Happy Holidays for sure when you check out the new issue of INSTANT NOODLES curated by Old Scratch Press. It’s a fun one ’cause we’re in the nood!
Holiday Noods!
Category: Literary Magazine
Would Love To Hear From You
It’s the “dog days of summer.” Where I live we’ve had only brief periods of respite from the extra hot days, and these sweaty days force me inside, where they, ostensibly, give me more time to write.
And so I am thinking about all of that. And I’m wondering, those of you who write, have you ever considered taking classes, or have you taken classes, in writing? It occurs to me that while my daughter can play a few songs on the piano through trial and error, she is much better when she is actively taking lessons. She doesn’t take lessons because she wishes to be the next piano great, or even play professionally. She takes lessons because she enjoys playing the piano, and would like to be able to play it better. I pay for the lessons gladly, without a thought about it.
Do we do that as writers, with writing?
When I went back to school to get my MA it was because I wanted to get better at writing. Yes, I had the hope of publishing, but mostly I just wanted to be better at writing my stories and poems. I signed on for my MFA primarily because the teachers in my MA program, who were not affiliated with the MFA schools, suggested that I had a spark, and could get it even sparkier with more training. And so I did it, the MFA, for me.
When we had our book marketing webinar a week or so ago speaker Jared Kuritz suggested that if someone wants to be a published author that author must go from hobbyist to professional, and that would involve a dedication of time, and some allocation of funds.
I am curious and would love to hear what you think about this. Have you ever done any “professional” training for writing? Something like lessons? Have you spent money on your development? Do you hope to move from hobbyist to pro? Or, perhaps, consider and reply to this by telling me about lessons that you have taken in something else, or paid for in order that a child or someone else in your life is able to take lessons. I would be very curious to hear what you think makes something a skill that you might need training in versus something you come fully equipped for, without training.
I’m laughing to myself now, sitting here, thinking about “the dog days of summer,” and how I once paid for dog training for my prior delightful pup, an out-of-control terrier who I’d adopted when he was still a puppy. I had named him Chad,
and he came after I lost the dog who preceded him, a very fancy little terrier named BeBe who walked beside me like a queen, and never needed a leash or a single command, from the moment I brought her home. Chad, on the other hand, chewed everything: my toes as I crossed the room, my ears as I sat on the sofa or lay in bed, my boyfriend’s brand new Nikes, huge holes in his blanket, and he pooped blue wool for a week after, half a wooden magazine rack while I was at work one day, scads of toilet paper rolls. He peed everywhere. There was a moment where I listened to him cry from behind the baby gate in the kitchen thinking, “One of us is not going to make it out of this relationship.” I found a dog trainer all right. I could not wait for her to get to my house! And I remember her like it was yesterday, though it was more likely 2001, when she arrived, and I let the beast loose on her, and she said to me, “Okay. I can see he has a lot of energy. Let’s start training you to be a better owner.”
By the end of the session, several hours later, I admit, for I was a slow learner, I was fully trained, and Chad and I lived harmoniously from that moment on, for sixteen and a half years.
And just now, as I prepared to publish this post, I thought to myself, Maybe throw this post in Word and check the spelling, even though I know my writing does not need it! But I did, and I found four spelling errors, due to poor typing skills, which tells me that it seems that I am still, to this day, a stubborn and slow learner. 😉
So what about you? Do you train at writing at all? Are there other things you will use training for? Do you think of writing as something a person can improve at with training? I am curious to see if it is only me.
Update from Alan Bern
Hello Friends,
If you’re in the Berkely (California) area please join us at Pegasus Books Downtown on Thursday, June 27th for an evening of music, text, and storytelling with me, Alan Bern, Berkeley-based storyteller, performer, author of IN THE PACE OF THE PATH. Bern’s reading will be accompanied by music from cellist Gael Alcock. Recently released by UnCollected Press, IN THE PACE OF THE PATH is a hybrid work of poetry, prose, and photos that charts my life in my hometown of Berkeley and my career at the Berkeley Public Library.
From 6:30-7pm, browse books and enjoy Bach’s Cello Suite #4 performed by Alcock, in memory of Larry Bensky, host of KPFA’s ‘Sunday Salon’ and ‘Piano’.” Reading and conversation with me will follow, at 7pm. Copies of the book will be available for purchase and signing at the reading.
Alan Bern’s IN THE PACE OF THE PATH walks the border between poetry and prose, between the surreal and the realism where surrealism spawns, between the past and future which is the pace of the moment by moment of a life. I have learned from Bern’s clarity in poetry and prose to walk the edges of my homeland and step out into the unknown, while carrying the life I have lived within me. This is such an important work to read now and reread as we move through our lives.
