Tag: poem

How to Get the Most Out of Critique Groups

Published on by virginiawattsLeave a comment

I have participated in quite a few of writing critique groups for many years now, and I can say that the feedback I have received from fellow writers has been critical to my success in publishing my work. It is true that if you remain with the same group over an extended period, there will be certain people that you will agree with more than others for suggestions for editing your work. There is nothing wrong with that. After all, everyone has different tastes and preferences. That being said, it is important to read and consider all comments you receive. Here are a few tips to guide you in getting the most from the process of critique. 

  1. Decide what you are honestly looking for before you submit a manuscript. If you just want to know if the story is worth working on at all, then submitting a very rough draft might make sense but I never do that. My approach is to put in all the time necessary to complete a short story or poem and make it the best I can. This means, for me, several months of writing and many edits. I probably edit a piece fifty times or more before I feel I have done all that I can for it. I prefer to circulate what I believe is “a finished story.” 
  • During the critique, just sit quietly and listen. In the groups I attend, I will receive written comment, so I don’t have to write notes during the oral critique. You can learn a lot by listening to colleagues discuss and debates questions or concerns they may have about your writing. Above all, don’t say anything as the writer. You aren’t there to explain your work and above all, you are not there to defend it. You don’t want people to feel that they cannot give you honest and open feedback. That’s what you are there for and as writers, that is what we all need. 
  • Try not to feel hurt about “negative” comments about your writing. At first, for most writers, we do feel hurt but in time, this goes away as you realize that critique is an honest exchange of creative suggestions meant only to help you decide what final edits you wish to make. We cannot read our own work in a way that will make it the best it can be. We don’t have the distance to be able to do this. In short, we need each other. Of course, the critique should be done in a constructive, professional way. I have always had good group leaders who have insisted upon this.
  • At the end of a critique, I always make sure to thank everyone for taking the time to read and critique my work. I know it takes time and effort, because when I read for others, I give it my all too. It is the greatest gift we can give to each other as writers.
  • So now that you have your critiques, it is very important to set everything aside for a minimum of a month before you return to make edits. Early on I made the mistake of making edits too quickly and they were knee jerk and not good. You need time to let things sink in and percolate. Give it a rest.
  • When I do edit, I go through each written critique and fix all mechanical edits first, such as spelling errors. While doing that, I keep a running list of more involved edits that I will look at more carefully to see if I agree with them. This might be things such as a section of unrealistic dialogue, an ending that needs less or more, a character that lacks some necessary background. 
  • I have never not changed a story or a poem based on professional feedback. Some more than others, but all have been edited because of ideas or suggestions or questions raised by writing colleagues and I can honestly say that my work has been improved immeasurably by the critique process. I am so grateful for my writing colleagues and friends. I do have one writing friend who I give my final edited pieces to for one final read. And another tip for writers. Seek out readers of all ages to critique your work. You will get different perspectives that will improve your final product. 
  • An important final comment about writing groups. Over the years. I have made such wonderful, close friendships with the people I have met in these groups. It’s funny how life works. You go looking for something and you come away with something so much more valuable than you expected.
  • Good luck with your writing and enjoy all of the process, including critique and editing in response to critique. I promise you that you will find it rewarding to not only give critique but also to receive it. It is part of our art form. 

Enjoy your group!  

~Ginny

Virginia Watts has been fortunate to have published nearly 100 pieces in literary magazines including CRAFT, The Florida Review, Reed Magazine, Pithead Chapel, Permafrost Magazine, Broadkill Review, Two Thirds North, Hawaii Pacific Review, Sky Island Journal, Eastern Iowa Review, Evening Star Review and Streetlight Magazine. Nominated four times for a Pushcart Prize and four times for Best of the Net, in 2019, Watts won The Florida Review Meek Award in nonfiction.

Her poetry chapbooks The Werewolves of Elk Creek 

and Shot Full of Holes are available from Moonstone Press. Her debut short story collection Echoes from the Hocker House is available on Amazon.

Where Oh Where Can Your Work Be Found?

Published on by diannePLeave a comment

Oh my goodness, I love The Kinks!

And I bring them up today because when I was thinking about writing this blog post, I was also thinking about all the other blog posts I had to write today, which has turned out to be at least 4, plus the social media to go with it. It reminded me of this Kinks’ classic:

Give it a listen because: The Kinks.

And so that you get the tune, which is important to this post.

