Sometimes Being a Witness Is All You Can Do

Picture courtesy Eric Cruz Lopez

I live in Los Angeles, and it’s been a little bit unnerving to see what is on the news about us. 

When I first moved to Los Angeles I lived in Venice Beach, on the Westside, by the Pacific Ocean. Venice Beach is beautiful, and weird, and has been heavily gentrified even since I lived there, and is now almost evenly split between people living in three million dollar homes, and people living in tents. It’s a problem on both ends of that financial situation. Of course, can you imagine being homeless? You would pitch a tent in a minute if you could, and you would definitely want to be in a temperate climate where people were laid-back, and where there were a lot of other people just like you around, to make you feel less obvious, and safer. I watched a video just yesterday about people who have chosen to live in vehicles (cars, campers) not in Venice Beach, but in the USA, and how they (being very digital) will meet up and hang out in different free camping areas to have a community. And why would people without homes be any different?

Los Angeles has a homeless, or unhoused, people problem. 

Los Angeles, and all of Southern California, has a lot of immigrants. Many of them are legal immigrants, some are illegal. Some are only here for work. Many want to get enough money through work here to send home to family in order to eventually rejoin family. I have met many people with that plan from Asian countries and countries south of the USA. Those folks are not wanting to live here forever. They’re trying to make enough money that everyone can live well, back home. But there is no mechanism for that of any workable consequence here in the USA. The visas for work are not for waiters and day laborers. The visas for work are for IT people and doctors, that sort of person. In Los Angeles we know that the Uber driver, the waiter, the grass cutter, is probably not here legally, and not intending to stay. We get it, and I think, for the most part, we’re happy to have the low-cost help.

Then there are other people who want to stay: people who came here fleeing violence, people who came here as babies and have only known here, people who came here as students and experienced so much prosperity and freedom compared to life back home that they don’t want to go back. As Americans we cannot really understand how different life can be, especially for the very poor, and women in general, in other countries, even countries like China or India that we might see as very western. When we were in China (my husband Dave and I) to adopt our daughter in 2009 we met our daughter at our hotel, a huge, lovely hotel, about twenty floors or so, and absolutely where the wealthy and foreigners stayed. As soon as my daughter was placed in my arms I lost the ability to sleep, and so I spent the long nights in the hotel hanging out in the bathroom, so I didn’t wake up Dave and daughter, and it had a floor to ceiling glass window next to the shower, and I could see right down the main street of Nanchang. Next to us was another tall building, and each balcony had laundry and sausages hanging off of it. And if we were on flour fourteen of the hotel, it was probably floor eleven of the apartment building that was completely blown out. I don’t know what had happened there, but it was rubble like you might see in a Tom Cruise movie. And above it, and below it, the balconies had laundry and sausages hanging. Rain or dry, explosion, crumbled concrete or not, the balconies had laundry and sausages hanging. And on the streets, during the day, scores of people stood over lit barrels boiling eggs to sell, any kind of egg you could possibly want: quail, chicken, duck, and probably more I am too American to think of. The eggs came in all shapes and sizes, and the egg vendors huddled over the steamy pots trying to stay warm. 

When we went into Nanchang from the airport we started first driving (in the passenger van with the other parents) through marsh, wetlands, dark and stinky, Then the marsh started having bits of high and dry land, and as soon as those appeared, there were tents and carboard shacks on them: people were living there. And as we progressed on (it was a long drive from the airport) there were more shacks. As the land got more livable the shacks got a little bigger, and then there were small villages with tiny crumbling houses, and then towns, and finally cities, and Nanchang was a huge city with underpasses and overpasses and pedestrian tunnels due to there being too much traffic on the eight-lane streets for people to cross safely. And in Nanchang the people lived stacked up twenty stories high in little efficiency apartments where their clothes and their dinner hung outside in the high breeze all year long, hot, cold, wet, dry, frozen or not. In Nanchang the city was so full and so busy that even at three in the morning there was a constant cacophony of car horns blaring below me, way below, fourteen stories below, in the street. The noise was significant, even up as high as I was. It was bumper to bumper car lights all night long. The bathtub in my bathroom was deep, and the hot water was endless, and I could soak and secretly watch the entire world below, all night long as I worried I was going to suck as a parent.

The day after we got our daughter we took the van across the street. The street was so large and so busy we had to take the van to safely get across, and we went to the “adopt your child here” building, which was easily fifteen stories high itself. I remember my ears popping as we rode the elevator up. When we got to the “this is where you give the boxed ginseng from Pennsylvania and sign the forms” floor we got off. It was freezing cold on that floor, and there were no electric lights turned on, so it was fairly dim, on a rainy forty degrees day, as we dipped our thumbs in red ink and signed our papers severing our child from one nation and attaching her to another. Each clerk we dealt with was wearing a winter coat and gloves with the fingertips cut out, over their business suits. I felt, in all honesty, both so lucky, and also that I had saved my tiny daughter from a hard life.

