  The first is “Castle Marienburg”, which was originally titled “Eyes in the Night”. A horror editor in the small press called it one of the best horror stories he had ever read, which was very satisfying. Others include “Spectra’s Masterpiece”, a science fiction story about AI published back in the early 2000’s well before AI became a commonplace topic, and “The Land Spider” in the way that it incorporates native American mythology.

Q: Do you have a “day job” to help pay for your writing habit, and it so, has it impacted in any way your writing?

R: During my day job I work as an IT Contractor.  My work with computers has spilled into my fiction with my stories “ELECTRIC”, where a boy becomes one with his home computer, and “The Witch Toaster,” where a group of programmers within an IT Department must battle supernatural forces.

Thank you for reading and visit the Old Scratch Press Website to learn more about our authors and upcoming publications.