My blogging and posting activity made me think of this song because it aligns with my thoughts: She posts it here; she posts it there: on Instagram, and everywhere! She will just keep posting ’till her fingertips go numb ’cause she’s a dedicated marketer of books. Oh yes she is! Oh yes she is! Oh yes she is! Oh yes she is!

Sing it with me.

Are you posting here, and there?

I hope you don’t mind if I remind you of the three Ps of posting: personality, process, and product. You want to sell your books, but you have to find people who know about your book: people in Poughkeepsie, Peoria, and Portland. Have you thought of it that way? Imagine a 25 mile readius (hah! Gotcha! Radius!) around you: that’s probably where people are going to know you enough to buy your book. Imagine your social tree: your family, your friends, friends of your family, and friends of your friends, your co-workers, and your fellow attendees at church or hobbies or etc. Of those people, how many will buy a book? Of the people who buy it, how many will read it? How good is your elevator pitch to tell people about it? How “clean” is your book in terms of proofreading, editing, font choice and size, plot holes? And if you do not live in Poughkeepsie, Peoria, or Portland, how will anyone who does find out about your book and become intersted in it?

With my deepest apologies, you have to post. You have to blog. You blog the most about you, the human, you blog next about the process and proceedures of you, the writer, and lastly you make an open, not subtle, appeal on your product: “You will enjoy this book because….”

Let’s imagine a 30 day grid.

Luckily, with most websites, and certainly with WordPress, you can post them all on the same day if you like, and schedule them to go out.

Friends, if you are unknown, there is no other way to get your book out there. There is no other way.

Most of us are doing the, “La la la la I can’t hear you!” thing when I say this. But, tell me, how else does that reader in Peoria find you?

I interacted with a young author the other day whose horror novel won some book award. I asked her, “Have you posted that on the FB horror reading groups?”

“No,” she replied to me in the women’s writers group. “Those groups are fake, so I don’t waste my time.”

They most certianly are not fake, and if you’re writing horror, you oughta be on them. If you’re writing poetry or short form, are you looking for groups where people are reading those books? And the people in the women’s writers group are not buying her book, because they want to sell their book, not buy hers, but all of them are pitching to the wrong damn audience.

I am so very sorry to need to be the one who tells you Santa ain’t real.

In my experience coaching and attempting to help so many authors, from the ones I taught in college to the ones in that womens’ group, to the ones I publish in Instant Noodles, and on up, authors spend their free time writing their next book or story or poem, and then work their jobs, interact with their families, have some down time, etc. But small business owners never stop. They ask you to buy their newest T-shirt, or their revolutionary toilet paper, or come into their small shop, every single day, and they work overtime if they need to, to get it done.

If you’re a hobbiest writer, enjoy! If you want to go pro… you need to put in the practice hours, which, for this, are posting.

So sing it with me!

I post it here; I post it there: on Instagram, and everywhere! I promise I’ll keep posting ’till my fingertips go numb ’cause I’m a dedicated author of my books. Oh yes I is! Oh yes I is! Oh yes I is! Oh yes I is! And nothing can stop me, and my blog will not go mum ’cause I’m a dedicted author of my books. ‘Cause I’m a dedicted author of my books. ‘Cause I’m a dedicted author of my books!!! Ba-da-da!

🙂

Keep posting! You can do it!

Celebrate National Poetry Month: Read a Poem a Day!

Published on by gilliampoet2 Comments

April is National Poetry Month, which makes it a great time to enjoy the beauty and power of words! Whether you love poetry or are just starting to explore it, reading a poem each day is a wonderful way to celebrate the art of the poem.

Why Read a Poem a Day?

Poetry helps us express feelings, tell stories, and learn new words. Reading one poem a day can:

  • Improve Reading Skills – Poems use creative language that helps build vocabulary and understanding.
  • Inspire Creativity – Poetry makes us think in new ways and see the world differently.
  • Help You Relax – The rhythm and emotions in poetry can be calming and enjoyable.
  • Grow Empathy – Poems share different experiences and feelings, helping us understand others better.

Easy Ways to Add Poetry to Your Day

  1. Start Your Morning with a Poem – Read a short poem to begin your day with inspiration.
  2. Read Poetry with Friends and Family – Share a poem out loud and talk about it together.
  3. Use Online Poetry Resources – Websites like Poets.org and Poetry Foundation offer daily poems.
  4. Write About What You Read – Keep a journal to jot down thoughts or even try writing your own poems!