Dave and I ate Chinese food (of course we did) eagerly and with relish the whole time we were there, but there was one afternoon where I had been dragging Dave and our baby daughter exploring around, that we were just tired, and we went to a McDonalds in an eight-story shopping mall. I remember it was elevators only, and people were always waiting, and they would literally leap over you to get in. I think we waited at least three times to get on. When we got off and made our way to the McDonalds the line was about two blocks from the restaurant door. It moved quickly, and as we went inside I saw that they had the tables McDonalds had had when I was a kid, like cafeteria tables with immovable swivel chairs attached. Each chair had three people sitting on it. Let that sink in. One small hard plastic swivel chair, and three butts. Yes, butts in China are very much smaller than in the USA, and that tells you something right there that has nothing to do with genetics.

I remember when all of us (all across the world) who had submitted our paperwork in March of 2005 were talking in a Yahoo group about everything China-adoption related. It was common for people from the same month to design a t-shirt to wear in China so that they could spot each other (as if white people with Asian babies wasn’t enough of a clue). And I remember a whole passel of American members got up in arms because our group wanted a rainbow on the shirt, and those up in arms didn’t because they did not want to be associated with anything “gay.” And I remember thinking, in that moment, as if a lightning bolt had hit me, You may have been able to check a box for a gender preference, but even that wasn’t a guarantee, and what if your child turns out gay? Are you not open to whoever your child turns out to be? It wasn’t the first or last time the adoption process has taught me lessons about how little control I have in life. But what really hit me then was how it made me view those parents-to-be both as dumb, and unkind. 

If you have not experienced life in a place with real poverty, you cannot imagine what people would do to get their families out of it.  Could you sit all day in the cold, trying to sell your steaming eggs alongside hundreds of other people steaming eggs, baby tied to your back, little dog on a newspaper on the ground, everyone trying to stay warm and have enough to eat?

Los Angeles is okay, folks. It’s fine today, and it was fine last week, even with the homeless and all the immigrants of varying status. It’s actually a place where, rich or impoverished, people are generally in a good mood and kind and a heck of a lot more pleasant than my Philly neighbors used to be. (No disrespect Philly; you’re a great town, and you have your reasons.) We’re not bothered by immigrants at all. We are bothered, in many different ways, by some homes costing three million and some homes being cardboard shacks like in the marsh in China. But the current administration is not helping us with either of those problems. And it is potentially creating a lot more that we don’t need or deserve simply because most of us in this county voted for the Black woman. 

But in this moment, what difference can I make? What can I do to help? 

It is another hard lesson to learn that sometimes the only thing to do is to witness, to see, and to report back, honestly, on what you saw. There are many things that feel out of control right now, and many that you, also, probably want to stop, even if your list isn’t the same as mine. Take a picture, with your phone, camera, or mind, and share it. Write it down, make a picture with your words. Share it, and accept other people’s experiences too. You’re not playing fair if yours are the only right ones. 

The reason I wrote this post is not because of what is happening in Los Angeles, actually. It is because my fellow member and friend Nadja shared The Gaza Poets Society Substack with me. When Hamas kidnapped those people from Israel it hit me in the heart. I’m of an age that indicates that I, and my fellow kids of the 70s and 80s, were raised on The Diary of Anne Frank as a big thing in school, and I went on, as a child, to order many other Holocaust-related books from the Scholastic catalogue. I read so many that I sometimes couldn’t sleep as I tried to plan how I would help my family escape from the Nazis (and I’m not Jewish by nationality or religion). And the first book I edited professionally was a Holocaust memoir. I just felt that Jewish people needed a place to be safe from the rest of us, and the kidnappings in 2023 underlined that. 

But in college I read an interview with Yassar Arafat that changed how I thought about Palestinians. Though I still felt that Jewish people needed a place to be safe, I began to see that Palestinians also needed a place. Since the kidnappings happened in 2023, it’s been hard to watch the fallout. But, like the administration sending Marines we don’t need to Los Angeles to try and break it, there doesn’t seem to be much I can do about what the kidnappings unleashed.

Still it is important to know, to witness, to not turn your eyes away from something because it’s intractable, no matter what you think or feel is truth. And so I wanted to find a way, in this post, to share that Substack with you. The poetry is both well-written and moving. And as all writers share the feeling of “writing into the void,” I think the one thing we could give them is eyes on the page. It doesn’t mean we turn our back on one group for another. It does mean we take a look at all that is going on in the world of poetry. People in the USA often say, in the years since 2016, that not everything is political. But that is not true by a long shot. There is a reason some people in China shiver in a cardboard house in a marsh and some shiver next to a pot of boiling eggs in an actual metropolis. There is a reason why some people died of Covid and others did not. And in the USA, where most of us in this group are, the people in the nation do not (as a sweeping generalization, of course: so many shades of grey) easily understand how dangerous and revolutionary poetry often is in the rest of the world. Revolutionary precisely because it is a way of witnessing. 

