Creative blocks can be frustrating, but they’re a normal part of the creative process. Here, I explore three common types of creative blocks that I experience on a regular basis, and share my strategies to overcome them and get back into my creative flow.
Common Types of Creative Blocks:
Self-Doubt: Feeling like your work isn’t good enough? That would be a hard yes for me, every single day. Self-doubt can paralyze creativity. Who am I to go to grad school in writing at my age? Who am I to publish a poetry book? Who am I to think I can even begin to write a mystery novel? Remember, while there are plenty of success stories out there, we won’t know our own abilities unless we give it a try. You might decide it’s not your thing, or get caught up in the process and ride the wave to the end. By all means, do not compare yourself to others, unless you think it’s really bad, in which case the thought should be, “I can do this, but better”. It really doesn’t matter what you think until you actually start something. Like the curling sticky note on my desk says: Begin.
Perfectionism: Waiting for the perfect idea or execution can stop you in your tracks. As will waiting for the perfect time, or the perfect desk chair, or external motivation. Embrace imperfection and focus on progress rather than perfection. It’s called a “shitty first draft” for a reason.
Burnout: Sometimes, the creative well runs dry. Recognize when you need rest and allow yourself to recharge (see below).
Strategies to Overcome Blocks:
Change of Scenery: Sometimes a change of scenery can spark new ideas. Go for a walk, visit a museum, or simply move to a different room. Move your body, listen to music, or anything to temporarily switch off the “I’m Stuck” reel playing in your head.
Experiment with PLAY: This is my favorite. Take a break from your current project and try something completely different—doodle, cook, or build with LEGOS. I like to cut and paste, myself. Play can reignite creativity.
Set Bite-Size Goals: Break down your project into manageable tasks, i.e. Write for 10 minutes. Completing small steps can build momentum and reduce overwhelm.
“Creative Reset”: Set a timer for 15 minutes and engage in a creative activity unrelated to your current project. The goal is to refresh your mind and relieve pressure, allowing creativity to flow more freely when you return to your work.
Finally, I once had a teacher who said there was no such thing as a creative block, and the problem was not that there was nothing to draw from, but that there was too much. Too much, or not enough? You decide.
Ellis Elliott is a published author and poet. Join her Bewilderness Writing Workshops and use free writing to find yourself and your voice on the page. Order her poetry collection Break in the Field and find out about her Work-in-Progress, a mystery novel set in the misty mountains of Appalachia.
This week author Nadja Maril released her collection of flash prose, poetry, and essays inspired by her kitchen, garden, and family memories. I sat down with Nadja to ask her some questions about the book, and her process. It’s interesting to note that Nadja comes from an artistic background: her late father Herman Maril was an artist, and his painting is the cover of her book. I have enjoyed Nadja’s poetry and flash fiction for many years now, and I am very excited for her book!
Dianne Pearce (Dianne): What inspired you to combine poetry, short form, gardening, and cooking in one book? How did these different forms of expression come together?
Nadja Maril (Nadja): In January 2020 I’d just completed an MFA (masters in fine arts) in creative writing from the low residency Stonecoast Writing Program at the University of Southern Maine and was in the midst of moving into a 100-year-old house. My husband Peter and I were the General Contractors. Both the MFA and the house were two-year projects. I’d been laboring over a complicated literary novel told from multiple viewpoints, and my daughter (the youngest of my three children ) was about to get married. Peter and I were looking forward to having the wedding at our re-built house, with the festivities primarily outside. We scurried to move into the house, plant flowers and shrubs, and revitalize the lawn. Then the pandemic shut everything down.
Want to read more? Pick up the remainder of the piece at AUTHORS ELECTRIC.
Wonderful that Google has dedicated today’s Google Doodle (August 19, 2024) to Dorothy Miles.
Miles, as it says, was a pioneer of poetry in sign language. This is significant because poetry is often still widely considered to be an oral form of creative writing, written down, yes, but meant to be read aloud, or memorized and recited, performed. But can it be performed and not be spoken?