Poets and other resources to Check Out

If you’re not sure where to start, here are some poets you might enjoy:

Join the Fun!

National Poetry Month is the perfect time to enjoy poetry. Challenge yourself to read a poem each day, share your favorites, or even try writing your own! Celebrate the power of poetry—one poem at a time.

What’s your favorite poem? Share it in the comments below!

The Joy of Writing and Reading: A Personal Reflection

Published on by Nadja MarilLeave a comment

By Old Scratch Collective member Nadja Maril

I love words and sentences, writing them. I also love reading something really good. So, part of my day circles around writing and revising. Another part is reserved for reading.

If your desire is that each piece of writing you create is superior to its predecessor, then it’s a good idea to read other writer’s creations. We learn what we like and what we don’t like by reading the work of others. Experiencing through someone else’s words can give us the opportunity to learn new ways of approaching an essay, poem, or story.

Reading to write because writers are part of human expression.
Those five little earrings could represent the various framents of the essay that focuses on what we hear or don’t.

First thing this morning, I clicked on a link provided by the literary magazine, Sweet. A Literary Confection that was titled “In My Head: Tinnitus” by Marcia Aldrich which the editors have nominated for the 2023 “Best of the Net.” I liked the way Aldrich broke the essay into very short sections. This type of CNF essay is called a fragmented essay, specifically in this case, a narrative mosaic because all the sections were directly linked to the topic of Tinnitus, but all approached the word/ the subject/ the experience from different vantage points. Here is the link if you’d like to read it.

Next I read the under 250 word CNF essay  from Riverteeth’s weekly newsletter Beautiful Things titled  “Sugar in the Evening” by Jennifer Anderson. Deceptively simple. it resonates. I don’t necessarily like every weekly Beautiful Things selection, but this one is truly a gem. To read it click here.

Finally, to round out the morning, before I started revising a story of my own, I clicked to read some poems in Sunlight Press capturing a sense of nostalgia and the delight of movement by Alfred Fournier. You can click to read them here.

Evenings and Sunday afternoons are for “hard copy.” I love a book that pulls me in and keeps me guessing. I never want to be able to confidently predict where the plot is heading. So I’d like to recommend The Great Circle, published in 2021 by Maggie Shipstead, a Booker Prize finalist.

A very long novel (655 pages) I was lucky enough to pick up in one of the several Little Free Libraries in my neighborhood, it is both entertaining and instructive to fellow novelists in approach and structure. I try very hard not to read multiple books by the same author in an effort to “meet on the page” more writers and I’d already read Seating Arrangements, but I am so happy I did make an exception and grab that almost new paperback.  This novel is far superior to Shipstead’s previous work in that it adds multiple layers of time, place and setting to a compelling storyline.

Comprised of two narrative arcs, The Great Circle tells the story of a pioneering female aviator, Marian Graves, born in 1914, who wants to be the first to circumnavigate the globe by flying over both the North and South Poles.  The second storyline focuses on actress Hadley Baxter who is chosen to play the role of Marian in a Hollywood movie produced in 2014.

The 20th century narrative is told in third person, and while it primarily focuses on Marian’s life it also tells the story of her twin brother Jamie, and the role women aviators played in World War II. The 2lst century narrative is told in the first-person voice of Hadley.

As to what happens, I’ll leave it to you the reader to discover first-hand. Enjoy and keep reading, whether it is long or short, on paper or on your phone.  And yes, I listen to stories as well. My most recent listen was Companion Piece by Ali Smith, a melding of reality and splendid storytelling.

Here is CNF piece written and read by me nominated for “Best of the Net” ,”REBOOT” in Instant Noodles. While you are on the site, you might as well enjoy the rest of the issue– some great Spring inspired stories and poems. The next theme “word” for the autumn issue is Sanctuary followed for the Holiday 2025/26 issue by Gravy.

Thank you for reading and don’t forget to sign up to follow us on Facebook.

Unlocking Your Writing Through Movement

Published on by Ellis Elliott2 Comments

In high school I watched the clock in last period, because I knew as soon as the bell rang I was heading straight to dance class, and all the teen angst and hormonal folderal of the day would be disappear once I got there.

I’ve taught dance for over forty years now, and that was the beginning of a lifetime of learning how the mind/body connection affects my creativity and well-being.