It seems not at all odd, to me, to hear that bombs are falling in Gaza, to see it on the news. Sadly it doesn’t shock me at all. But it does shock me to hear that there has been a mass shooting in Austria, and it does shock me to see that Marines are in downtown Los Angeles. It’s a matter of degree, of what narratives and images we are accustomed to versus those we are not. 

As for what you see on the news, that’s not what I’m experiencing here, though I can hear helicopters for twenty-four hours now. It would take me about an hour, in good traffic, to get to where the news is taking its pictures, and it’s important to understand there is no one photo that can give you a true picture of all of Los Angeles. Can you imagine that it might be the same in other parts of the country and the world too?

Keep your spirits up, however you can. My recipe is potato chips, coffee, crosswords, and walking the dog. Check out the poetry on The Gaza Poets Society Substack. And don’t stop witnessing.

Celebrating Pride Month Through Reading

June is Pride Month! It’s a time to recognize and celebrate people in the LGBTQ+ community. Pride Month is about love, acceptance, and being proud of who you are. One great way to celebrate is by reading books that share LGBTQ+ voices and stories.

Books help us understand each other. For LGBTQ+ people, reading stories with characters like them can help them feel seen and accepted. For others, reading these stories builds empathy and helps us learn more about people who may be different from us.

Books can also teach us about LGBTQ+ history, struggles, and victories. Reading is a powerful way to show support during Pride Month, especially when you buy books written by LGBTQ+ authors.

If you’re looking to add some pride to your bookshelf, we have two authors at Old Scratch Press who recently published books of poetry that would be great additions to your to-be-read list!

On May 1, Morgan was awarded Second Place in the Delaware Press Association Communications Awards for her book, The Song of North Mountain which was released by Old Scratch Press in May 2024. Not only did Morgan write the poems in this collection, she also did the interior artwork and illustrated the book’s cover. North Mountain is part of a 55-mile mountain ridge in the northern Shenandoah Valley in Virginia. Morgan says her collection of poems is a love song to that ridge.

Here is her poem, Ghost Light, which won also won Second Place in the DPAC Awards in its category.

Ghost Light

Looking back along the ridge
a thin rib of light briefly
illuminates the forest floor
and silhouettes trees stark against winter sky.
Look too soon
and you miss the mystery
of Dillon’s Mountain’s brief farewell
to nightsky and stars and sweet Venus.
Look too late
and the slumbering giant
lumbers slowly
into its ordinary dayspring.
But if you should,
by chance or intent,
catch the moment,
you will see life
and hope
renewed
in a sudden shaft of dawnbreak.

You can follow Morgan on Facebook and Instagram or visit her website.

Robert Fleming is a gay man who writes and creates art about gay, transgender, and universal themes. After coming-out, he published in LGBTQ magazines. He says that when he” stopped obsessing about being gay”, he realized that his sexual orientation is only one part of who he is. This enabled him to write on universal human themes and crossover into publishing in straight magazines.

For pride, one his favorite poems is one he wrote, Passed Over , that was published in 2020 in Trees In A Garden Of Ashes by Local Gems Press. Robert is grateful to James Wagner, the editor of Local Gems Press, who published many of his gay and transgender works.

For pride 2025, Robert recommends to submit to publish in Oddball magazine that has categories in nonsexual orientation and pride (LGBTQ). You can find submission guidelines here.

Robert is the author of the Amazon best-selling visual poetry book, White Noir.

Here is a link to his visual artist profile.

Follow Robert at Facebook

Chuffed!

Here I am with Linwood Jackson, President of the Delaware Press Association.

On May 1, I was awarded a Second Place in the Delaware Press Association Communications Awards for my book, The Song of North Mountain. This was my veryfirstever book released solely under my name, and the award presentation was exactly one year after the book hit publication.

I am quoting the judge, whose name I don’t know, in their comments regarding the award. “This is a beautifully crafted collection of poems that takes readers on a journey through nature, personal reflection, and the deep connection between the land and the human sprit. With vivid imagery and emotional insight, You (sic) capture the essence of the North Mountain landscape, blending personal growth, exploration, and the rhythms of life. The poems are rich with sensory details and metaphor, drawing readers into the natural world where every “rustle of leaves, shift of light, and breath of wind carries meaning.” I find that your writing, both introspective and outward-looking, intertwines the inner and outer worlds, exploring themes of solitude, contemplation, and the passage of time with tenderness and reverence, giving the collection a meditative quality.”

Many of us, particularly of my generation, suffer from imposter syndrome, that feeling that we’re really just pretending to be . . . smart, kind, good at what we do, talented, strong, etc. I’ve been writing since I was a teenager. Mostly doggerel, lines about angst, loss, imaginary friends, and wry observations. As I’ve aged and matured, so has my writing. I’ve discovered poets other than those I was raised on (Longfellow, Holmes, Browning) and many who write in rhymed and metered verse.