Here are a few performances by Ms. Miles, courtesy of YouTube:
There is no sound. Can you understand the poem?
And here is a third poem:
Do Miles’ poems speak to you, without use of the voice? In a medium that began as fully performative, how does it feel to have to attend to her movements with your eyes, more than her words, the sound of them, with your ears? Are the poems lost on you? Or do they move you?
Approximately eleven million Americans are deaf, and many more have some form of hearing loss. When I watch Ms. Miles perform her poetry, one thing that struck me immediately was the feeling of being disconnected, because I could not hear her, though she looked to be speaking. Once I settled in I found the works engaging, and they really tapped into my emotions much more quickly than poetry usually does.
What makes a poem a poem? What does it mean to be a poet? Poetry has been one of the oldest and most consistently practiced form of creative writing, and it has also been some of the most exclusionary. Ms. Miles opened that door for people who could not use their ears to enjoy poetry, or their mouths to speak their poems aloud.
Ms. Miles’ career in poetry ended when her life did, after a fall from a window that was concluded to be self-inflicted due to mental health challenges she was experiencing. If you know someone experiencing a crisis please consider using the 988 helpline.
This, my friends, is why diversity is so important. Without an open system that welcomes diversity, without open hearts to give something different from the “norm,” “average,” what we’re used to, what’s traditional, or simply what we’ve come to expect, we close the door on beautiful experiences like poetry written and performed by Ms. Miles. When we celebrate poetry in all its forms, we invite more people to have the chance to share with us their creations. Not every creation is the right one for every person, but when you find the one that touches you, you will find yourself forever changed.
By Nadja Maril, a member of the Old Scratch Poetry and Short Form Collective
Note: Everyone who writes has a different approach. This is a repost of a blog I wrote several years ago for my Nadjamaril.com website and since then I’ve gotten a whole lot of stuff published so it could be that some of this works.
I just started listening to Chuck Palahniuk’s Consider This: Moments in My Writing Life After Which Everything Was Different for the second time. I wanted to remind myself again to put into practice some of many sage tips he gives to writers. Tips that include: use multiple points of view, active verbs, short sentences, and nonverbal communication to reduce dialogue.
Being read, being published is the end game, but it’s the act of writing which is for me most important. Before we write we read. It’s my love of reading that drew me to writing. What better charge is there than finding the perfect assemblage of words to create in someone else’s mind— a feeling, a scene, a story. I’m addicted.
This is why I write. It’s the creative process I become emerged in that has me hooked. It’s an art form that evolves. And I always want to improve my craft. This means I’m always challenging myself to try different approaches and learn from other writers.
Each writer has different visions of what they’re striving to convey, but for me I’m seeking to find new ways to describe a scene and the inner thoughts and motivations of my characters. I listen to books on tape and also like to read words on paper. Helpful are a number of books on my shelf. About fifteen years ago I picked up Steven King’s bible for writers, On Writing, published in 2000. I bought it on the remainder table for one dollar. I think initially “literary writers” were dubious that the king of pop fiction would have useful advice, but now in 2021 his book is a favorite. Open the book to the section entitled “Toolbox” and you’ll receive sound advice like, “Remember the basic rule of vocabulary is to use the first word that comes to your mind, if it is appropriate and colorful.” In his section entitled “On Writing” King explains that he gets his writing impetus not from imagining What if?. “ A strong enough situation renders the whole question of plot moot, which is fine with me. The most interesting situations can be expressed in the What-if question:
What is vampires invaded a small New England Village? ( Salem’s Lot)
What if a policeman in a remote Nevada town went berserk and started killing everyone in sight. (Desperation)
Both Palahniuk and King emphasize the importance of reading other writer’s work, one of the best books to guide you in this is Francine Prose’s Reading Like a Writer (2006). The book covers all the craft elements so important for all creative writers: close reading, words, sentences, paragraphs, narration, character, dialogue, details, and gestures. What is most invaluable, in addition to all the books she cites throughout the text, is the reading list at the end. Yes, we may all be readers, but it is important to seek out unfamiliar authors who are masters of their craft. Best sellers come and go. Books fall in and out of favor and an important authors are forgotten. While many of the authors and books on her list I was familiar with, I got introduced to Elizabeth Bowen, Henry Green and Denis Johnson (Yes, Denis Johnson who I selected for my in depth research MFA research project) thanks to Francine Prose.