We’re taught early on that writing is supposed to come from the neck up—brain first, fingers second. We believe the words live in our head. But I’ve come to understand this: the stories I care about—the ones that ache and sing—live in my body. And if I want to write them honestly, I have to move.

Movement Makes Space for Story

When I’m stuck on a line in a poem or in a scene, walking often is my default means to address it. It might just be a walk around the block that allows my shoulders to drop and my breath to even out.

There’s something about the gentle rhythm of walking—or swaying, or stretching—that stirs the sediment at the bottom of the creative well. It shakes loose a phrase, a memory, an emotion I hadn’t thought to name.

We say “I’m working it out,” and often we mean emotionally—but there’s a physical truth there, too.

“ But I do believe very strongly that the best poetry is rooted in bodily experience. We experience reality through our bodies and senses, and truth, to the extent that it is apprehensible.”      -Poet Rebecca Foust

The Dance Between Emotion and Motion

As someone who grew up dancing, I know I carry emotion in my body, and in order to gain access I have to move. In order for the reader to feel what I am writing about, I must first feel it myself, and that is not going to happen if I stay entirely in my head.

Movement helps me feel it. And when it’s a big feeling—grief, rage, shame, heartbreak—moving my body helps metabolize it. When we experience trauma or hold strong emotions, our bodies remember. They contract around those memories. Notice how we hold our breath or the body tenses up. If we don’t move them, we risk writing around the truth instead of into it. And I don’t have to run a marathon or take up kickboxing. I can simply take a deep breath, raise and lower my arms a few times, twist gently side to side–all in my deskchair.

Moving lets the emotion pass through me so it can move onto the page.
Otherwise, it stays stuck in the pipes.

Stillness Is Its Own Kind of Movement

Sometimes, the writing calls for the opposite.
Stillness. Not scrolling or skimming or daydreaming—but deliberate, open stillness.
The kind that invites something deeper in. The kind that looks like staring out the window.

This is the space where I can hear the quieter parts of my story—the voice of a child I’d forgotten to listen to, or the image I saw in a dream but brushed off. Lying still and staring at the ceiling can be just as powerful as dancing. For me, it is my meditation practice. It’s all part of the same body-based practice.

Final Thought: You Are the Instrument
Your body is not a machine that carries your brain to your desk.
I tell my students of both writing and dance that the body is an instrument that vibrates with memory, story, longing, and truth.
When you write from your whole body, your work carries a different kind of resonance.
So move.
Let the story or poem move with you.
And then write like your body remembers something your mind forgot.

Click this link for a quick 5-minute seated stretch to get the body moving and the words flowing: https://youtu.be/n0VlNd3nLFw


Ellis Elliott
Bewilderness Writing
https://bewildernesswriting.com/
Old Scratch Press Founding Member
https://oldscratchpress.com/
Author: Break in the Field poetry collection
and A Fire Circle Mystery: A Witch Awakens coming this May

The Joy of Sharing Poetry in Adult Reading Groups

Published on by gilliampoetLeave a comment
Photo by Bade Saba: https://www.pexels.com/photo/a-woman-holding-an-open-book-with-seeds-in-it-15936115/

There are so many groups centered around the craft of writing, and book groups can be found at every local library, but what about those who enjoy poetry? Groups centered around poetry can help us tune out the digital noise of this fast-paced world and focus on the beauty and wonder that can be captured in a poem. Adult reading groups (even those that don’t focus on poetry!) provide a meaningful space for connection, reflection, and creativity, which can be hard to find these days. 

I recently received an invitation to be a guest speaker at a local poetry gathering. The meeting coordinator asked that I share not just my writing process, but what inspired each piece. We had a conversation between each poem where group members shared how the poem resonated with them and personal experiences they saw reflected in the poem. It was an open, engaging conversation that I’ve never experienced at other readings I’ve done. This group is accustomed to sharing poems with each other and closely reading them together (though often they aren’t poems written by any members of the group). I’m hoping to join more meetings in the future to participate in the discussions they have about other poets’ work.

Why Poetry?

Poetry has a unique ability to distill deep emotions and complex ideas into a few powerful lines. Unlike traditional book clubs that focus on lengthy narratives, poetry groups embrace the power of brevity and rhythm, allowing for rich discussions within a short span of time. Reading a poem is less of a time commitment than an entire novel. Whether exploring classic poets like Emily Dickinson and Rumi or contemporary voices such as Amanda Gorman and Ocean Vuong, these groups celebrate the diverse perspectives poetry offers. Close readings of poetry can also allow us to focus on the beauty of the language itself.