College introduced me to more complicated poetry – Ferlinghetti, Hopkins, Stevens, Auden, Eliot, Yeats. And then, foreign writers, like Rumi, whose ideas were so very different from those I had been immersed in.

So, I still wrote, but still privately, only sharing sparingly, for I still did not consider myself a “good” poet.

Well, I guess I am now. This anonymous judge really liked my work! The DPA, in their wisdom, selected judges that were not from Delaware. Delaware, being such a small state, is one where everyone knows everyone else, especially in communications and writing. So all I know about this anonymous judge is that he or she is not from around here. And, they liked my work.

Being a creator, whether in writing, arts, crafts, or just about anything, we have the angels and devils on our shoulders. One says, “Perfect. Absolutely PERFECT. Don’t change a thing!”

The other angel is the voice of the imposter. “Really? You expect anyone to like this? What balderdash! This is ROTTEN!” So we hide our creation away, or simply refuse to edit it.

I think we’ve all been there. The fact is, creating is a matter of taking risks. Making changes. Wondering if what we have written can be said better. And having the courage to play with it. Editing. Changing the recipe. Adding a stroke of color. 

I can certainly attest that every single poem and sketch in this book was analyzed, edited, and reworked (and rethought) at least 5 times.

Ghost Light, the poem I included in my last blog, was awarded a Second Place, also. This judge commented that “Your evocative, photographic-like details set the ghost-like mood and scene from the beginning. . . .” And, ‘the last stanza is particularly well-turned — “by chance or intent,/ catch the moment, . . . in a sudden shaft of dawnbreak.’”

The judge noticed. They noticed the internal rhyme, the alliteration, the combining of words to create a new meaning. These are ‘tools’ I labored over, hoping the reader would listen to these words and how they created an atmosphere, a feeling, a response.

We all too often hesitate to read out loud, to ourselves or to anyone else. But it is important. Whether we read to a child, or are read to, there is a chance for us to escape into the word picture created by the author. That’s what I try to do — create word pictures for you to explore.

You can find The Song of North Mountain on Amazon and other retailers, and my author page on Amazon. Follow me on social media at Facebook as Morgan Golladay, Writer and Artist, in Instagram as morgangi13, and please FOLLOW my blog too.

If you have a copy of The Song of North Mountain, please leave a review. Thank you! I appreciate it!

May 15, 2025

Pick up a copy!

Powell’s Books
Paperback
eBook

Audio (no subscription: download to your device)

From Onions to Tomatoes: A Writer’s Spring Garden

by Nadja Maril, a Founding Member of the Old Scratch Press Short Form and Poetry Collective

We’ve got onions, potatoes, and peas growing in our garden this year. The peas will be ready for harvest six weeks from now, according to my husband who planted the newly sprouting seeds.

In another part of the yard are the tomato plants, still very small. We got a late start. Perennial herbs: sage, oregano, rosemary, thyme, mint and dill made it through the winter. I’m waiting for my fresh basil and cilantro.

Dill,Thyme and Oregano

Each year the line-up of vegetables is different.  New vegetables. New challenges on how to best use these fresh ingredients. This year for 2025 we’ll be harvesting lettuces, spinach, beets, broccoli, peas, leeks, and peppers.

Always we must have tomatoes. They do well in Maryland and they are versatile both raw and cooked. Home prepared tomato sauce, gazpacho and tomatoes off the vine with fresh basil are the best.  

Nadja’s gazpacho

My chapbook,RECIPES FROM MY GARDEN, published by Old Scratch Press, is partially a tribute to herbs and vegetables. If curious about poems that are also recipes visit this link

At the end of March and start of April we were lucky enough to enjoy our own asparagus! Yes, you are supposed to wait until the third year after planting and this is only the second year, however, it looked good and tasted great! We only took a few stalks. The rest we are leaving to enable the plant to go through its cycle of developing leaves and establishing a good root system.

first season asparagus
Second Year Asparagus Crop.

So what is the best way to cook asparagus? I would suggest as minimally as possible. My mother and grandmother would put it in the pressure cooker until it became soft. Too much flavor is lost when asparagus  (Gus) is overcooked and the texture borders on mushy. Steaming a few minutes, or a coating of olive oil and a few minutes under the broiler or on the grill rotated half way through the process to keep the temperature even, are my favorite ways to enjoy Gus. You can also cut it up for use in a veggie stir fry or sauté with garlic, tomatoes and scallions to dress up a pasta.  Top with fresh grated parmesan.

Photo by Nati on Pexels.com

WRITING PROMPT:

You’ve been invited to a dinner. What are they serving? What do you notice on the table? How does it taste? How are the other guests reacting to what is being eaten and to what is being said? This can be fictional or it can be a memory, but select the details that clearly bring the scene into focus.  Write for fifteen minutes. Read back what you’ve written. Is there a sentence with power that pops? Take that sentence and start again maybe adding an action such as a glass is broken, there is a knock on the door ie something happens to change the scene slightly. Have fun with it and maybe you’ll develop it into a poem, story or essay.