Try not to repetitively read the same authors you like. Discover old and new talent.
I’ve got a number of books on writing in my library, John Gardner’s The Art of Fiction, Jon Franklin’s Writing for Story and The Half-known World on Writing Fiction by Robert Boswell, but it seems that all these books are written by men. As more women and people of color take leadership roles in publishing, perhaps we’ll see books on writing from a more diverse group of authors. Meanwhile I will close with talking about one more favorite book, number four on my list. I’ve read Unless It Moves the Human Heart by Roger Rosenblatt (2011) several times. Rosenblatt’s book shares the writing process from the teacher’s viewpoint as he interacts with his students at Stony Brook University. He taught classes in poetry, creative nonfiction, and fiction and what ensues is a thoughtful introspective dialogue that stimulates the reader to look at their own work with fresh eyes.
In closing I will repeat again for emphasis, read as well as write. You are never finished learning how to be a better writer. So what are you waiting for? Have you written, revised, and re-revised some stories today?
Follow Nadja Maril on {“X” at SN Maril or read one of her pieces at Nadjamaril.com. Check out Nadja’s soon to be released chapbook, RECIPES FROM MY GARDEN here. Don’t forget to submit your brief piece or poems on the theme “Holiday Noods” to be considered for publication in the Winter issue of Instant Noodles here.
It’s the “dog days of summer.” Where I live we’ve had only brief periods of respite from the extra hot days, and these sweaty days force me inside, where they, ostensibly, give me more time to write. And so I am thinking about all of that. And I’m wondering, those of you who write, have you ever considered taking classes, or have you taken classes, in writing? It occurs to me that while my daughter can play a few songs on the piano through trial and error, she is much better when she is actively taking lessons. She doesn’t take lessons because she wishes to be the next piano great, or even play professionally. She takes lessons because she enjoys playing the piano, and would like to be able to play it better. I pay for the lessons gladly, without a thought about it. Do we do that as writers, with writing?
When I went back to school to get my MA it was because I wanted to get better at writing. Yes, I had the hope of publishing, but mostly I just wanted to be better at writing my stories and poems. I signed on for my MFA primarily because the teachers in my MA program, who were not affiliated with the MFA schools, suggested that I had a spark, and could get it even sparkier with more training. And so I did it, the MFA, for me.
I am curious and would love to hear what you think about this. Have you ever done any “professional” training for writing? Something like lessons? Have you spent money on your development? Do you hope to move from hobbyist to pro? Or, perhaps, consider and reply to this by telling me about lessons that you have taken in something else, or paid for in order that a child or someone else in your life is able to take lessons. I would be very curious to hear what you think makes something a skill that you might need training in versus something you come fully equipped for, without training.
I’m laughing to myself now, sitting here, thinking about “the dog days of summer,” and how I once paid for dog training for my prior delightful pup, an out-of-control terrier who I’d adopted when he was still a puppy. I had named him Chad,
and he came after I lost the dog who preceded him, a very fancy little terrier named BeBe who walked beside me like a queen, and never needed a leash or a single command, from the moment I brought her home. Chad, on the other hand, chewed everything: my toes as I crossed the room, my ears as I sat on the sofa or lay in bed, my boyfriend’s brand new Nikes, huge holes in his blanket, and he pooped blue wool for a week after, half a wooden magazine rack while I was at work one day, scads of toilet paper rolls. He peed everywhere. There was a moment where I listened to him cry from behind the baby gate in the kitchen thinking, “One of us is not going to make it out of this relationship.” I found a dog trainer all right. I could not wait for her to get to my house! And I remember her like it was yesterday, though it was more likely 2001, when she arrived, and I let the beast loose on her, and she said to me, “Okay. I can see he has a lot of energy. Let’s start training you to be a better owner.” By the end of the session, several hours later, I admit, for I was a slow learner, I was fully trained, and Chad and I lived harmoniously from that moment on, for sixteen and a half years.