Benefits of Poetry Reading Groups

1. Help People Connect Emotionally

Poetry allows people to express their feelings and thoughts. Reading and talking about poems in a group helps members open up, relate to each other, and feel supported.

2. Encourage Creativity

Being part of a poetry group can inspire people to write their own poems. Whether they try writing on their own or share their work with the group, they get a chance to be creative and hear helpful feedback. However, the creative spark might extend beyond writing. One of the group members today brought up that she is a painter and is sometimes inspired to make art. Ekphrastic poems are inspired by visual art, but that inspiration can go both ways!

3. Improve Listening and Thinking Skills

Poetry can be deep and full of hidden meanings. When people read poetry together, they practice listening carefully and thinking about different interpretations, helping them see new perspectives.

4. Create a Sense of Community

Sharing poetry helps people feel connected. Whether meeting in person or online, poetry groups provide a friendly and welcoming space where people can relax, share ideas, and enjoy meaningful conversations.

How to Start or Join a Poetry Reading Group

  • Find a Local or Online Group: Many libraries, bookstores, and community centers host poetry groups. If you prefer a virtual option, platforms like Meetup and Facebook often feature online poetry discussions.
  • Select a Theme or Poet: Each session can focus on a specific poet, theme (e.g., love, nature, resilience), or poetic form (e.g., haiku, sonnets, free verse) to guide discussions.
  • Encourage Participation: Allow members to bring their favorite poems or share their own work.
  • Create a Welcoming Atmosphere: Set the tone for an inclusive and respectful dialogue where all voices are valued and diverse perspectives are celebrated. Also, snacks are always a crowd pleaser!

Final Thoughts

Poetry reading groups offer more than just literary discussion—they provide a space for connection, inspiration, and personal growth. Whether you’re an avid poetry lover or a newcomer to verse, joining a poetry group can open new doors to creative expression and meaningful relationships.

Do you participate in a poetry reading group? Share your experiences or favorite poems in the comments below!

Here is a link for one of my favorite poems submitted last year to Instant Noodles. We liked it so much, we nominated it for an award. THINGS THAT SOUND LIKE GUNSHOTS ~ Michelle Meyer

Why Prose Writers Should Make Reading Poetry a Daily Habit

Published on by virginiawattsLeave a comment

Many writers, including myself, write both prose and poetry. For me, it just depends on the subject matter as to which form I choose. Many writers begin with one form of writing and evolve to another. There are some writers who begin in one genre and stay there. In the end of the day, our paths are different, but we are all writers, and all writers want to tell a story. We want readers to feel something, experience something, remember something. We want them to leave us changed in some small way. Even if you don’t want to learn about the craft of poetry in a formal way, as in attending workshops, just reading a few poems a day will improve your prose writing in ways that will surprise you. 

Poetry as a form succeeds on bold, visual imagery, exact information from all the senses. This is how the reader enters the poem and lives inside it for a brief time. By reading lines of poetry, prose writers will also experience and come to understand why rhythm matters. There is great impact when rhythm is found in sentences and phrases.

One of the defining benefits of studying and writing poetry for me as a prose writer has been that in poetry more than any other genre, each and every word must do work, and I mean each and every word. Poets take time and great care choosing words and prose writers, if you want to be your best, you should be doing that as well, but it takes practice. Read Hemingway again to see why this matters. 

Poetry has the same elements as prose writing, such as characterization and narrative arc, but it contains more unexpected phrases, surprises and turns that send readers in directions they didn’t expect. This is often missing from prose writing, and it shouldn’t be. Additionally, poetry teaches us about pace. How long lines with no punctuation slow the reader down. How a short line placed just right can then really pack a punch. 

Prose writers can also use traditional poetry techniques to enhance their narratives such as assonance, linking words with similar vowel sounds. Using words in this way can produce a desired effect on the reader such as a calming effect as if listening to music. 

My greatest lesson and take away as a prose writer who reads poetry every single day is that endings are so incredibly important. When you read enough good poems, you’ll see what I mean. And stories, like poems, deserve the best endings possible. This is something to strive for. 

So, you want to be a good prose writer? Then read poetry. Simple as that. Poetry teaches us all how to use our language. Poetry teaches how to describe. Poetry demonstrates mood, voice, momentum in unexpected ways. We all want the same thing. To tell the story we want to tell in the best way we can. Reading poetry will help us learn to do that. 