Here is a piece of short prose inspired by the ingredients of an unusual stew. Enjoy.

Thank you for reading and if you haven’t already done so, please sign up for FREE to follow Old Scratch Press on Facebook and WordPress.

Celebrate National Poetry Month: Read a Poem a Day!

April is National Poetry Month, which makes it a great time to enjoy the beauty and power of words! Whether you love poetry or are just starting to explore it, reading a poem each day is a wonderful way to celebrate the art of the poem.

Why Read a Poem a Day?

Poetry helps us express feelings, tell stories, and learn new words. Reading one poem a day can:

  • Improve Reading Skills – Poems use creative language that helps build vocabulary and understanding.
  • Inspire Creativity – Poetry makes us think in new ways and see the world differently.
  • Help You Relax – The rhythm and emotions in poetry can be calming and enjoyable.
  • Grow Empathy – Poems share different experiences and feelings, helping us understand others better.

Easy Ways to Add Poetry to Your Day

  1. Start Your Morning with a Poem – Read a short poem to begin your day with inspiration.
  2. Read Poetry with Friends and Family – Share a poem out loud and talk about it together.
  3. Use Online Poetry Resources – Websites like Poets.org and Poetry Foundation offer daily poems.
  4. Write About What You Read – Keep a journal to jot down thoughts or even try writing your own poems!

Poets and other resources to Check Out

If you’re not sure where to start, here are some poets you might enjoy:

Join the Fun!

National Poetry Month is the perfect time to enjoy poetry. Challenge yourself to read a poem each day, share your favorites, or even try writing your own! Celebrate the power of poetry—one poem at a time.

What’s your favorite poem? Share it in the comments below!

The Joy of Sharing Poetry in Adult Reading Groups

Photo by Bade Saba: https://www.pexels.com/photo/a-woman-holding-an-open-book-with-seeds-in-it-15936115/

There are so many groups centered around the craft of writing, and book groups can be found at every local library, but what about those who enjoy poetry? Groups centered around poetry can help us tune out the digital noise of this fast-paced world and focus on the beauty and wonder that can be captured in a poem. Adult reading groups (even those that don’t focus on poetry!) provide a meaningful space for connection, reflection, and creativity, which can be hard to find these days. 

I recently received an invitation to be a guest speaker at a local poetry gathering. The meeting coordinator asked that I share not just my writing process, but what inspired each piece. We had a conversation between each poem where group members shared how the poem resonated with them and personal experiences they saw reflected in the poem. It was an open, engaging conversation that I’ve never experienced at other readings I’ve done. This group is accustomed to sharing poems with each other and closely reading them together (though often they aren’t poems written by any members of the group). I’m hoping to join more meetings in the future to participate in the discussions they have about other poets’ work.

Why Poetry?

Poetry has a unique ability to distill deep emotions and complex ideas into a few powerful lines. Unlike traditional book clubs that focus on lengthy narratives, poetry groups embrace the power of brevity and rhythm, allowing for rich discussions within a short span of time. Reading a poem is less of a time commitment than an entire novel. Whether exploring classic poets like Emily Dickinson and Rumi or contemporary voices such as Amanda Gorman and Ocean Vuong, these groups celebrate the diverse perspectives poetry offers. Close readings of poetry can also allow us to focus on the beauty of the language itself.

Benefits of Poetry Reading Groups

1. Help People Connect Emotionally

Poetry allows people to express their feelings and thoughts. Reading and talking about poems in a group helps members open up, relate to each other, and feel supported.

2. Encourage Creativity

Being part of a poetry group can inspire people to write their own poems. Whether they try writing on their own or share their work with the group, they get a chance to be creative and hear helpful feedback. However, the creative spark might extend beyond writing. One of the group members today brought up that she is a painter and is sometimes inspired to make art. Ekphrastic poems are inspired by visual art, but that inspiration can go both ways!

3. Improve Listening and Thinking Skills

Poetry can be deep and full of hidden meanings. When people read poetry together, they practice listening carefully and thinking about different interpretations, helping them see new perspectives.

4. Create a Sense of Community

Sharing poetry helps people feel connected. Whether meeting in person or online, poetry groups provide a friendly and welcoming space where people can relax, share ideas, and enjoy meaningful conversations.

How to Start or Join a Poetry Reading Group

  • Find a Local or Online Group: Many libraries, bookstores, and community centers host poetry groups. If you prefer a virtual option, platforms like Meetup and Facebook often feature online poetry discussions.
  • Select a Theme or Poet: Each session can focus on a specific poet, theme (e.g., love, nature, resilience), or poetic form (e.g., haiku, sonnets, free verse) to guide discussions.
  • Encourage Participation: Allow members to bring their favorite poems or share their own work.
  • Create a Welcoming Atmosphere: Set the tone for an inclusive and respectful dialogue where all voices are valued and diverse perspectives are celebrated. Also, snacks are always a crowd pleaser!