—Rusty Morrison, Co-Publisher of Omnidawn—
Enjoy a video by L. Scott Jones of Wrapped in Ruins, a gallery piece and the most recent performance of PACES: dance & poetry fit to the space, a collaboration with other artists of dancer/choreographer Lucinda Weaver and me:
I will also present an art piece near the end of:
FREE LIVE EVENT: INSTANT NOODLES LAUNCH AND LIVE AUTHOR READING.
DATE: June 20, 2024
TIME: 4:30 PM PT | 7:30 PM ET
Join us in celebrating the release of the newest issue of INSTANT NOODLES, the online literary magazine that features original poetry, art, and short fiction. Meet the authors and listen in as they perform their work live. This online event is open to the public. Click below to register.
https://us06web.zoom.us/meeting/register/tZUlfumprTgsE93vS-zfSLwlM-Mf-Vvyy-KU#/registration
There is wonderful writing in this issue of Instant Noodles, and I hope you can attend!
Thanks so much for your interest in the work of the authors of Old Scratch Press!
—Alan
CONGRATULATIONS TO GABBY and THANK YOU!
Hi All~
Today we celebrated the launch of Gabby Gilliam’s book: NO OCEAN SPIT ME OUT with a reading on Zoom by Gabby and Robert and Alan.
I am going to guess that many of the guests were friends/family of the authors, and I am so grateful for their kindness as we navigated our first live event since 2020, in a different house, on different equipment, and on the opposite coast. I’m not going to say we were a well-oiled machine, but our hearts were in the right place. 😉
Within the coming week we will create a nice video of the event and post it here, as well as send it to the participants.
If you attended, or if you missed, please consider coming to future events. It meant so much to me to hear the authors read the books live that Dave and I often work on alone, in silence. I tend to read the books we publish a few times, but this is a whole different and rich experience.
So, if you were able to attend, I thank you for doing so, and being such a gracious guest.
If you were unable to attend, not to worry, as we will be posting the event here ASAP.
And don’t forget to visit the catalogue page and see what OSP books are available! The OSP authors keep 100% of their royalties, so help them earn a little coin at this writing game.
Also, next week, if you’re feeling game and supportive, join us again for the live reading of INSTANT NOODLES… VOLUME 4 (has it been 4 years???) ISSUE 1.
The writing for this issue, chosen by Gabby Gilliam, Anthony Doyle, Nadja Maril, and with visuals chosen by Robert Fleming and Alan Bern, is not to be missed!
Thank you for supporting indie authors.
Much love~
Delaware OSP Founding Members Honored With Multiple Awards
By Robert Fleming
Two OSP Founding Members, Morgan Golladay and yours truly Robert Fleming, won awards at the Delaware Press Association professional communications contest 5/1/2024 in Newark, DE. Escorting Morgan through the entrance, she answered my dress question: “my Old Scratch Press T-shirt is not fancy enough for a banquet, best black only.” I wore a tight shirt to accentuate my pecs, in-case there was anyone looking for a date. At a banquet, you must send the right signals.
Here is the low-down on who won which awards:
Morgan Galladay won first and second place in short stories: single story for “Under the Rhodendrons” published in Halloween Party ’23:
Halloween Party ’23: Keeten, Jeffrey, Heron, Robert Lewis, Goodridge, James, Golladay, Morgan, DeCicco, Kim, Dickerson, Marc, Howd, Eric Machan, Machan, Katharyn Howd, Paige, Michael, Cantu, Juan: 9781957224503: Amazon.com: Books
“Second Christmas” published in Solstice, volume 3:
Solstice: A Winter Anthology (The Solstice Winter Anthology Series): Pearce, Dianne, Doyle, Anthony, Golladay, Morgan, Watts, Virginia, Johnson, John, Fitzgerald, Christian, Aakaash, Buffy, Fulcher, R. David, Crandell, William F., Pearce, Dianne: 9781957224039: Amazon.com: Books
and honorable mention in creative verse: single poem for “March Wind” published in Instant Noodles: MARCH WIND – Morgan Golladay – INSTANT NOODLES (instantnoodleslitmag.com)
What’s next for Morgan: At the banquet Robert spilled ranch dressing on Morgan’s black skirt. Morgan screamed she will immediately send her suit to the dry cleaner. Robert agreed to pay for his stain. While Morgan is waiting to pick up her dry cleaning, she is promoting her upcoming book Song of North Mountain, published by Old Scratch Press:
DPP CATALOG – Devil’s Party Press, LLC (devilspartypress.com)
Robert Fleming won third place in creative verse: single poem for “Cheese Sonnet #263” published in Four Feathers Press: rhythms of Southern California
Honorable mention in Graphics and Design for “Timothy Gager is with Ellis Elliott at Boston Harbor with the Dire Literary Series.”