There are many good online literary journals where you can read poems: Narrative Magazine, Agni, Carve, Rattle, 32 Poems, A Public Space, Apple Valley Review, Evergreen Review, The Cortland Review, Waxwing, Pigeon Pages, Cleaver Magazine, Able Muse. 

You can also sign up to receive daily poems from: Rattle, Your Daily Poem, Poem-a-Day, Poetry Daily, Poem of the Day. All these are free as is the wonderful podcast written and hosted by one of my favorite poets Padraig O Tuama: Poetry Unbound. I would also highly recommend Padraig’s wonderful book: 50 Poems to Open Your World.  

Happy Reading!  

~Ginny

Virginia Watts has been fortunate to have published nearly 100 pieces in literary magazines including CRAFT, The Florida Review, Reed Magazine, Pithead Chapel, Permafrost Magazine, Broadkill Review, Two Thirds North, Hawaii Pacific Review, Sky Island Journal, Eastern Iowa Review, Evening Star Review and Streetlight Magazine. Nominated four times for a Pushcart Prize and four times for Best of the Net, in 2019, Watts won The Florida Review Meek Award in nonfiction.

Her poetry chapbooks The Werewolves of Elk Creek 

and Shot Full of Holes are available from Moonstone Press. Her debut short story collection Echoes from the Hocker House is available on Amazon.

Lost Words, Found Poetry

Published on by Ellis ElliottLeave a comment

Sometimes words are hard to find. Like now, for me, when the words and feelings are so big they look like a giant ball of yarn; overwhelming and untangle-able. 

That is when I find my words elsewhere. It might be “black-out poetry”, like the one made from my poetry submissions rejection letter collection. Or, it might be from refrigerator word magnets. Or, it might be from headlines in the New York Times. Opportunities abound and are yours for the taking. “Found Poetry”, which I first thought of as just weird, is actually quite fun. So, what is “found poetry”, anyway?

Found poetry is a literary collage, crafted by selecting and rearranging words from other sources to create something fresh and meaningful. Blackout poetry, cento, erasure poetry, and cut-up techniques are all ways to engage with found poetry. Not only is it a great exercise in close reading and creativity, but it can also be a meditative way to reconnect with language when traditional writing feels out of reach.

 How to Create Found Poetry

  1. Gather Your Source Material – This could be an old book, a newspaper, a diary entry, or any text that speaks to you.
  2. Highlight Interesting Phrases – Look for unexpected word combinations, evocative imagery, or intriguing snippets of text.
  3. Rearrange and Shape – Remove, rearrange, and add punctuation to shape the poem into something that feels complete.
  4. Experiment with Form – Try blackout poetry (blotting out words with ink), centos (poems composed of lines from other works), or even digital found poetry using search engine results.

Literary Journals That Accept Found Poetry

If you’ve crafted a found poem that feels right, consider submitting it to a literary journal. Here are a few that welcome found poetry:

  • The Found Poetry Review – Dedicated to publishing only found poetry (currently on hiatus, but their archives are rich with inspiration).
  • Diode Poetry Journal – Occasionally publishes found poetry alongside traditional forms.
  • River Teeth: Beautiful Things – Accepts short, poetic nonfiction, including experimental found forms.
  • The Indianapolis Review – A journal that appreciates erasure poetry and visual found poetry.
  • Pangyrus – Open to hybrid and experimental poetry forms, including found poetry.
  • Entropy (Closed, but check for archives) – Previously published a variety of found and hybrid poetic works.
  • Fence – Open to experimental poetry, including found forms.

If you’re feeling stuck in your writing practice, found poetry offers a playful and rewarding way to engage with language. Whether you keep your found poems private or submit them for publication, the process itself can rekindle your creative spark, or even maybe begin to gently loosen your own giant yarnball.  

(Black-Out Poem written from one of my rejection letters)

Have you tried writing found poetry before? Share your favorite sources of inspiration in the comments!

Ellis Elliott

bewildernesswriting.com

Creative Valentine’s Day Collage Poems

Published on by Nadja MarilLeave a comment

By Nadja Maril, a Founding Member of the Old Scratch Short Form and Poetry Collective

February is Valentine’s Day month. Instead of trying to send everyone Christmas and New Year’s cards, I like to surprise friends with Valentine’s Day cards. My handmade cards feature words as well as images. So why call them cards at all? They are actually Visual Poems. And because they are made from bits and pieces of collected words, colored paper and illustrations glued onto paper, they are also Collage Poems.