And just now, as I prepared to publish this post, I thought to myself, Maybe throw this post in Word and check the spelling, even though I know my writing does not need it! But I did, and I found four spelling errors, due to poor typing skills, which tells me that it seems that I am still, to this day, a stubborn and slow learner. 😉
So what about you? Do you train at writing at all? Are there other things you will use training for? Do you think of writing as something a person can improve at with training? I am curious to see if it is only me.
Reprinted by permission from one of his blog posts available at Davidfulcher.com
When I was young, before I had written a word of fiction, I believed that all writers lived a glamorous life. Ernest Hemingway in particular seemed to embody this image – traveling on safari, sport fishing in the Gulf of Mexico, drinking whiskey as if he were a fish himself – doing almost everything except writing.
The writer Ernest Hemingway in his later years.
Now that I am older and wiser, I know that Hemingway wrote for hours each day, making him one of the more disciplined writers of his time. But the larger-than-life Hemingway was a more appealing character to imagine, and therefore the one my younger self gravitated towards.
So, I am writing this post to the new breed of writers out there to let them know some of the disciplines they will find useful in their writing lives, and leaving the catching of Marlins to Salt Water Sportsman Magazine.
Bait the hook and try to catch something big. It’s more difficult than you think.
What Writing is Really Like…Computer Programming
Computer Programming is all about language and syntax, and so is writing. I know something of this as programming is my day job. I have often spent hours debugging some code, only to find that a misplaced semi-colon or comma was the culprit. Writers also will find themselves laboring over the usage and placement of punctuation, understanding that punctuation in the wrong place can change the entire meaning of a sentence.
What Writing is Really Like…Project Management
Project Managers track task and project status, in addition to schedule, budget and other project elements. As your writing career grows, you will quickly find yourself in need of a spreadsheet, database or other tool to know what you’ve submitted where, when to send a query letter, relevant contact information for publishers and publications, etc. You will also need to track readings, book fairs, online interviews, etc. on your Outlook or Google calendar. These demands will intensify as your writing becomes a fulltime occupation, and as you began to spend more time collaborating with others.
What Writing is Really Like…Marketing Executive
While the big publishing houses have marketing resources of their own, new writers trying to make a name for themselves in small independent presses will find themselves on their own to promote their work. You will be faced with questions like which social media channels reach the biggest (or more importantly, the most relevant) reading audiences, and does it make sense to subscribe to marketing service to promote your books. Additional considerations involve creating your own author’s website and blog, all of which may require you to acquire new skill sets. Your ability to effectively promote your work becomes even more critical if your work is self-published.
What Writing is Really Like…Accountant
While writing is an art and not a science, sooner or later you will be focused with financial decisionsand issues related to your writing. These may be simple decisions such as whether to enter a writing contest that charges a fee, or whether to hire an independent designer to design your author’s web site. Other more complicated issues will involve reporting any book sale royalties on your income taxes or tracking the sales tax to be submitted from cash sales at a book fair. And when you’re finally ready to take the leap and go fulltime, the big financial question: how much will I have to make on my writing to make a living?
What Writing is Really Like…Lawyer
Finally, you will be faced with legal issues during your writing career. I’ll give you a real-life example. Unbeknownst to me, a designer at one of the publishing companies used an image on my book cover that was copyrighted. Several years later, I was contacted by the copyright holder demanding a correction, and I referred him to my publisher. The publisher finally admitted the mistake, and at their expense, corrected the cover. Other examples include understanding reprint rights for your previously published stories and interpreting contractual agreements with publishers when you begin to get your first professional sales of your stories and novels.
So, there you have it – instead of being glamorous, the above disciplines can be tedious, if not downright boring. However, these skills will propel your writing career much further than your ability to bait a hook.
You can read more of David Fulcher’s posts and learn about his books here.