DPP CATALOG – Devil’s Party Press, LLC (devilspartypress.com
Robert Fleming won third place in creative verse: single poem for “Cheese Sonnet #263” published in Four Feathers Press: rhythms of Southern California
honorable mention in Graphics and Design for “Timothy Gager is with Ellis Elliott at Boston Harbor with the Dire Literary Series.”
What’s next for Robert?
At my club house gym yesterday, a neighbor approached me to purchase my book White Noir:
After showering, I delivered my book to my neighbor who invited me inside and paid me, after I signed my book. That was the end of the neighborly encounter because the neighbor’s husband, watching tv on the couch, sneered at me. I promptly departed my neighbor’s house, as the husband rose and walked toward his pistol.
Unwounded, I created three graphic images for Four Feather’s Press upcoming publication: Landmarks of Southern California. Learn more about the author here: https://www.youtube.com/watch?v=FOAb33t1NFc
The Song of North Mountain by Morgan Golladay features Poetry and Art
Old Scratch Press is pleased to announce the upcoming release of The Song of North Mountain, by Morgan Golladay. Slated for May release, the book includes original artwork by the author to accompany her poems. The collection is now available for pre-order.
Founded in 2023, Old Scratch Press is a cooperative of poets and short-form authors who have come together to promote the publication and appreciation of poetry and short-form writing. The Song of North Mountain will be the third chapbook, published by the small independent press.
Break in the Field by Ellis Elliot was their first book, nominated for the National Book Award, followed by avante-garde wordsmith and artist Robert Fleming’s poetry collection, White Noir.
The Song of North Mountain, says Morgan, “is about my relationship with this Earth, focusing on one small mountain in one small chain, in one small part of this vast world.
This book is about a connection – my personal experience sitting in stillness on this mountain, as well as many other mountains. North Mountain is, for me, a symbol of my relationship with this Earth. The permanence of the land, regardless of how it changes; the cycles of life, the quiet continuation of change. It has been a long time since I personally was able to sit quietly and listen to the tree branches and leaves speak to each other. I cannot scale the trails as I once did. But the magic of place is still in my memory, whether it’s the rocks in the rivers, the trails on the mountain tops, or the joy of sharing ripe wild berries.
“…my personal experience sitting in stillness on this mountain, as well as many other mountains. North Mountain is, for me, a symbol of my relationship with this Earth.”
Morgan Golladay
The cover design, an original painting, and the 10 black and white interior illustrations were created specifically for the book. Pre-order availability on Amazon and on the Old Scratch catalogue page will be coming soon.
To keep up with the latest news, please follow our blog here for free and also follow us on Facebook. Later this year look for more chapbooks penned by Gabby Gilliam, Alan Bern, and Nadja Maril. Thank you for reading. Special note: the deadline for Instant Noodles LIterary Magazine submissions has been extended to the end of the month.
Poems to Read to Your Toddler
Looking for recommendations for what to read to your toddler? Poet, writer and former Children’s Librarian Alan Bern has a favorite:
“The Owl and the Pussycat” by Edward Lear, illustrated by James Marshall ; afterword by Maurice Sendak.
By Alan Bern
Edward Lear’s “classic love ballad, “The Owl and the Pussycat,” was voted the most popular British childhood poem in 2014, and has been set to music by everyone from Stravinsky to Laurie Anderson.” (”The Sense Beneath Edward Lear’s Nonsense” by Adam Gopnik, The New Yorker, April 16, 2018) If not as popular in the United States, “The Owl and the Pussycat” has spawned a number of illustrated picture books here. Of the many illustrated picture books of this absolutely brilliant poem for very young listeners and readers by Edward Lear, “The Owl and the Pussycat,” my top choice is the version by James Marshall. Next to Lear’s own illustrations for his poem, James Marshall’s illustrations, although he died before fully finishing them, are my favorites. Marshall creates wonderful characters that match so perfectly the sounds and voices of Lear’s poem. It is a nonsense poem, but it’s always made perfect sense to me and to so many. Young children will love the poem and the book; so will elementary school kids when they need to feel just a bit regressed. Heck, adults will love it, too. As I do.