Try it. Once you created a few, you may become hooked. Many artists gravitate towards working in more than one medium. Visual art and poetry work well together. If you desire to be published, a market exists for creative work which combines the two mediums of visual art and words. I will providea list of publications at the end of this article. But first, let’s get started with a little inspiration.

Assembling the materials is part of the fun.

Valentine’s Day Origins

The name Valentine comes from Saint Valentine, and there are three men who are recognized as Saints by the Catholic Church. The most popular Valentine story, according to my research, is the one about the priest who performed secret marriages in opposition to Emperor Claudius II who ordered that all his soldiers remain single. Who the actual St. Valentine was is open to debate.  Maybe February 14th is the approximate date of one of the martyred  St. Valentines’ funerals, but it is remarkably close to the Roman fertility festival Lupercalia, once celebrated on the Ides of February ( February 15th).  In some Roman villages it is said that young men and women were matched up as lovers for a year in an effort to produce more children. A day that honored love and passion, in England and France February 14thwas the start of the birds’ mating season. 

The tradition of exchanging cards and love tokens is thought to begin in the middle of the 18th century. By the 19th century, the mass production of printed cards made Valentines’ cards even more popular. Gloves and handkerchiefs were two personal items lovers often gave to one another during the Victorian era. Flowers—pressed or fresh, as well as lines of verse given to our Valentine follow the romantic tradition of conveying ardor for those we adore. 

Collage Poem by Nadja Maril. This collage takes lines from several well-known poems and integrates them into a collage of images and shapes connected to love.

Collage

The word collage comes from the French verb coller, meaning to paste or glue. In visual art, a collage is comprised of pieces of paper, cloth or other gathered materials arranged and permanently attached to a surface. Old photos, advertising flyers, ticket stubs, magazine illustrations; are some typical collage materials. As a teenager I’d collect shells, dried seaweed, bits of sea glass to glue on to a flat piece of weathered wood; another type of collage. Whether you use buttons, lace, tissue paper, bits of colored plastic, feathers or fur- the possibilities really are infinite.

Now, think of a collage of words. Instead of collecting physical items collect words, phrases, entire articles that resonate with you. While modernist artists in the early 20th century were creating collages of shapes and colors, Avant-garde groups that included Surrealists and Dadaists took the form to another level by including language. Tristan Tzara famously advocated a “cut-up” method of composition, involving cutting out words from a newspaper and pulling them out of a hat to create a poem. Whether you take excerpts from a political speech, a nursery rhyme or a popular song, by incorporating a medley of sources you are creating a collage poem.

Take another step to combine a visual collage with a literary collage and you have a hybrid, a poem that provides a visual and verbal experience. Whether you want to call it a collage poem, a merging of two art forms or an awesome Valentine’s Day Card—that’s up to you.

Publications that Publish Work that Combine Images and Words

These are just a few to get you started.

A Velvet Giant

https://www.avelvetgiant.com/

ctrl +v

https://www.ctrlvjournal.com/

Diagram

https://thediagram.com/

Dream Pop Journal

https://www.dreampoppress.net/

Ghost Proposal

https://ghostproposal.com/

Instant Noodles Literary Review

Submission Guidelines

The Offing

https://theoffingmag.com/

Timber

https://timberjournal.org/

If you need a different sort of Valentine’s Day gift, not the typical candy or flowers, considering purchasing a poetry chapbook and sending it to a friend. At Old Scratch Press we have published five chapbooks thus far, all under $9, with more to come.  Take some time out of your day for some quiet reflection and share the love. Whoever started the idea of a day celebrating our connection to one another, let’s try and keep it going.

Nadja Maril is the author of Recipes from my Garden, Old Scratch Press, September 2024. Nadja Maril’s short stories, poems and essays have been published in dozens of small online and print literary journals and anthologies including: Lunch Ticket, Spry Literary Journal, Invisible City Literary Review, and The Journal of Compressed Creative Arts.She has an MFA in creative writing from Stonecoast at USM. A former newspaper columnist and magazine editor, she writes a weekly blog and you can visit her website at www.Nadjamaril.com.

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Exploring Floetry: The Fusion of Fiction and Poetry.