Final Thoughts

Poetry reading groups offer more than just literary discussion—they provide a space for connection, inspiration, and personal growth. Whether you’re an avid poetry lover or a newcomer to verse, joining a poetry group can open new doors to creative expression and meaningful relationships.

Do you participate in a poetry reading group? Share your experiences or favorite poems in the comments below!

Here is a link for one of my favorite poems submitted last year to Instant Noodles. We liked it so much, we nominated it for an award. THINGS THAT SOUND LIKE GUNSHOTS ~ Michelle Meyer

Why Prose Writers Should Make Reading Poetry a Daily Habit

Many writers, including myself, write both prose and poetry. For me, it just depends on the subject matter as to which form I choose. Many writers begin with one form of writing and evolve to another. There are some writers who begin in one genre and stay there. In the end of the day, our paths are different, but we are all writers, and all writers want to tell a story. We want readers to feel something, experience something, remember something. We want them to leave us changed in some small way. Even if you don’t want to learn about the craft of poetry in a formal way, as in attending workshops, just reading a few poems a day will improve your prose writing in ways that will surprise you. 

Poetry as a form succeeds on bold, visual imagery, exact information from all the senses. This is how the reader enters the poem and lives inside it for a brief time. By reading lines of poetry, prose writers will also experience and come to understand why rhythm matters. There is great impact when rhythm is found in sentences and phrases.

One of the defining benefits of studying and writing poetry for me as a prose writer has been that in poetry more than any other genre, each and every word must do work, and I mean each and every word. Poets take time and great care choosing words and prose writers, if you want to be your best, you should be doing that as well, but it takes practice. Read Hemingway again to see why this matters. 

Poetry has the same elements as prose writing, such as characterization and narrative arc, but it contains more unexpected phrases, surprises and turns that send readers in directions they didn’t expect. This is often missing from prose writing, and it shouldn’t be. Additionally, poetry teaches us about pace. How long lines with no punctuation slow the reader down. How a short line placed just right can then really pack a punch. 

Prose writers can also use traditional poetry techniques to enhance their narratives such as assonance, linking words with similar vowel sounds. Using words in this way can produce a desired effect on the reader such as a calming effect as if listening to music. 

My greatest lesson and take away as a prose writer who reads poetry every single day is that endings are so incredibly important. When you read enough good poems, you’ll see what I mean. And stories, like poems, deserve the best endings possible. This is something to strive for. 

So, you want to be a good prose writer? Then read poetry. Simple as that. Poetry teaches us all how to use our language. Poetry teaches how to describe. Poetry demonstrates mood, voice, momentum in unexpected ways. We all want the same thing. To tell the story we want to tell in the best way we can. Reading poetry will help us learn to do that. 

There are many good online literary journals where you can read poems: Narrative Magazine, Agni, Carve, Rattle, 32 Poems, A Public Space, Apple Valley Review, Evergreen Review, The Cortland Review, Waxwing, Pigeon Pages, Cleaver Magazine, Able Muse. 

You can also sign up to receive daily poems from: Rattle, Your Daily Poem, Poem-a-Day, Poetry Daily, Poem of the Day. All these are free as is the wonderful podcast written and hosted by one of my favorite poets Padraig O Tuama: Poetry Unbound. I would also highly recommend Padraig’s wonderful book: 50 Poems to Open Your World.  

Happy Reading!  

~Ginny

Virginia Watts has been fortunate to have published nearly 100 pieces in literary magazines including CRAFT, The Florida Review, Reed Magazine, Pithead Chapel, Permafrost Magazine, Broadkill Review, Two Thirds North, Hawaii Pacific Review, Sky Island Journal, Eastern Iowa Review, Evening Star Review and Streetlight Magazine. Nominated four times for a Pushcart Prize and four times for Best of the Net, in 2019, Watts won The Florida Review Meek Award in nonfiction.

Her poetry chapbooks The Werewolves of Elk Creek 

and Shot Full of Holes are available from Moonstone Press. Her debut short story collection Echoes from the Hocker House is available on Amazon.

National Grammar Day Poetry Contest

Don’t miss your chance to submit to the National Grammar Day Poetry Contest:

SUBMISSION PROCESS (copied from ACES)

Poem requirements

  • All poems submitted for consideration must be original, unpublished, and short. 
  • Short is key. No epics, please. 
  • Meter, rhyme, free verse? Haiku, limerick, quatrain, sonnet? The choice is yours. 
  • Entries should make a point about language: grammar, usage, typos, writing, editing — whatever inspires you think captures the spirit of National Grammar Day.  

Who can enter

Everyone is invited to participate. You do not need to be a member of ACES or work as an editor. The winning entry will be selected by a panel of judges that includes the previous year’s winner, along with language and poetry experts. ACES administers the award; it does not decide the winners. 