Nonsense Suggesting Sense
As Gopnik explains later in his essay: “This gift for creating pathos without sacrificing absurdity is what makes “The Owl and the Pussycat” one of the greatest poems in the language… In “The Owl and the Pussycat,” meanings rush in:
They dined on mince, and slices of quince,
Which they ate with a runcible spoon…
Not even Humpty Dumpty could explain what a runcible spoon is. We know it by its verbal vibration, by its presence, by its sheer runcibleness… This gift for making something felt without having first to make it familiar is one that we later admire in Beckett. Nonsense suggesting sense is a familiar pattern. Nonsense suggesting the numinous is not.”
Personal Connections
And here’s a personal story to go with the poem. As a children’s librarian for many years, I was honored to serve on the American Library Association’s Caldecott Committee in 1992, and I suggested Marshall’s illustrations for this book as a finalist. It was not chosen, most probably because Marshall never quite finished the illustrations. I continued to love the book anyway, and I always wondered why the poem always spoke to me… when I read it or when I listened to another read it. Shortly after my Mom died, I found out why. One day while going through some letters, from my Mom to my Aunt, letters that my Aunt had kept from the early 1950s. My parents were on sabbatical leave (my Dad was a young professor) in Cambridge, England, and I was almost two. In one letter, my Mom wrote: ‘It’s wonderful to be here, Howard and I are having such a good time, and we love having our little boy with us; however, he does drive us crazy and asks over and over and over that we read “The Owl and the Pussycat” to him.’ That brought such a wide smile to my face: of course, I don’t remember it, but it now explains, in part, my continuing love for the poem. Thanks, Mom and Dad, and thank you very kindly, Mr. Edward Lear! And now I shall reach for my runcible spoon.
Thank you for reading . Remember, only a few days remain before the submission window for the spring issue of the literary magazine, curated by members of the Old Scratch Press Collective closes. Submit here –https://duotrope.com/duosuma/submit/instant-noodles-O0jFm
If you haven’t done so already, please follow our blog here for free and also follow us on Facebook.And coming soon is our newest chapbook release, The Song of North Mountain, by Morgan Golladay followed by chapbooks penned by Gabby Gilliam, Alan Bern, and Nadja Maril.
Political Poetry, New Year’s Resolutions & Publishing Opportunities
Writing poetry is a personal, introspective experience, a way to communicate our innermost feelings as art.
Enter politics. Around the United States, around the globe humans are in conflict. It doesn’t matter which side you agree with, we all have our opinions, even if our opinion is to try and ignore the chatter.
Poetry, for centuries, has been a way for artists to convey their opinions. Attend a political rally and you’ll hear speeches, chants, songs. A number of poems have become beloved “classics” and they just might inspire you to write a few of your own.
If We Must Die
By Claude McKay
Claude McKay, 1889-1948 was born in Jamaica who later moved to the U.S. and lived abroad for a number of years., was a key figure in the Harlem Renaissance, a prominent literary movement of the 1920s. His published work included poetry, essays, a short story collection and several novels.
If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursèd lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we’ll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
*
Beat! Beat! Drums!
By Walt Whitman
Walt Whitman,1819-1892, is regarded as one of America’s important 19th century poets. During the Civil War, while working as a desk clerk in Washington D.C., he visited wounded soldiers in his spare time.
Beat! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying,
Leave not the bridegroom quiet—no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums—so shrill you bugles blow.
*
Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,
No bargainers’ bargains by day—no brokers or speculators—would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.
*
Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.
London
By William Blake
William Blake, 1792-1827, was an English visionary painter, engraver and poet of modest means who lived in London. In June 1780, Blake found himself in the midst of a riot calling for an end to the war on the American colonies. Often in his work, he questioned the status quo of the traditional order of society.
I wander thro’ each charter’d street,
Near where the charter’d Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.
*
In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg’d manacles I hear
*
How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls
*
But most thro’ midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse
If one of your resolutions for 2024 was to write more poetry, there’s never a better time than now.
Maybe wake up a little earlier, take a mid-day break, any time of the day will do, but just write a first draft without censoring your thoughts. For tips on revisions and the submission process, click here.
And to get you a little more hyped, here are a few places that are open for submissions this month, January 2024.
Opportunities for Poets in January
Rock Paper Poem
Poem Alone
https://poemalone.blogspot.com/?fbclid=IwAR2njw45cL46szMDrDeBWN9qv0UnZgEJT8bNLeicL-5stZdVv3_KqWKyMps
Beakful
https://beakful.blogspot.com/?fbclid=IwAR2dqEQh7rE2bq_StnfndCKnfSN4YmwoXQnCSeVdSLXbvmR-PhMJTqEU3xQ
Raven Poem Competition
Strix. (no simultaneous submissions)
https://www.strixleeds.com/submit
Black Iris
https://www.blackirispoetry.com/new-page
Acumen
https://acumen-poetry.co.uk/submissions-guide/
Allegro Poetry Magazine
https://www.allegropoetry.org/p/submit.html
Thank You for reading our blog. Don’t forget to sign up to follow us on Facebook and here on wordpress.