To learn more about the latest Old Scratch Press publications click here.The Song of North Mountain by prizewinning author Morgan Golladay is just one of several exciting new chapbooks! To learn more about Old Scratch Press and our poetry an short form collective follow us on WordPress at Oldscratchpress.comDav
Causey Mansion in Milford Delaware is a beautiful spot to meet and greet poet/artist Morgan Golladay, author of the Song of North Mountain. Learn more about the historic mansion here. The event will be held in the gardens from 1-3 p.m.. Purchase your copies in advance online or purchase one at the event. Either way, Morgan will be there to autograph! The location is 2 Causey Avenue, Milford Delaware 19463
Editorial praise is just beginning. Here are a few samples:
“Sometimes stark, but always beautiful, these free verse celebrations of North Mountain introduce a seasonal sense of environmental transitions to the observer and reader’s eye, with time’s passage changing everything and nothing…Aside from a personal visit to North Mountain, there is no better way of appreciating its beauty, impact, and presence over the eons than through The Song of North Mountain.” MIDWEST BOOK REVIEW
This book is a praise-song of poetry and art for Golladay’s beloved mountains. With an eye for detail and ease of language, her poems revere and embrace the elements and seasons of nature. Accompanying her poetry, her art further conjures the scenes we are taken to. From Vincents Wood to the Devils Throne, the writer takes us along, like all good poetry, until we feel as if we, too, have been there. I think I’d do well to heed what the writer says: Look too soon and you miss the mystery
Morgan Golladay’s The Song of North Mountain is a wonderful love song to where she grew up, “to the hills, rivers, and ridges of the Shenandoah Valley of Virginia.” And Golladay is the perfect guide for this voyage, perceptive, kind, and empathic. I urge you to purchase her fine book that also contains her own fine original artwork: sit back in a comfortable chair and travel with her to this most beautiful part of our country. As Golladay invites the reader to accompany her and writes in “Back in the Woods” (p. 69),
I experienced the magic and awe of a creation larger than I could imagine.
“Rest with us,” whispered the granite. “Breathe with us,” crooned the breeze. “Stay with us,” encouraged the trees.
Learn more about Morgan and her poetry here. And don’t forget to follow Old Scratch Press on Facebook. Thank you for reading.
No Ocean Spit Me Out. Gabby Gilliam’s first chapbook of poems, published by Old Scratch Press, is now available for purchase. Shipments will begin on September 15th. Recently I had the opportunity to ask Gabby a few questions about her work and her newest book.
The poems in Gabby Gilliam’s new book, No Ocean Spit Me Out, explore the dynamics and evolution of family relationships.
A live reading zoom event is coming up, JUNE 15tth and you can register to hear Gabby read from her new book as well as hear poets Alan Bern and Robert Fleming read from their work as well. To register click here.
What do you like best about writing poetry?
I love that you can use poetry to describe things in new ways––to make the familiar fresh and universal at the same time. It’s one of the things I like best about reading poetry as well.
Which is your favorite poem in this collection and why?
I think my favorite poem might be the one that gives the book its title, No Ocean Spit Me Out. It’s a tribute to my dad. In this poem, I compare my dad to the god Zeus, and Zeus fails to measure up. Since my dad passed away, most of my poems about him are darker and focus more on my grief. I like this poem because it focuses on some of the things that made me love him so much.
What would you like readers to know about you in connection to your work?
Many of my poems focus on aspects of family connection. From dealing with addiction to witnessing my dad’s complicated relationship with his faith (which had an influence on my own struggle with religion and faith), the poems in this collection are a collage of my childhood and gradual self-acceptance. I hope readers can connect with my personal experiences by reflecting on the nuances of their own familial relationships and the impact they have on shaping our identities. I think the power of shared experiences is what make poetry so resonant, and I hope readers find that within the pages of this collection.
More about Gabby
Fellow collective member Gabby Gilliam is a writer, an aspiring teacher, and a mom. Gabby’s poetry has appeared in One Art, Anti-Heroin Chic, Plant-Human Quarterly, The Ekphrastic Review, Vermillion, Deep Overstock, and Spank the Carp.