How to submit your entry

In order to be considered by the judges, official entries must be submitted through the entry form.
Multiple submissions are welcomed. 

ENTRY FORM

That said, we encourage you to share your entries on your favorite social media platforms. If you tag #ACES and #GrammarDay we will be able to find you and reshare. 

When to submit

The submission form is open Feb. 15-28. The link will be available here during that window.    

Learning the results

ACES will announce the winner on, naturally, March 4, in a post on its news channel and in its social media channels. The winning poem will be included in the story, along with the runner-up entries. 

Writing and Reading for the Resistance: The Power of Words in a Time of Struggle

Photo shows raised fists beneath the word resist in orange block letters.

Words have power. In times of injustice, oppression, and uncertainty, words become more than just ink on a page—they become weapons, shields, and bridges. They can challenge unfair systems, inspire people to take action, and bring communities together. Writing and reading for the resistance means using stories, poems, and books to fight injustice and create a better future. Throughout history, people have used words to stand up against oppression—and today, we can do the same.

Writing as a Way to Fight Back

Writing can be a powerful tool in the fight for justice. To write is to document, to bear witness, and to refuse erasure. The act of storytelling itself can be a radical act, especially when it amplifies the voices of those who are silenced. It allows people to share their truths, educate others, and imagine a better world. Writing for the resistance can include:

  • Telling Untold Stories – Write about important events or people that history books ignore.
  • Challenging Misinformation – Speak out against lies and rewriting stories that are unfair or incomplete.
  • Creating New Worlds – Use fiction, poetry, or essays to imagine new possibilities that envision a just world.
  • Providing a Platform – Elevate marginalized voices, offering them space to share their truths.

Reading as a Form of Resistance

Reading isn’t just about learning—it can be a way to resist oppression. What we read shapes how we see the world, so choosing books wisely is important. Some ways reading can be an act of resistance include:

  • Reading Banned Books – Books that are censored often contain ideas that challenge powerful systems.
  • Learning from Activists and Leaders – Reading about people who fought for justice in the past can teach us how to do the same today.
  • Supporting Diverse Authors – Seek out authors whose voices are often ignored by mainstream publishing. Choosing books by writers from different backgrounds helps bring new voices into the conversation.
  • Sharing Knowledge – Share books, discuss ideas, and create spaces where literature fuels action. Talking about books with others can spread important ideas and inspire others to act. 

How You Can Take Action

If you want to use reading and writing to create change, here are some ways to start:

  1. Join or Start a Book Club – Read books that challenge systems of oppression and discuss them with friends.
  2. Write and Share Your Ideas – Whether through social media, blogs, or poetry, use your words to stand up for what’s right.
  3. Support Independent Bookstores & Libraries – These places often carry books that challenge unfair systems.
  4. Document What’s Happening – Keep a journal, write about current events, or interview people to make sure important stories aren’t forgotten.

Resistance is an ongoing effort, and literature—whether through reading or writing—has always been a vital part of that struggle. Words have changed the world before, and they can do it again. By reading and writing with purpose, we can stand up against injustice and help create a better future.

What books have inspired you to take action? What stories still need to be told? Share your thoughts and let’s keep the conversation going!

Books About the Power of Words & Resistance

For Middle & High School Readers

  1. Stamped: Racism, Antiracism, and You by Jason Reynolds & Ibram X. Kendi – A powerful, engaging look at how racist ideas have shaped history and how we can challenge them.
  2. The Hate U Give by Angie Thomas – A novel about police violence, activism, and finding your voice in the face of injustice.
  3. Internment by Samira Ahmed – A dystopian novel about a near-future America where Muslim Americans are sent to internment camps, and a young girl fights back.
  4. Maus by Art Spiegelman – A graphic novel that tells the story of the Holocaust through the eyes of the author’s father, using animals to represent different groups.
  5. Brown Girl Dreaming by Jacqueline Woodson – A memoir in verse about growing up Black in America and the power of storytelling.

For Adult Readers (But Still Accessible)

  1. The Fire Next Time by James Baldwin – A powerful collection of essays about race and justice in America.
  2. We Should All Be Feminists by Chimamanda Ngozi Adichie – A short but powerful book about gender equality.
  3. 1984 by George Orwell – A classic novel about government control, censorship, and the fight for truth.
  4. Their Eyes Were Watching God by Zora Neale Hurston – A story of a Black woman’s journey to find her own voice in a society that tries to silence her.
  5. The Handmaid’s Tale by Margaret Atwood – A dystopian novel about a future where a theocratic government strips women of their rights, reducing them to roles based on reproduction.