Published on by rdfauthor2 Comments

By R. David Fulcher, Founding Member of the Old Scratch Press Poetry and Short Form Collective

Floetry (my definition) a written form of expression combining fiction and poetry.

It is uncommon, but not unheard of, for writers to embrace both fiction and poetry. As one of the writers in this category, I often wonder if this is a benefit or a detriment. To a purist, being competent in both could perhaps mean I’m a master of neither, to echo the old saying “jack of all trades, master of none”.  

More recently, I’ve decided being fluent in both fiction and poetry is a definite advantage. To begin with, several of the masters of speculative fiction integrate poetry into their work to great effect.  Consider these lines of from Stephen King’s novel The Tommyknockers:

Last night

And the night before,

Tommyknockers, Tommyknockers

Knocking at my door.

And these lines from Ray Bradbury’s novel Something Wicked This Way Comes:

By the pricking of my thumb,

Something wicked this way comes.

These are by no means the only examples.  Dean Koontz dives into poetic verse within his many novels, and it can be argued that the fantasy writings of the Irish writer and dramatist Lord Dunsany (a possible influencer or JRR Tolkien, discover more here) read more like poetry rather than prose.

Therefore, having made the case for “floetry”, how do I employ it?  Primarily I interweave poetry into my prose in two ways:

  1. As bookends to start and end my books, with the remainder of the book being fiction, and
  2. Injected directly into the middle of a story

Case 1: Bookends

I employ the bookend strategy in my two my recents books, The Pumpkin King and Other Tales of Terror and Asteroid 6 and Other Tales of Cosmic Horror.  I’ll provide an example of each.

The Pumpkin King and Other Tales of Terror starts with my poem “Eulogy to E.A. Poe”:

Man of dark musings and opiate visions! 

Mind of pits and rats,  

Black cats and ancestral corpses!  

How is it that love sparkled within those dark recesses,  Like diamonds within a bedrock of obsidian—  That verse sprang from that ebony hand,  

As vibrant and unlikely as lilacs from snow?  

Tales of cities under the sea,  

Of waves weeping softly, “Annabel Lee!”  

Did the bells, the bells, the bells, foretell of your demise,  Or was it borne on Raven’s wings, thus falling from the sky?  

Could it be that your last vision was your brightest?  

Oh, soul of all that is night,  

Inspire my pen to wail and to write. 

In a similar fashion, my book Asteroid 6 and Other Tales of Cosmic Horror starts with the poem “The Outer Reaches of Unknown Kadaath” (Kadaath is a reference to the works of H.P. Lovecraft):

Who would’ve thought

That H.P. was right

The Old Ones they beckon

Through the nebular night

Those in suspension

Suffocate in sleep

Yog-Sothoth promised

His secret to keep

The terminals flicker

The life support hums

The engines propel me

From the touch of our sun

Soon I will sleep,

Dreaming of the Mountains of Madness and the door

behind the Silver Key

The end of mankind to be unlocked—

By one spaceship and me

Case 2: Direct Injection

In my story “The Faerie Lights” within my book The Lighthouse at Montauk Point and Other Stories I start off with prose, and very quickly inject a poem into the tale:

Rest awhile, friend, for it is clear that you have walked far over hill and valley, and penetrated the wild and strange woods, to have happened upon this long-preserved manuscript beneath the moss-covered rocks.

I came upon this very spot, perhaps many years ago now, as just a lad. Here I took my respite, beckoned by a fair breeze sweeping over the verdant fields and a song sung in dulcet tones far sweeter than any produced by mortal throats. I was weary from hiking many miles, and my body eagerly fell into a deep sleep.

A song floated over my consciousness, sung by a thousand child-like voices:

Weary traveler,

Rest your head,

And sleep awhile

Where the faeries tread.

Weary traveler,

Laugh in kind,

And take deep draughts

Of faerie wine.

Weary traveler,

Spend the night,

Follow the trail

Of the faerie lights!

Additional stanzas of poetry are injected into other parts of the tale, with the intent of lulling the reader into a sleepy, dream-like state.

Final Thoughts

So there you have it – a brief introduction into the concept of “floetry” with several examples of usage.

What do you think?

Can poetry and prose peacefully coexist on the same page? 

Please leave your thoughts in the comments!

Thanks for reading,

-R. David Fulcher, Old Scratch Press Founding Member

BIO: https://rdavidfulcher.com/about/

R. David Fulcher’s latest book is Asteroid 6 and Other Tales of Cosmic Horror

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