Not only is she a poet, but Gabby pens the Drumming for the Cure series of novels. Two thus far, Trouble in Tomsk and Chasing the Cure have been published by Black Hare Press. She lives in the DC metro area with her husband and son.
To purchase your own copy of No Ocean Spit Me Out, click here. Please remember to leave a review if you like it because customer rankings count. And please follow Old Scratch Press on Facebook.
I was thrilled today to have the privilege to mail three new Old Scratch Press books off to the National Book Awards! If you follow all of our doings around here you may have seen this post from last year, where I was lucky enough to do the same thing!
Gosh, you know, we’re going up against the big guys when we send our books in to the National Books Awards. Most of the other books being sent in are going to have been written by well-established poets with a long history of publication, or brand new poets being championed by their mentors who are the big guys in their fields, and those other books are also going to come from traditional (read as: large and monied) presses or university presses, which, like the big publishing houses, also have lots of disposable income and connections. I got my MFA; I know how that all works. And still, I don’t care about the competition. I care that we have wonderful poets. Morgan Golladay has been writing her poetry throughout most of her adult life, and salting it away for “someday,” and Nadja Maril and Gabby Gilliam have been submitting and getting small wins with their writing for years now, and why isn’t their writing as deserving as anyone else’s? It absolutely is! It gives me a total thrill to just think about getting them into this contest, where they get a chance to stand shoulder to shoulder with the “big guys.” And get this—Carolyn Forché is one of the judges this year! Carolyn Forché! It’s mind-blowing to think that a poet from our little collective is going to be read by her. I still remember how my teachers raved about Carolyn Forché’s book THE COUNTRY BETWEEN US back in the ’90s. We read it and discussed it over and over with reverence. The idea that she’ll be reading one of our books? It’s just wild.
So, lovely people following our progress as a collective and a press, please join me in crossing your fingers and blowing on one of these:
as we send Gabby, Nadja, and Morgan off to the National Book Awards to try their luck!
And hey, dear reader of this blog, why not snag a copy for yourself in a show of support?
Flash prose, poetry, and essays inspired by her kitchen, garden, and family memories; Nadja Maril’s chapbook, RECIPES FROM. MY GARDEN is a sensual feast for the soul. Drawing upon her life experiences as an artist’s daughter, antiques dealer, journalist, and author; Maril mines simple objects for meaning and creates a lavish buffet.
Editorial Praise for RECIPES FROM MY GARDEN
“Suffused with the tastes of cilantro, mint, and cucumber fresh from a garden, the smell of salt air from the ocean’s edge, the familiar scent of coffee and tobacco from a father’s hug, or the simple pleasure of the sounds of clicking insects through a backdoor screen, Nadja Maril’s lovely and sensitive RECIPES FROM MY GARDENis a feast for the senses and a balm for the spirit. While exploring personal memories that touch on abstract questions of identity and history, Maril also reminds us of the tiny yet profound comforts of earthly existence.” –Aaron Hamburger, author of HOTEL CUBA—
“In RECIPES FROM MY GARDEN, Nadja Maril casts a richly sensual literary spell. From the deft and resonant garden-inspired pieces that find the taste of ‘summer’ in basil and celebrate the ‘welcoming gaze of sunflowers,’ to the sharply observed portraits of small yet potent memories— buying a perfect dress with her mother; baking a cake ‘too beautiful to be cut’– Maril mines moral and spiritual meaning from everyday life. The promise Maril makes about a ‘chicken and rice’ recipe is true of this whole vibrant chapbook: ‘soul nutrition it will provide.’ ” –Elizabeth Searle, novelist and scriptwriter (A FourSided Bed; I’ll Show You Mine)–
“RECIPES FROM MY GARDENcelebrates the splendor of traversing a literary life and surviving the time of Covid. Nadja Maril’s first collection of poetic prose, flash memoir, and poetry introduces us to her family, her nurtured garden, and the myriad spaces she navigates to cope with our world. With true artistic excellence, Nadja’s words yearn for an understanding of what troubles us, inviting us into a landscape of riddles, questions and puzzles.” –Indigo Moor, author of Everybody’s Jonesin’ for Something—