Poetry & Essays for Resistance

  1. Citizen: An American Lyric by Claudia Rankine – A mix of poetry and essays that explore race, identity, and resistance.
  2. Milk and Honey by Rupi Kaur – Poetry about survival, resilience, and healing from oppression.
  3. The Hill We Climb by Amanda Gorman – The poem that was read at President Biden’s inauguration, full of hope and resistance.
  4. I Am Alfonso Jones by Tony Medina – A novel in verse about police violence and the impact of activism.
  5. How to Read the Air by Dinaw Mengestu – A novel about identity, immigration, and reclaiming personal and historical narratives.

Creative Valentine’s Day Collage Poems

By Nadja Maril, a Founding Member of the Old Scratch Short Form and Poetry Collective

February is Valentine’s Day month. Instead of trying to send everyone Christmas and New Year’s cards, I like to surprise friends with Valentine’s Day cards. My handmade cards feature words as well as images. So why call them cards at all? They are actually Visual Poems. And because they are made from bits and pieces of collected words, colored paper and illustrations glued onto paper, they are also Collage Poems.

Try it. Once you created a few, you may become hooked. Many artists gravitate towards working in more than one medium. Visual art and poetry work well together. If you desire to be published, a market exists for creative work which combines the two mediums of visual art and words. I will providea list of publications at the end of this article. But first, let’s get started with a little inspiration.

Assembling the materials is part of the fun.

Valentine’s Day Origins

The name Valentine comes from Saint Valentine, and there are three men who are recognized as Saints by the Catholic Church. The most popular Valentine story, according to my research, is the one about the priest who performed secret marriages in opposition to Emperor Claudius II who ordered that all his soldiers remain single. Who the actual St. Valentine was is open to debate.  Maybe February 14th is the approximate date of one of the martyred  St. Valentines’ funerals, but it is remarkably close to the Roman fertility festival Lupercalia, once celebrated on the Ides of February ( February 15th).  In some Roman villages it is said that young men and women were matched up as lovers for a year in an effort to produce more children. A day that honored love and passion, in England and France February 14thwas the start of the birds’ mating season. 

The tradition of exchanging cards and love tokens is thought to begin in the middle of the 18th century. By the 19th century, the mass production of printed cards made Valentines’ cards even more popular. Gloves and handkerchiefs were two personal items lovers often gave to one another during the Victorian era. Flowers—pressed or fresh, as well as lines of verse given to our Valentine follow the romantic tradition of conveying ardor for those we adore. 

Collage Poem by Nadja Maril. This collage takes lines from several well-known poems and integrates them into a collage of images and shapes connected to love.

Collage

The word collage comes from the French verb coller, meaning to paste or glue. In visual art, a collage is comprised of pieces of paper, cloth or other gathered materials arranged and permanently attached to a surface. Old photos, advertising flyers, ticket stubs, magazine illustrations; are some typical collage materials. As a teenager I’d collect shells, dried seaweed, bits of sea glass to glue on to a flat piece of weathered wood; another type of collage. Whether you use buttons, lace, tissue paper, bits of colored plastic, feathers or fur- the possibilities really are infinite.

Now, think of a collage of words. Instead of collecting physical items collect words, phrases, entire articles that resonate with you. While modernist artists in the early 20th century were creating collages of shapes and colors, Avant-garde groups that included Surrealists and Dadaists took the form to another level by including language. Tristan Tzara famously advocated a “cut-up” method of composition, involving cutting out words from a newspaper and pulling them out of a hat to create a poem. Whether you take excerpts from a political speech, a nursery rhyme or a popular song, by incorporating a medley of sources you are creating a collage poem.

Take another step to combine a visual collage with a literary collage and you have a hybrid, a poem that provides a visual and verbal experience. Whether you want to call it a collage poem, a merging of two art forms or an awesome Valentine’s Day Card—that’s up to you.

Publications that Publish Work that Combine Images and Words

These are just a few to get you started.

A Velvet Giant

https://www.avelvetgiant.com/

ctrl +v

https://www.ctrlvjournal.com/

Diagram

https://thediagram.com/

Dream Pop Journal

https://www.dreampoppress.net/

Ghost Proposal

https://ghostproposal.com/

Instant Noodles Literary Review

The Offing

https://theoffingmag.com/

Timber

https://timberjournal.org/

If you need a different sort of Valentine’s Day gift, not the typical candy or flowers, considering purchasing a poetry chapbook and sending it to a friend. At Old Scratch Press we have published five chapbooks thus far, all under $9, with more to come.  Take some time out of your day for some quiet reflection and share the love. Whoever started the idea of a day celebrating our connection to one another, let’s try and keep it going.

Nadja Maril is the author of Recipes from my Garden, Old Scratch Press, September 2024. Nadja Maril’s short stories, poems and essays have been published in dozens of small online and print literary journals and anthologies including: Lunch Ticket, Spry Literary Journal, Invisible City Literary Review, and The Journal of Compressed Creative Arts.She has an MFA in creative writing from Stonecoast at USM. A former newspaper columnist and magazine editor, she writes a weekly blog and you can visit her website at www.Nadjamaril.com.

Thank you for reading. Please sign up to follow us here on WordPress and on Facebook.