Favorite Poet Ted Kooser
By Virginia Watts
When people hear that I try to write some poetry, I can tell they are thinking, formulating the common question. I stiffen and get ready for it. “Who is your favorite poet?” I used to respond with the complete truth, that I have many favorites. Sometimes I’d tick off a list of names they didn’t ask for and wouldn’t remember.
Now, I tell them first that a favorite poet is someone a reader returns to when they need them most. Your favorite poet is a companion, a friend’s voice in the dark. Poetry gives us laughter when we need it. Poetry comforts us when we are afraid, sad, lost. I tell people this because I hope they will search for a favorite poet of their own. I know once they find one, they’ll understand.
My favorite poet is Ted Kooser, a former United States Poet Laureate and winner of the Pulitzer Prize in 2005. He has published numerous books of poetry as well as children’s books and works of nonfiction. Kooser’s poems are drawn from midwestern landscape and everyday rural life. I read poetry often, as much as I can, but Kooser’s poems are the ones I return to like home’s fire to sit with again.
IT DOESN’T TAKE MUCH
BY TED KOOSER
Maybe an hour before sunrise, driving alone
on the way to reach somewhere, seeing,
set back from the highway, the dark shape
of a farmhouse up against deeper darkness,
a light in one window. Or farther along
into a gray, watery dawn, passing
a McDonald’s, lighted bright as a city,
and seeing one man, in ball cap, alone
in a booth, not looking down at his table
but ahead, over the empty booths. Or
maybe an hour farther, in full daylight,
at a place where a bus stops, seeing
a woman somewhere in her forties,
dressed for cold, wearing white ear muffs,
a red and white team jacket, blue jeans
and Muk Luks, one knit mitten holding
a slack empty mitten, her bare hand
extended, pinching a lit cigarette,
dry leaves—the whole deck of a new day—
fanned out face-down in the gutter, but
she’s not stooping to turn over a card,
but instead watching a long ash grow
even longer at the ends of her fingers.
Just that much might be enough for one
morning to make you feel part of it all.
From The Path to Kindness: Poems of Connection & Joy.
Forthcoming from Storey Publishing, 2022.
Thank you for reading. Follow us on Facebook and X. We’d love to hear about which poets inspire you.
Poetry Contests You May Want to Know About
Poetry contests are a great way to achieve recognition and several have deadlines coming up soon. Submitting your work, is the first step, so what are you waiting for?
Westchest University Poetry Center sponsors the
Donald Justice Poetry Prize
Deadline: November 15, 2023
The distinguished American poet Donald Justice is recognized as one of the finest poets of the late twentieth century.
• Accepts – Poetry • Fee: $25 • Prize: $1500
Munster Literature Centre sponsors
Gregory O’Donoghue International Poetry Competition
Deadline: November 30, 2023
The competition is open to original poems in the English language of 40 lines or fewer that have never been publicly broadcast or published. The poem can be on any subject, in any style, by a writer of any nationality, living anywhere in the world.
• Accepts – Poetry • Fee: €7 or €30 for 5 • Prize: €2,000
Frontier Magazine Award for New Poets
Frontier Poetry Contest
Deadline: December 1, 2023
They are looking to uplift an up-and-coming poet, with no more than one full-length collection forthcoming or published at the time of submission. “We award $3,000 for the winning poem, selected by our guest judge. Our second- and third-place winners receive $300 and $200, respectively. All three winners will be published”
• Accepts – Poetry • Fee: Yes • Prize: $3000
Slippery Elm Literary Journal
Deadline: February 1st
Entry is $15. All entrants will receive a copy of their 2024 print issue.
Elizabethtown College
Deadline: December 1, 2023
We are honored to host the annual Joy Bale Boone Poetry Prize whose winners and finalists will appear in the following Spring issue of The Heartland Review.
• Accepts – Poetry • Fee: $10
Prize: $500 GRAND PRIZE GIFT CARD, $140 SECOND PLACE GIFT CARD, $100 THIRD PLACE GIFT CARD.
Read contest rules carefully. Most contests require your name be removed from all work and many have specific requirements for formatting. Do not wait until the last minute and check your work over carefully before sending. Good Luck! May Your Words Resonate With the Judges! Please sign up to follow the Old Scratch Press blog so you never miss submission opportunities.
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