“[RECIPES FROM MY GARDEN] is a treasure of small love stories: odes to beloved kitchens, and vegetable gardens, and the simple joys of a blooming sunflower. It is a book of memory and of pleasure that speaks of the love of family across many generations. The passed-down recipes inside the pages are themselves the most generous kind of love letter.” –Susan Conley, author of Landslide—
[In NO OCEAN SPIT ME OUT] Gabby Gilliam’s verse preserves the feel of the summer farm, contrasting its fertile brightness with the struggle between grief and the sudden absence of connection to family and place. Belonging and the struggle to continue remembering clash on the page, while the passion for life’s diverse and tactile experiences dazzle the reader with tantalizing gasps of zucchini, crab apples, and blackberry wine. Each poem gives the reader their own lingering taste of her ghosts. -Kim Malinowski-
NO OCEAN SPIT ME OUT is a captivating debut collection of poetry that delves deep into the intricate tapestry of family dynamics and personal evolution. Within its 30 poems, the collection embarks on a profound journey through the stages of coming of age, navigating the complexities of familial bonds, grappling with organized religion, and ultimately, embracing the essence of self-acceptance. Whether you’re seeking solace in the shared experiences of family relationships or searching for introspective insights into the nuances of identity and faith, this collection offers a profound and thought-provoking exploration of the human condition.
“Sometimes stark, but always beautiful, these free verse celebrations of North Mountain introduce a seasonal sense of environmental transitions to the observer and reader’s eye, with time’s passage changing everything and nothing…Aside from a personal visit to North Mountain, there is no better way of appreciating its beauty, impact, and presence over the eons than through THE SONG OF NORTH MOUNTAIN.” —MIDWEST BOOK REVIEW—
From the mighty pen of artist and author Morgan Golladay comes THE SONG OF NORTH MOUNTAIN, a transformative collection of poetry and art celebrating the famous and mystical North Mountain of Appalachia. North Mountain, a wildland in the George Washington and Jefferson National Forests of western Virginia, has been recognized by the Wilderness Society as a special place worthy of protection from logging and road construction. The Wilderness Society has designated the area as a “Mountain Treasure.” Morgan Golladay brings her readers to dwell in the reverence of this wonderful wilderness. Golladay is an award-winning author who was raised on North Mountain and lives in coastal Delaware as part of a thriving artist and author community. All words and art in this book are by Golladay.
Dianne here, and I am so excited to tell you that, right now, Gabby Gilliam is brining us the fourth book from Old Scratch Press, NO OCEAN SPIT ME OUT.
Gabby Gilliam’s verse preserves the feel of the summer farm, contrasting its fertile brightness with the struggle between grief and the sudden absence of connection to family and place. Belonging and the struggle to continue remembering clash on the page, while the passion for life’s diverse and tactile experiences dazzle the reader with tantalizing gasps of zucchini, crab apples, and blackberry wine. Each poem gives the reader their own lingering taste of her ghosts. -Kim Malinowski
NO OCEAN SPIT ME OUT is a captivating debut collection of poetry that delves deep into the intricate tapestry of family dynamics and personal evolution. Within its 30 poems, the collection embarks on a profound journey through the stages of coming of age, navigating the complexities of familial bonds, grappling with organized religion, and ultimately, embracing the essence of self-acceptance.
Each poem in NO OCEAN SPIT ME OUT serves as a poignant reflection of the human experience, capturing moments of vulnerability, resilience, and growth with eloquence. Through lyrical prose and emotive imagery, Gilliam paints a vivid portrait of the joys and struggles inherent in the process of self-discovery.
Whether you’re seeking solace in the shared experiences of family relationships or searching for introspective insights into the nuances of identity and faith, this collection offers a profound and thought-provoking exploration of the human condition.
NO OCEAN SPIT ME OUT is National Book Award nominee!
OLD SCRATCH PRESS 